US President Donald Trump leans forward in a limousine, takes a long puff from a cigarette and flashes a wide grin. An aggressive rap song blasts over the stereo as a group of young women bob around him.<\/p>\n
No one would mistake the otherworldly scene for reality \u2013 and they shouldn\u2019t, because it was made by artificial intelligence. Yet it caused a stir when it was released online last year, skewering Trump, former Vice President Kamala Harris and others using lifelike AI replicas, soaring to more than 16 million views on YouTube.<\/p>\n
It was the biggest hit yet by the Dor Brothers, a video production studio that has gained notoriety online \u2013 along with more than 100 million views across platforms \u2013 by fully embracing AI.<\/p>\n
The studio is now among the most popular AI-powered artists on the internet for its roster of subversive videos released on YouTube and then circulated rapidly across social media, which are made entirely by AI tools. It said its revenue crossed US$1mil (RM4.24mil) last year for its commercial projects, including consulting work for brands that are increasingly curious about AI. Joe Rogan, the world\u2019s most popular podcaster, called the studio\u2019s work \u201cincredible.\u201d<\/p>\n
Its videos have attracted plenty of criticism, too, with some viewers dismissing the work as \u201cAI slop.\u201d Rival AI studios have made work with clearer commercial appeal \u2013 like one studio that made a Toys \u201cR\u201d Us commercial last year \u2013 while others have made short films that rival Hollywood productions, including a gripping retelling of a Ukrainian drone strike that Variety compared to Mission: Impossible.<\/p>\n
The Dor Brothers and other so-called AI artists are part of an explosive new era for video \u2013 one that wants to do away with the cameras, set designers, makeup artists and even actors who have long been essential for films and television shows. Within the next few years, they expect the tools will give any artists with a vision and a keyboard the power to make whatever videos they can imagine.<\/p>\n
\u201cIt\u2019s obvious, things are shifting and changing,\u201d Yonatan Dor, the 28-year-old head of the studio, said in an interview from Lisbon, Portugal. \u201cWe need to adapt as a species to the technology.\u201d<\/p>\n
Many artists loathe AI-powered image generators and video creators, saying they produce cheap imitations of art by plagiarising the copyrighted material the machines are trained on. (The New York Times has sued OpenAI, the maker of ChatGPT, for copyright infringement.)<\/p>\n
AI artists like Yonatan Dor argue that the tools are actually a purer form of expression, offering the most direct link between the artist\u2019s brain and the end result, without the compromises required in large productions or the constraints that come with complex shoots.<\/p>\n
\u201cThe only thing that will matter is creative ideas, unique ideas, unique creators,\u201d Dor said about the future of AI video. \u201cThe rest will be irrelevant.\u201d<\/p>\n
There are signs that the art world is catching up to the AI boom. Runway, an AI video company, held its third annual film festival this year at New York City\u2019s Lincoln Center, assembling a jury of film industry veterans. The Dor Brothers\u2019 work may seem juvenile in comparison: This year\u2019s winning entry offered a mesmerizing essay on the nature of art itself, called \u201cTotal Pixel Space\u201d. Everything from the video to the transfixing narration was made by AI.<\/p>\n
\u201cIf you count the amount of people making professional feature films that are exhibiting at, like, the Lincoln Center, it\u2019s not that many,\u201d Crist\u00f3bal Valenzuela, CEO of Runway, said in an interview. \u201cI think we\u2019re getting to a point where there\u2019s going to be way more people, like billions of people, who are able to do that.\u201d<\/p>\n
The Dor Brothers \u2013 who include Dor and four full-time staff members and scores of freelancers \u2013 have focused on videos that are far more subversive and Internet-friendly than what\u2019s seen on the festival circuit. Dor described it as an \u201cold-school \u201990s MTV\u201d mentality.<\/p>\n
\u201cWe\u2019re just going to do what we want to do,\u201d he said. \u201cTake it or leave it.\u201d<\/p>\n
Dor got his start making videos the old-fashioned way, with film crews and expensive budgets. He stumbled onto an early AI image generator in early 2022 and became hooked on the technology, believing it could bring his creative ideas to life without the hassle of film production. He spent eight to 12 hours a day creating AI images, selling his services online. When the next generation of generators came out, allowing users to turn text and images into full videos, Dor was in the perfect position to capitalise.<\/p>\n
In \u201cInfluenders\u201d, an AI-generated video the studio released in May, the Dor Brothers created a world where war was wreaking havoc across America. Dor populated his scenes with AI-generated social media influencers who narrate the proceedings with an eerie enthusiasm \u2013 a satirical commentary on today\u2019s omnipresent influencer culture.<\/p>\n
\u201cIt all starts with old-school creativity,\u201d Dor said. \u201cWe come up with an idea \u2013 sometimes through brainstorming; other times it just hits someone on the team and we develop it together. Once we have the concept, we begin testing.\u201d<\/p>\n
Their process starts with a chatbot like ChatGPT, where they ask the AI system to create prompts for videos based on some basic instructions. The chatbot offers a mix of ideas, and the AI artists select and edit their favorites. They input those prompts into a video generator like Runway or Google\u2019s Veo 3. The systems typically spit out a few versions at a time, giving the studio a chance to suggest tweaks or try again. They sometimes try hundreds of versions before a video is complete, Dor said.<\/p>\n
Dor\u2019s latest projects include Vorex, a sci-fi action trailer reminiscent of The Matrix, and The Fountain, a gruesome six-minute film about a crew of sailors who are attacked by bloodthirsty mermaids.<\/p>\n
They both have the makings of real productions that could one day air on television. That is, if they\u2019re embraced by audiences as more than \u201cAI slop\u201d.<\/p>\n
Dor expects that, in the near future, the tools will allow him to upload specific characters \u2013 a voice, a face, a wardrobe \u2013 and be able to animate a consistent version of the AI person through different scenes.<\/p>\n
\u201cThen every time you generate, it will have a similar voice, it will look the same,\u201d Dor said. \u201cAnd then we\u2019re really starting to compete with Hollywood.\u201d\u00a0\u2013\u00a0\u00a92025 The New York Times Company<\/p>\n