{"id":235374,"date":"2025-10-23T15:42:12","date_gmt":"2025-10-23T15:42:12","guid":{"rendered":"https:\/\/www.newsbeep.com\/au\/235374\/"},"modified":"2025-10-23T15:42:12","modified_gmt":"2025-10-23T15:42:12","slug":"daniel-caesar-son-of-spergy-review-a-brave-examination-of-a-complex-family-relationship","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/au\/235374\/","title":{"rendered":"Daniel Caesar &#8211; &#8216;Son Of Spergy&#8217; review: a brave examination of a complex family relationship"},"content":{"rendered":"<p>Eventually, we all become reflections of our parents. That\u2019s how the clich\u00e9 goes, and it\u2019s an idea that forms the core of <a href=\"https:\/\/www.nme.com\/artists\/daniel-caesar\" rel=\"nofollow noopener\" target=\"_blank\">Daniel Caesar<\/a>\u2018s fourth studio album, \u2018Son Of Spergy\u2019. Many words have been scribbled and spoken on this subject, but this record feels ambitious nonetheless: a brutally honest and genuinely brave attempt to examine the complex ties that bind the Canadian singer (born Ashton Simmonds) to his father, Norwill.<\/p>\n<p>The album was prompted by some soul-searching that took place after Simmonds\u2019 30th birthday. This landmark represented a moment of sudden maturation and sparked questions about the kind of man he wanted to be, which play out on \u2018Son Of Spergy\u2019 across a sprawling landscape of light, pensive, gospel-influenced soul music. On \u2018Moon\u2019, which evokes the feeling of a long drive into the unknown, with its rhythmic roll of soft tambourines and acoustic guitar strums, he gasps: \u201cIs this what you call love? \/ Someday I will leave your home \/ I\u2019ll be a man, I\u2019ll make my own\u201d.<\/p>\n<p>Fuelling this self-discovery, there\u2019s a palpable sense of Simmonds taking accountability for the character he has become. On \u2018Who Knows\u2019, he sings \u201cLately I\u2019ve been thinking that perhaps I am a coward \/ Hiding in a disguise of an ever-giving flower\u201d, while lead single \u2018Root Of All Evil\u2019 contains self-chastisements like \u201cAm I a man or a beast? \/ Somebody please discipline me \/ For I\u2019m a sinner\u201d. In truth, there\u2019s a slightly uncomfortable masochism to these moments, a kind of harsh self-flagellation that appears a little over-indulgent and doesn\u2019t feel like it\u2019s doing much good.<\/p>\n<\/p>\n<p>Tensions are eased by the soulful, cleverly constructed instrumentals Caesar stakes over. There\u2019s variety, but coherence; \u2018Have A Baby\u2019 is a slow builder, its measured, consistent piano line and syncopated rimshots gradually forging a path towards a more expansive ending. Opener \u2018Rain Down\u2019, meanwhile, is more abstract and largely beat-less, instead using a warm piano base as the backbone for fluttering choral sections, including a glowing contribution from UK vocalist <a href=\"https:\/\/www.nme.com\/artists\/sampha\" rel=\"nofollow noopener\" target=\"_blank\">Sampha<\/a>.<\/p>\n<p>Strong gospel influences play an important role in fleshing out the connections between the artist and the muse (in this case, his father). Field recordings of muffled chatter help increase the sense of domestic exploration, as Simmonds navigates and interrogates his family inheritances. Sometimes the introspection is a touch overcooked, the lyricism stumbling into platitude. But the honesty and self-interrogation should be applauded, and the powerful, richly textured soundscapes behind it all show why Daniel Caesar is revered as one of the most important artists in modern <a href=\"https:\/\/www.nme.com\/tag\/rb\" rel=\"nofollow noopener\" target=\"_blank\">R&amp;B<\/a> and <a href=\"https:\/\/www.nme.com\/tag\/soul\" rel=\"nofollow noopener\" target=\"_blank\">soul<\/a>.<\/p>\n<p>Details<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-3782516 alignleft\" src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2025\/10\/daniel-caesar-son-of-spergy-artwork.jpg\" alt=\"daniel caesar son of spergy review\" width=\"400\" height=\"400\"\/><\/p>\n<p>Record label: Republic Records<br \/>\nRelease date: October 24, 2025<\/p>\n","protected":false},"excerpt":{"rendered":"Eventually, we all become reflections of our parents. That\u2019s how the clich\u00e9 goes, and it\u2019s an idea that&hellip;\n","protected":false},"author":2,"featured_media":235375,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[64,63,447,134,27648],"class_list":{"0":"post-235374","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-celebrities","8":"tag-au","9":"tag-australia","10":"tag-celebrities","11":"tag-entertainment","12":"tag-rb"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/235374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/comments?post=235374"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/235374\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media\/235375"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media?parent=235374"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/categories?post=235374"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/tags?post=235374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}