{"id":358933,"date":"2025-12-19T19:55:16","date_gmt":"2025-12-19T19:55:16","guid":{"rendered":"https:\/\/www.newsbeep.com\/au\/358933\/"},"modified":"2025-12-19T19:55:16","modified_gmt":"2025-12-19T19:55:16","slug":"debt-plagues-artists-regardless-of-career-stage-survey-finds","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/au\/358933\/","title":{"rendered":"Debt Plagues Artists Regardless of Career Stage, Survey Finds"},"content":{"rendered":"<p>                <a class=\"gh-article-tag\" href=\"https:\/\/hyperallergic.com\/tag\/news\/\" rel=\"nofollow noopener\" target=\"_blank\">News<\/a><\/p>\n<p class=\"gh-article-excerpt is-body\">Data compiled by artist mentor Paddy Johnson from over 1,000 respondents indicates that \u201cartists across all levels struggle with a lot of the same things.\u201d <\/p>\n<p>                            <a href=\"https:\/\/hyperallergic.com\/author\/rhea-nayyar\/\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n                                <img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2025\/12\/rhea-nayyar-d-blank-r-g-s-500.jpg\" alt=\"Rhea Nayyar\"\/><br \/>\n                            <\/a><\/p>\n<p>        <img decoding=\"async\"   src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2025\/12\/FINAL-klimt.jpg\" alt=\"Debt Plagues Artists Regardless of Career Stage, Survey Finds\"\/><br \/>\n            In the survey, 45% of artists reported that they earned less from their practice in 2025 than they did last year. (image of Gustav Klimt&#8217;s &#8220;Death and Life&#8221; (1915) via <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Gustav_Klimt_-_Death_and_Life_-_Google_Art_Project.jpg\" rel=\"nofollow noopener\" target=\"_blank\">Wikimedia Commons<\/a>, <a href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/deed.en\" rel=\"nofollow noopener\" target=\"_blank\">CC0 BY 4.0<\/a>; edit Lakshmi Rivera Amin\/Hyperallergic)<\/p>\n<p>Findings from a new survey for artists report that 56% of participants are working through debt. That statistic climbed to 59% for those with gallery representation and museum shows under their belt. According to art critic and career advisor <a href=\"https:\/\/hyperallergic.com\/author\/paddy-johnson\/\" rel=\"nofollow noopener\" target=\"_blank\">Paddy Johnson<\/a>, who spearheaded the &#8220;<a href=\"https:\/\/courses.netvvrk.com\/new-visions\/?ref=hyperallergic.com\" rel=\"noreferrer nofollow noopener\" target=\"_blank\">New Visions<\/a>&#8221; survey, data compiled from over 1,000 respondents indicates that \u201cartists across all levels struggle with a lot of the same things.\u201d<\/p>\n<p>Johnson \u2014 who also pens Hyperallergic&#8217;s advice column <a href=\"https:\/\/hyperallergic.com\/tag\/art-problems\/\" rel=\"nofollow noopener\" target=\"_blank\">Art Problems<\/a> \u2014 said in a phone interview that \u201cthe part of the industry that I surveyed tends to be underrepresented,\u201d noting that a majority of <a href=\"https:\/\/hyperallergic.com\/women-art-collectors-are-outspending-men-survey-finds\/\" rel=\"noreferrer nofollow noopener\" target=\"_blank\">market<\/a> <a href=\"https:\/\/www.privatebank.bankofamerica.com\/articles\/art-market-fall-update.html?ref=hyperallergic.com\" rel=\"noreferrer nofollow noopener\" target=\"_blank\">reports<\/a> specifically focus on mainstream, commercially successful artists and artworks, as well as high-profile fairs and auctions. Per the \u201cNew Visions\u201d survey findings, 75% of participants make less than $15,000 annually through their practices, with more than half making $5,000 or less per year.  Those figures have done little to sully respondents&#8217; creative motivation, though, since 73% \u201cremain optimistic about their careers.\u201d <\/p>\n<p>Johnson sent out two surveys \u2014 the first assessing broader industry priorities and concerns, and the second with updated questions about economic status \u2014 to over 18,000 people, including the members of her career development program Netvvrk, her newsletter subscribers, and her broader contact list of independent working artists. The survey did not gather artists&#8217; demographic or geographic information, though Johnson said that many participants \u201cmentioned that they had been making work for over 20 years.\u201d<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2025\/12\/Screenshot-2025-12-18-at-2.34.46---PM.jpg\" class=\"kg-image\" alt=\"\" loading=\"lazy\" width=\"1402\" height=\"1562\"  \/>An aggregate bar graph concerning the largest challenges the four career phase categories face (all screenshots Rhea Nayyar\/Hyperallergic)<\/p>\n<p>Johnson said she was surprised by the number of optimistic respondents. \u201cArtists come to me when they have problems (usually all over the map, at that),\u201d she explained, adding that \u201cyou also have to have some belief in yourself in order to do this job.\u201d <\/p>\n<p>\u201cWe&#8217;re always telling artists that they shouldn&#8217;t think about their practice as a business or it&#8217;ll soil the art in some way,\u201d Johnson continued. \u201cI created the survey because I felt like too many people didn&#8217;t have enough clarity on where their problems were and where one should be paying attention to their practice as a business.\u201d<\/p>\n<p>Respondents self-identified across four career phase categories: Emergence, Expansion, Elevation, and Zenith. Artists in the early- to mid-career categories emphasized that the primary challenge is finding opportunities to exhibit and earn revenue from their work. Those who identified with the Zenith category (full-time artists with gallery representation, robust sales figures, or museum shows) ranked \u201cmoney\u201d as their top concern, \u201csuggesting financial security can stay elusive even amid other markers of artistic success,\u201d per the report.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2025\/12\/Screenshot-2025-12-18-at-2.57.03---PM.jpg\" class=\"kg-image\" alt=\"\" loading=\"lazy\" width=\"1446\" height=\"1194\"  \/>A glance at how priorities change as one&#8217;s career advances<\/p>\n<p>In another noteworthy statistics, 91.1% of artists said they did not have any formal estate plans, 94% managetheir own social media accounts, 71% of artists use \u201cinformal, inconsistent, or disorganized\u201d systems for record-keeping, and 57% maintain full- or part-time work outside of their practice, while 45% reported that they earned less from their practice in 2025 than they did last year.<\/p>\n<p>In addition, 79% of respondents reported that they&#8217;re putting money away in some combination of savings accounts, and 78% said that they exhibit their work at least twice a year. <\/p>\n<p>\u201cIn other industries, it&#8217;s really clear that if you&#8217;re at one income level, you have this set of problems, and so on,\u201d Johnson explained. \u201cIn this industry, you have very similar problems, but your concerns shift a little bit. The results show that everyone is struggling with making valuable connections, but the Emergence people want to get into galleries while the people in Zenith want institutional recognition.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"News Data compiled by artist mentor Paddy Johnson from over 1,000 respondents indicates that \u201cartists across all levels&hellip;\n","protected":false},"author":2,"featured_media":358934,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[449,458,459,64,63,460,134],"class_list":{"0":"post-358933","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-au","12":"tag-australia","13":"tag-design","14":"tag-entertainment"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/358933","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/comments?post=358933"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/358933\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media\/358934"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media?parent=358933"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/categories?post=358933"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/tags?post=358933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}