{"id":359356,"date":"2025-12-20T00:22:09","date_gmt":"2025-12-20T00:22:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/au\/359356\/"},"modified":"2025-12-20T00:22:09","modified_gmt":"2025-12-20T00:22:09","slug":"robert-stern-obituary-architecture","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/au\/359356\/","title":{"rendered":"Robert Stern obituary | Architecture"},"content":{"rendered":"<p class=\"dcr-130mj7b\">It was Vanity Fair magazine that dubbed Robert Stern, who has died aged 86, \u201c<a href=\"https:\/\/www.vanityfair.com\/culture\/2008\/09\/centralparkwest200809\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">the king of Central Park West<\/a>\u201d, following the phenomenal success of his 2008 condominium at 15 Central Park West. Conceived as a homage to the grand and gracious Upper East Side apartment blocks so beloved of old money, it was a calculated retort to the anomie of New York\u2019s <a href=\"https:\/\/www.theguardian.com\/cities\/2019\/feb\/05\/super-tall-super-skinny-super-expensive-the-pencil-towers-of-new-yorks-super-rich\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">modern glass towers<\/a>.<\/p>\n<p class=\"dcr-130mj7b\">Like its 1920s predecessors, it was clad in creamy limestone (85,000 pieces of it) and while this added a couple of million dollars to the budget, it turned out to be a mere bagatelle. The luxurious apartments were eagerly snapped up by the new money of hedge fund managers and celebrities, including Sting and Denzel Washington. Total sales of around $2bn made \u201c15 CPW\u201d the most commercially successful apartment building in the world at the time. Its developers, Arthur and William Lie Zeckendorf, scions of an American real estate dynasty, effectively recouped the cost of the limestone from the sale of a single apartment.<\/p>\n<p>The Central Park skyline of New York, with 15 Central Park West the creamy limestone-clad building to the right of centre.<br \/> Photograph: P Batchelder\/Alamy<\/p>\n<p class=\"dcr-130mj7b\">Stern\u2019s forte was to persuade his clients to look backwards, not forwards, with soothing and slickly executed pastiches of historical styles. \u201cMany modernist works of our time tend to be self-important objects, and that\u2019s a real quarrel that I have,\u201d he <a href=\"https:\/\/www.nytimes.com\/2007\/12\/16\/arts\/design\/16pogr.html\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">told the New York Times<\/a> in 2007. \u201cBuildings can be icons or objects, but they still have to engage with the larger whole.\u201d<\/p>\n<p class=\"dcr-130mj7b\">His timing was apt, as his early career coincided with a general disillusionment with modernism and a shift into the impish historicism of postmodernism. But he soon discarded impishness, and his ponderous oeuvre of lushly appointed historical throwbacks was catnip to conservative critics and clients. It was even given the stamp of approval by George W Bush, for whom Stern designed a <a href=\"https:\/\/www.theguardian.com\/world\/2013\/apr\/23\/bush-presidential-library-opening-dallas\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">presidential library<\/a> in Dallas in 2013.<\/p>\n<p>Buildings can be icons or objects, but they still have to engage with the larger whole<\/p>\n<p class=\"dcr-130mj7b\">Other key projects included the Museum of the American Revolution and the 58-storey Comcast Centre skyscraper, both in Philadelphia. Two residential colleges at Yale University were executed in fussy \u201ccollegiate Gothic\u201d, all turrets, bay windows and campaniles, which made them look as though they had been there from time immemorial.<\/p>\n<p class=\"dcr-130mj7b\">A doggedly productive architect, scholar and educator, Stern combined running a 300-strong architectural <a href=\"https:\/\/www.ramsa.com\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">practice<\/a> with his role as dean of the Yale School of Architecture from 1998 to 2016. He also wrote a series of lavish, encyclopedic volumes on the architecture of New York. Like many of his generation, he eschewed computers and always drew by hand.<\/p>\n<p>The George W Bush presidential library and museum, in Dallas, Texas, 2013. Photograph: Rex\/Shutterstock<\/p>\n<p class=\"dcr-130mj7b\">Compared with what he saw as modernism\u2019s alienating abstraction, Stern claimed that his buildings delivered experiential uplift through the atmosphere conjured by legible historical precedents. His 2006 library for Bronx Community \u00adCollege alludes to Henri Labrouste\u2019s \u00ad19th-century Biblioth\u00e8que Sainte-Genevi\u00e8ve in Paris, not only to acknowledge a historical model, but also because Stern wanted Bronx students to luxuriate in Parisian grandeur. \u201cMy interest is not in being an auto\u00adbiographical architect but a portraitist of places,\u201d he once declared. \u201cOther architects put the same building, more or less, in many \u00addifferent locations.\u201d<\/p>\n<p class=\"dcr-130mj7b\">Born in Brook\u00adlyn, Robert was the elder son of Sonya (nee Cohen) and Sidney Stern. His father sold insur\u00adance, ran a hard\u00adware store and drove a cab, while his mother worked at the B Altman &amp; Co depart\u00adment store in midtown Man\u00adhat\u00adtan.<\/p>\n<p class=\"dcr-130mj7b\">Educated at the Manual Train\u00ading high school in Brook\u00adlyn, Robert excelled in Latin, geo\u00admetry and trigonometry, and also had a penchant for drama. In his youth, he went on long, ruminative walks around Manhattan, studying its architecture. \u201cI became an architect because I loved the buildings of my city, New York, and imagined one day that I would make ones like them,\u201d he wrote.<\/p>\n<p>A doorman outside 15 Central Park West in New York \u2013 it was clad in 85,000 pieces of limestone that added millions of dollars to the budget. Photograph: Richard Levine\/Alamy<\/p>\n<p class=\"dcr-130mj7b\">At that time, Columbia University had no under\u00adgradu\u00adate archi\u00adtec\u00adture pro\u00adgramme, so he majored in his\u00adtory, going on to earn a mas\u00adter\u2019s degree in architecture at Yale in 1965. After a year as a curator at the Architectural League of New York, a job finessed through <a href=\"https:\/\/www.theguardian.com\/news\/2005\/jan\/29\/guardianobituaries.artsobituaries1\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Philip Johnson<\/a>, his great mentor, he went to work for Richard Meier, one of the influential \u201cNew York Five\u201d. He then spent more than two years in the city\u2019s housing department before establishing Stern &amp; Hagmann with John Hagmann, a fellow student from his days at Yale. In 1977 he founded its successor firm, Robert AM Stern Architects, now known as <a href=\"https:\/\/www.ramsa.com\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">RAMSA<\/a>.<\/p>\n<p class=\"dcr-130mj7b\">Many of Stern\u2019s early projects were private houses for affluent clients in the Hamptons and elsewhere, a seam of work that rumbled agreeably along throughout his career. Commercial commissions included the 1993 Norman Rockwell Museum in Stockbridge, Massachusetts, designed as a playfully engorged version of a clapboard suburban house, and large scale developments for Walt Disney World in Florida, including the picturesque Yacht Club and Beach Club resorts. He also devised the masterplan for Celebration, Disney\u2019s nostalgic re-envisaging of small town America.<\/p>\n<p class=\"dcr-130mj7b\">In 2011, Stern was honoured with the Driehaus prize, for achievements in contemporary classical architecture, established in 2003 as an alternative to the modernist Pritzker.<\/p>\n<p class=\"dcr-130mj7b\">A sartorial dandy with a waspish wit, Stern favoured tailored pinstripe suits and enjoyed vodka martinis. In 1966, he married Lynn Solinger, a fine arts photographer; they divorced in 1977. Along with their son, Nicholas, he is survived by his brother, Elliot, and three grand\u00adchil\u00addren.<\/p>\n<p class=\"dcr-130mj7b\"> Robert Arthur Morton Stern, architect, born 23 May 1939; died 27 November 2025<\/p>\n","protected":false},"excerpt":{"rendered":"It was Vanity Fair magazine that dubbed Robert Stern, who has died aged 86, \u201cthe king of Central&hellip;\n","protected":false},"author":2,"featured_media":359357,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[449,458,459,64,63,460,134],"class_list":{"0":"post-359356","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-au","12":"tag-australia","13":"tag-design","14":"tag-entertainment"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/359356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/comments?post=359356"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/359356\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media\/359357"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media?parent=359356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/categories?post=359356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/tags?post=359356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}