So, as we enter that weird in-between period of time where there’s a lot of ham but hopefully not too much work to do, we’ve pulled together our favourite podcasts of this year.<\/p>\n
We asked friends from across the ABC to share theirs, with a focus on shows that started in the last year or so.<\/p>\n
Because while we love Off Menu<\/a> (this year’s De Niro episode<\/a> is all time) and If Books Could Kill <\/a>(always been skeptical of the Let Them Theory? Do we have the podcast for you!<\/a>) and This American Life<\/a> (yes, we’re still listening to This American Life), you’re probably already across those.<\/p>\n We hope something in the list below \u2014 which includes tales of art fraud, movie recommendations and forensic analysis of the media industry \u2014 distracts or absorbs you for a few hours.<\/p>\n Bad Therapist<\/p>\n Ash Compton & Rachel Monroe<\/p>\n From therapy cults to personality tests to life coaches, Bad Therapist<\/a> is a podcast about the bad actors in the field of psychology.<\/p>\n Monroe describes her podcast as about the “seedy underbelly of the mental health world”. (Supplied: Ash Compton & Rachel Monroe)<\/p>\n It’s hosted by psychotherapist and cultural theorist Ash Compton and journalist Rachel Monroe, who decided to take their fascination with scammers and blend it with their genuine interest in the world of mental health.<\/p>\n Don’t think this is an anti-therapy podcast though. By applying a critical lens to therapy trends like shadow work (and unpacking its origins in Jungian Theory) or the Life Coach School, Compton and Monroe are able to point to good therapy practices.<\/p>\n If you’re a fan of All in the Mind<\/a> or Maintenance Phase<\/a>, definitely give Bad Therapy a listen.<\/p>\n \u2014 Rudi Bremer<\/p>\n Conspiracy? War on the Waterfront\u00a0<\/p>\n ABC<\/p>\n On April 7, 1998, more than 1,400 Australian wharf workers were fired.<\/p>\n Overnight, guards wearing balaclavas and leading attack dogs moved onto wharves around the country and shut them down, locking the workforce out.<\/p>\n Listen to ABC Rewind’s Conspiracy? <\/a><\/p>\n When Patrick Stevedores locks out and fires 1400 wharfies overnight on April 8, 1998, it divides Australia. But behind this is a story of high drama and political intrigue.<\/p>\n It was the dramatic beginning of a bitter stoush<\/a> between one of Australia’s oldest and most powerful unions, the Maritime Union of Australia, and a Coalition federal government bent on reform.<\/p>\n ABC Rewind’s podcast Conspiracy? War on the Waterfront expertly tells the story of how port operator Patrick Corporation got the ball rolling on some of those reforms, by firing every single worker at every one of their terminals around the country.<\/p>\n When Patricks tried to move in an “alternative workforce”, some of whom had been part of a secret overseas training operation, the union set up a ferocious picket that would hold for a month, and questions started flying about just how much then-prime minister John Howard and his government had been involved.<\/p>\n Hosted with wry humour and sharp insight by journalist Jan Fran (ABC TV’s Question Everything<\/a>; podcast We Used to Be Journos<\/a>), this is a shocking and riveting story that includes death threats, secret meetings, overseas conspiracies and a legal case ending up in the highest court of the land.<\/p>\n Howard’s war on the wharves<\/a><\/p>\n Former prime minister John Howard has always downplayed involvement in the waterfront dispute, but new evidence raises more questions.\u00a0<\/p>\n It’s made all the more scintillating by the discovery of documents that incriminate Howard himself, only unearthed in the making of this podcast.<\/p>\n As well as marking an important piece of Australian history, War on the Waterfront demonstrates how this protracted battle had repercussions that are still felt by working Australians today.<\/p>\n As featured historian Dr Geraldine Fela says: “Something very extreme happened: People in balaclavas went into a workplace, threw workers out and locked the gates behind them.<\/p>\n “Whether or not you’re a union member, if you work in this country, that is something that should concern you.”<\/p>\n \u2014 Katherine Smyrk<\/p>\n Fela Kuti: Fear No Man<\/p>\n Higher Ground<\/p>\n Fela An\u00edk\u00fal\u00e1p\u00f3 K\u00fat\u00ec is a figure of mythic proportions: the father of Afrobeat, an activist and “trickster” who shaped the sound of Africa and its politics. Luckily for us, Jad Abumrad (creator of Radiolab) isn’t afraid to take on big subjects like K\u00fat\u00ec \u2014 as he did in his stunning 2019 podcast Dolly Parton’s America.<\/p>\n Barack and Michelle Obama’s production company is behind Fela Kuti: Fear No Man. (Supplied: CBC\/ABC)<\/p>\n In this 12-part series, Abumrad traces K\u00fat\u00ec’s life and music, from his mother Funmilayo Ransome-Kuti<\/a>‘s activism, to his political awakening in the USA in 1969. Upon his return to his home country of Nigeria, he quickly drew the often violent ire of the state, creating the Kalakuta Republic<\/a> commune, which he declared independent.\u00a0<\/p>\n It’s there that he recorded much of his iconic discography and established his Afrika Shrine, the riotous club where his bands performed.<\/p>\n The podcast doesn’t shy away from the problematic parts of K\u00fat\u00ec’s life, including his marriages to 27 women in 1978. Many of these women were underage and worked as his back-up singers and dancers. They were dubbed “Queens”, yet have described being abused by him. That leads to a rehash of the perennial debate of whether we can separate the art from the artist \u2014 and it’s one of the most nuanced discussions on the topic that I’ve ever come across.<\/p>\n The series makes you think deeply about history and colonialism, as well as the current state of politics, resistance and protest music (where is it?). Abumrad draws on the analysis of African academics, archives and eyewitness accounts as well as interviews with people including Paul McCartney, Ayo Edebiri<\/a>, Santigold, Brian Eno and Barack Obama.<\/p>\n Ultimately Fela Kuti: Fear No Man<\/a> is a feast for the ears; Abumrad is a master of the audio documentary form and his distinctively layered and immersive sound design is hard to match. Then there’s K\u00fat\u00ec’s music: The extensive use of his catalogue sends this podcast into the audio stratosphere.<\/p>\n \u2014 Hannah Reich<\/p>\n Forged<\/p>\n CBC & ABC<\/p>\n I was engrossed by this six-part series investigating a vast art fraud involving the works of Norval Morriseau, the celebrated Canadian Indigenous artist often referred to as the “Picasso of the North”.<\/p>\n Forged is a true-crime series that, refreshingly, doesn’t centre on the violent death of a young woman.<\/p>\n Listen to the Forged podcast<\/a><\/p>\n In this six-part series, from CBC in Canada and ABC Australia, host Adrian Stimson, an artist from the Siksika Nation, travels from Thunder Bay to the Northern Territory of Australia, to reveal the largest art crime fraud in the world.<\/p>\n Instead, it hooks listeners in with a Barenaked Lady. When Kevin Hearn, the guitarist for the 90s Canadian indie pop band, learns his prized Morriseau painting is a fraud, he sets out to discover its true origins.<\/p>\n There’s a bungled court case, an unsolved murder and lots of cops talking in cars \u2014 all the ingredients true-crime fans love. But at its core, Forged is the story of Morriseau: a self-taught Anishinaabe artist who went from selling paintings door-to-door to an overnight sensation in the contemporary art world.<\/p>\n Host Adrian Stimson, a member of the Siksika Nation, is a knowledgeable and compassionate guide and narrator of Morisseau’s life, art and struggles. As a fellow Indigenous artist and survivor of Canada’s residential schools<\/a>, Stimson is empathetic, respectful and honest as he describes the complicated intersections of Morriseau’s life; he is simultaneously a superstar artist, upholder of culture, addict, abuse survivor and advocate.<\/p>\n The series’ final episode widens the frame on the global scale of Indigenous art forgery, adding a short foray into the early 00s art fraud that engulfed the works of the celebrated Aboriginal artist Clifford Possum Tjapaltjarri. That postscript really deserves its own series. Luckily, ABC broadcaster Rudi Bremer, a contributing producer on Forged, digs deeper into that story in this episode of Awaye!<\/a>.<\/p>\n \u2014 Beverley Wang<\/p>\n The Last Video Store\u00a0<\/p>\n DM Podcasts<\/p>\n Change is hard, but The Last Video Store<\/a> host Alexei Toliopoulos (Finding Drago<\/a>) makes it look easy. At the start of 2024, the comedian and film expert was faced with a monumental task: turn his long-running film podcast Total Reboot into something new, without his long-time co-host Cameron James (now the host of Pump Up the Jams<\/a>).<\/p>\n Toliopoulos came out of the gate running with The Last Video Store<\/a>. Broadcasting from an eerily era-specific re-creation of your local 00s video store, Toliopoulos invites creatives from all corners of the arts world to share their favourite new release and “Weekly” recommendations.<\/p>\n At the end of each episode, Toliopoulos offers his guests a “Staff Pick” based on their choices. (Supplied: DM Podcasts)<\/p>\n Where else can you hear 5SOS’s Calum Hood wax lyrical about his love for Moulin Rouge? Or the Philippou Brothers<\/a> (Bring Her Back<\/a>) share how 60s horror thriller What Ever Happened to Baby Jane? influenced their work? Or Keith Urban froth on BMX Bandits (pre-Nicole Kidman fumble<\/a>)?<\/p>\n While the high-profile guests are alluring, The Last Video Store also makes cinematic discovery extremely accessible. Even if you’ve never heard of a guest you’ll walk away from every episode with at least three guaranteed movie recommendations.<\/p>\n Toliopoulos keeps listeners coming back with his affable personality and encyclopedic knowledge of film and TV, but the real secret sauce is his ability to coax out the passionate inner film nerd in all of the familiar faces that visit his video store.<\/p>\n The Last Video Store is comfy, friendly film listening that will make you feel welcome, no matter your cinematic knowledge.<\/p>\n \u2014 Velvet Winter<\/p>\n Pablo Torre Finds Out<\/p>\n The Athletic<\/p>\n Are we watching the end of the narrative podcast? This year saw another wave of redundancies and shuttered studios that seemed to signal the end of an explosion in investment and creativity launched by Serial in 2014.<\/p>\n There have certainly been some green shoots this year, including the excellent second season of Shell Game<\/a>, a farcical exploration of our AI-soaked future, and the return of the beloved Heavyweight<\/a>, with more tender and funny stories of personal drama.<\/p>\n In August, The New York Times signed Pablo Torre Finds Out to a multi-year distribution deal reportedly worth 7 figures. (Supplied: The Athletic)<\/p>\n But the podcast that stands out to me is Pablo Torre Finds Out<\/a>, a US-based sports news podcast that exploded in 2025 with a series of big stories. It mostly functions as the host, Torre, telling two guests (usually other journalists or comedians) a story at length. It’s carefully structured but barely edited. The show is geared to the maximalist, video-first appetite of younger audiences.<\/p>\n It has also become a vehicle for real journalism. In 2025 Torre and his team (invisible but surely numerable given the workload) took on a corrupted player’s union<\/a>, a shady billionaire seemingly handing a star player money under the table<\/a> and the bizarre relationship<\/a> between one of America’s most famous sporting coaches and an ambitious former cheerleader 50 years his junior.<\/p>\n Pablo Torre Finds Out is not the podcast I listened to the most in 2025, nor is it my favourite of the year. But it dominated my algorithm for months at a time with scoop-y investigations, and I’m glad to see evidence that great stories can still find an audience, even if the product looks a little different.<\/p>\n \u2014 Eric George<\/p>\n Proxy with Yowei Shaw<\/p>\n Radiotopia<\/p>\n Have you got a problem, conundrum or niggling issue you just don’t know who to talk to about? Well, those life quandaries are the basis for the podcast Proxy<\/a>.<\/p>\n Dubbing herself an “emotional investigative journalist” (I cringed at first, but it kinda makes sense after you listen), Yowei Shaw (Invisibilia<\/a>) listens to the issue someone is facing, then sets out to find someone perfectly qualified to help them process it.<\/p>\n Shaw has said on the podcast talking to a stranger means “you can ask questions you wouldn’t be able to ask; say things you wouldn’t be able to say; be less defensive, more open”. (Supplied: Radiotopia)<\/p>\n This proxy person could be an academic with expertise in forgiveness, who can give advice to a woman struggling to let go of childhood trauma while maintaining boundaries. The proxy could be someone who left their husband for a woman and is ready to answer the questions a man couldn’t ask his ex-wife who did the same.<\/p>\n This is a podcast about how transformative it can be to find just the right person to talk to.<\/p>\n The range of dilemmas and proxies are incredibly broad, but both callers and proxies come to the podcast with such startling vulnerability that every single one hits hard. Get ready to learn some things, laugh out loud, and do a fair amount of weeping.<\/p>\n \u2014 Katherine Smyrk<\/p>\n Question Everything<\/p>\n Brian Reed<\/p>\n 2025 has felt like the year for independent media. In Australia, independent newsletters and podcasts written and hosted by highly regarded journalists, including Deepcut News<\/a>, Lamestream<\/a> and We Used to Be Journos<\/a>, have all broken stories without the machinery \u2014 and baggage \u2014 of the mainstream media.<\/p>\n At the same time, they’ve challenged audiences to up their media literacy, forensically dissecting how stories on controversial subjects, including the war in Gaza, have been reported.<\/p>\n Lamestream and We Used to be Journos are part of a global trend of podcasts critiquing the media, including Question Everything<\/a>, hosted by seasoned American journalist Brian Reed (behind controversial podcast S-Town<\/a>; The Trojan Horse Affair<\/a>).<\/p>\n Question Everything is the latest podcast from Brian Reed, who previously investigated a 2014 letter alleging an Islamist plot in the UK in The Trojan Horse Affair. (Supplied: Brian Reed)<\/p>\n Since the end of last year, Question Everything has looked at the state of journalism in America, including the level of mistrust audiences feel and the industry’s increasing polarisation \u2014 a reflection of the wider community.<\/p>\n This year, the podcast has even turned towards advocacy, laying much of the blame for that fragmentation on the shoulders of tech companies \u2014 and pushing for legislative change that would make them liable for the hate speech, misinformation and more that’s spouted on their platforms.<\/p>\n It’s also made time to talk about the Epstein files; the targeting of an Argentine journalist with pornographic deepfakes; and how conspiracy theories \u2014 including that the Sandy Hook shooting was a false flag \u2014 are propagated online.<\/p>\n Altogether, Question Everything is a fascinating and at times troubling look at journalism today that makes me thankful for the existence and support of both independent journalism and public broadcasters in Australia.<\/p>\n \u2014 Hannah Story<\/p>\n Sea of Lies<\/p>\n CBC<\/p>\n<\/p>\n
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