{"id":389203,"date":"2026-01-03T15:09:15","date_gmt":"2026-01-03T15:09:15","guid":{"rendered":"https:\/\/www.newsbeep.com\/au\/389203\/"},"modified":"2026-01-03T15:09:15","modified_gmt":"2026-01-03T15:09:15","slug":"apple-tv-releases-a-ton-of-new-f1-the-movie-bts-footage","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/au\/389203\/","title":{"rendered":"Apple TV releases a ton of new F1 The Movie BTS Footage"},"content":{"rendered":"

Apple TV has released a lot of new BTS footage from the making of the F1 The Movie. <\/p>\n

\"Screenshot<\/p>\n<\/p>\n<\/p>\n<\/p>\n

The F1 movie was primarily shot on the Sony VENICE 2; however, there was a lot of in-car footage that was shot on a custom camera that was developed specifically for the movie. A DJI Ronin 4D was also used.<\/p>\n

The camera utilized the FX6\/FX3 sensor in a custom Panavised package along with a 10mm F5.6 Voigtl\u00e4nder lens<\/a>. <\/p>\n

\"ScreenshotImage credit: Sony<\/p>\n

The custom camera was also using a similar drop-in ND filter system that can now be found in the VENICE Extension System Mini. <\/p>\n

Image credit: Sony<\/p>\n

Recording was done to a rehoused version of the FR7\u2019s recording module, straight to CFexpress cards. Material was recorded in DCI 4K (4096 x 2160) at 600 Mb\/s VBR in XAVC-I. The team needed to hide the recording units in various places on the F1 cars. <\/p>\n

Image credit: Sony<\/p>\n

All up, the production used 20 custom cameras. The whole concept behind the cameras was arguably based on taking the best parts of the FR7 and separating them. <\/p>\n

\"Screenshot\"ScreenshotImage credit: Sony<\/p>\n

The cameras were so small that they could even be attached to drivers\u2019 helmets. <\/p>\n

Image credit: Sony<\/p>\n

Multiple cameras were mounted on the cars to obtain various different angles. The cameras could be remotely panned to change the framing. A Preston motor was used to control focus, and another to pan the camera. <\/p>\n

\"ScreenshotImage credit: Sony<\/p>\n

As the camera doesn\u2019t utilize any in-body image stabilization, the team needed to make sure that the vibrations caused by an F1 car could be kept to a minimum. <\/p>\n

\"Screenshot\"ScreenshotImage credit: Sony<\/p>\n

There was originally speculation that the F1 movie utilized the VENICE Extension System Mini for all the in-car shots, but that was not the case. The VENICE Extension System Mini system was only used for some shots in the Abu Dhabi section, as it wasn\u2019t available when the production first started filming. <\/p>\n<\/p>\n

The movie stars Brad Pitt, Kerry Condon, Tobias Menzies, Kim Bodnia, and Javier Bardem, and it was directed by Joseph Kosinski and produced by Jerry Bruckheimer.<\/p>\n

\"Image<\/p>\n


\n By Matthew Allard ACS
\n <\/a><\/p>\n

Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with over 35 years’ of experience working in more than 50 countries around the world.<\/p>\n

He is the Editor of Newsshooter.com and has been writing on the site since 2010.<\/p>\n

Matthew has won 51 ACS Awards, including six prestigious Golden Tripods. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards.<\/p>\n

Matthew is available to hire as a DP in Japan or for work anywhere else in the world.<\/p>\n

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