{"id":412498,"date":"2026-01-14T14:42:14","date_gmt":"2026-01-14T14:42:14","guid":{"rendered":"https:\/\/www.newsbeep.com\/au\/412498\/"},"modified":"2026-01-14T14:42:14","modified_gmt":"2026-01-14T14:42:14","slug":"sxsw-sydney-to-not-return-in-2026","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/au\/412498\/","title":{"rendered":"SXSW Sydney to not return in 2026"},"content":{"rendered":"<p data-testid=\"article-datetime\" class=\"sc-5cbbddda-5 jMFiFd\">January 14, 2026 \u2014 1:50pm<\/p>\n<p>Save<\/p>\n<p class=\"sc-d1b14060-4 NcyxX\">You have reached your maximum number of saved items.<\/p>\n<p>Remove items from your <a href=\"https:\/\/www.theage.com.au\/goodfood\/saved\" class=\"sc-3f16ee48-12 sc-d1b14060-2 kfUMNO cdQiAR\" rel=\"nofollow noopener\" target=\"_blank\">saved list<\/a> to add more.<\/p>\n<p class=\"sc-369d9219-1 eGTSJh\">Save this article for later<\/p>\n<p class=\"sc-369d9219-2 crcSSW\">Add articles to your saved list and come back to them anytime.<\/p>\n<p>Got it<\/p>\n<p>AAA<\/p>\n<p>Two years before its <a class=\"inline-link\" href=\"https:\/\/www.theage.com.au\/culture\/art-and-design\/abandoned-and-frustrated-anger-as-south-by-south-west-ignores-sydney-s-west-20230207-p5cifx.html\" rel=\"nofollow noopener\" target=\"_blank\">government-funded, multimillion-dollar deal<\/a> was set to expire, <a class=\"inline-link\" href=\"https:\/\/www.theage.com.au\/culture\/art-and-design\/a-flying-car-in-your-driveway-and-the-next-billie-eilish-swsx-festival-lands-in-sydney-20231013-p5ec14.html\" rel=\"nofollow noopener\" target=\"_blank\">SXSW Sydney<\/a> \u2013 South by South West\u2019s <a class=\"inline-link\" href=\"https:\/\/www.theage.com.au\/culture\/art-and-design\/taxpayers-forked-out-millions-to-host-this-world-class-festival-of-festivals-in-sydney-was-it-worth-it-20251009-p5n19b.html\" rel=\"nofollow noopener\" target=\"_blank\">flaccid Antipodean offshoot<\/a> \u2013 has called it quits.<\/p>\n<p>\u201cEvery great story has a final page, and it is with a heavy heart that we share that <a class=\"inline-link\" href=\"https:\/\/www.theage.com.au\/culture\/art-and-design\/a-sxsw-veteran-gives-his-verdict-on-sydney-s-first-attempt-20231019-p5edks.html\" rel=\"nofollow noopener\" target=\"_blank\">SXSW Sydney<\/a> has reached its closing chapter and will not be returning in 2026,\u201d a statement emailed to attendees said this morning, noting it was \u201cbittersweet to be saying goodbye while the momentum is so high\u201d.<\/p>\n<p><img decoding=\"async\" alt=\"SXSW Sydney will not go ahead in 2026. Its first event was in October 2023, during which Bow and Arrow (pictured) played at its Tumbalong Park launch.\" aspectratios=\"[object Object]\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/01\/4686abc7aeaf7c5f1721ac4af3fb9ada0fc06abe.jpeg\"  class=\"sc-d2942506-1 wgbit\"\/>SXSW Sydney will not go ahead in 2026. Its first event was in October 2023, during which Bow and Arrow (pictured) played at its Tumbalong Park launch.Edwina Pickles<\/p>\n<p>\u201cTo the tens of thousands of you who filled the halls of ICC Sydney, Darling Harbour, and surrounds over the past three years: thank you for being a part of the SXSW Sydney journey,\u201d SXSW Sydney\u2019s statement continued.<\/p>\n<p>\u201cYou didn\u2019t just attend an event; you came together to help us build a vibrant, global community that transformed the heart of our city every October.<\/p>\n<p>Related Article<a href=\"https:\/\/www.theage.com.au\/culture\/art-and-design\/taxpayers-forked-out-millions-to-host-this-world-class-festival-of-festivals-in-sydney-was-it-worth-it-20251009-p5n19b.html\" tabindex=\"-1\" class=\"sc-cba76dee-0 hLTVHY\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" alt=\"This year\u2019s SXSW Sydney, with Teddy Swims and Paul Feig giving keynote addresses, is the festival\u2019s third in Australia. Even though big names, including Nicole Kidman, have been attached to it, whether SXSW Sydney lives up to the hype is debatable.\" aspectratios=\"[object Object]\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/01\/839953486081fe21115fc46f9b6853f47f4dbbab97574bd1f5b6582c6d73f0bc.jpeg\"  class=\"sc-d2942506-1 ffXaNQ\"\/><\/a><\/p>\n<p>\u201cWhile this chapter ends here, the connections made and the ideas sparked on our stages will continue to resonate. Thank you for making these past three years unforgettable.\u201d<\/p>\n<p>SXSW Sydney highlighted the \u201ctotal attendance of more than 345,000\u201d at the 2025 iteration, which it said was a 15 per cent year-on-year increase. (Figures supplied to this masthead in October put the number of unique visitors in 2024 at 92,000, a decrease from 97,000 in 2023, its inaugural year. SXSW Sydney says it attracted more than 63,000 out-of-region attendees between 2023 and 2025).<\/p>\n<p>SXSW Sydney\u2019s farewell message also claimed it made a \u201cthree-year cumulative economic impact of $276 million\u201d. In October, a spokesperson from Destination NSW \u2013 the state government\u2019s tourism and major events arm, which reportedly paid $12 million to secure the rights for the event \u2013 refused to confirm its level of investment in SXSW Sydney, nor how much it had contributed to NSW\u2019s economy.<\/p>\n<p>The figures are considered commercial in confidence, and the spokesperson referred this masthead to previous claims from SXSW Sydney that the event, from 2023, had contributed $200 million to NSW\u2019s economy.<\/p>\n<p>This means 2025\u2019s festival, which <a class=\"inline-link\" href=\"https:\/\/www.theage.com.au\/culture\/art-and-design\/ten-awesome-things-to-do-at-sxsw-sydney-2025-20251006-p5n0cl.html\" rel=\"nofollow noopener\" target=\"_blank\">ran from October 13 to October 19<\/a>, would have had to have generated $76 million. The extension of the <a class=\"inline-link\" href=\"https:\/\/www.smh.com.au\/link\/follow-20170101-p5n0cl\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">SXSW Sydney Unlocked program of free events<\/a> in 2025, and the reported 35 per cent year-on-year growth in international visits between 2024 and 2025, may have contributed to this.<\/p>\n<p>Related Article<a href=\"https:\/\/www.theage.com.au\/national\/cannot-be-party-to-silencing-writers-louise-adler-resigns-from-adelaide-writers-week-20260113-p5ntkp.html\" tabindex=\"-1\" class=\"sc-cba76dee-0 hLTVHY\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" alt=\"Adelaide Writers\u2019 Week director Louise Adler has announced she is quitting the role.\" aspectratios=\"[object Object]\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/01\/1768401731_448_4aa2d3952862062e50ef0a17cd25dcc9fbbac935.jpeg\"  class=\"sc-d2942506-1 ffXaNQ\"\/><\/a><\/p>\n<p>Launched in Austin, Texas, in 1987, the annual SXSW quickly garnered a reputation as the \u201cfestival of festivals\u201d. It was where Twitter (now X) broke out into the mainstream in 2007, and singer-songwriter <a class=\"inline-link\" href=\"https:\/\/www.theage.com.au\/culture\/art-and-design\/a-flying-car-in-your-driveway-and-the-next-billie-eilish-swsx-festival-lands-in-sydney-20231013-p5ec14.html\" rel=\"nofollow noopener\" target=\"_blank\">Billie Eilish was discovered<\/a> as an unsigned 14-year-old.<\/p>\n<p>It was for that reason that cultural commentators, <a class=\"inline-link\" href=\"https:\/\/www.smh.com.au\/link\/follow-20170101-p5ay2s\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">music industry heavyweights<\/a>, and filmmaker <a class=\"inline-link\" href=\"https:\/\/www.smh.com.au\/link\/follow-20170101-p5axpg\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">Baz Luhrmann<\/a> lauded Destination NSW\u2019s five-year rights acquisition to hold a Sydney offshoot as an \u201cunparalleled coup\u201d, with hopes that, should revenue targets be met, another five years would be secured.<\/p>\n<p>Packed rooms and big names (Nicole Kidman, Chance the Rapper) at the inaugural event in 2023 were a good sign that Destination NSW\u2019s gamble had paid off.<\/p>\n<p>But <a class=\"inline-link\" href=\"https:\/\/www.smh.com.au\/link\/follow-20170101-p5edks\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">logistical problems<\/a>, <a class=\"inline-link\" href=\"https:\/\/www.smh.com.au\/link\/follow-20170101-p5ebcx\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">complicated and prohibitive ticket pricing<\/a>, and general confusion over what SXSW Sydney was and who, exactly, it was intending to serve, saw attendance at the film\/music\/gaming\/innovation insert-buzzword-here drop the following year, and questions over its purpose persist into 2025.<\/p>\n<p><img decoding=\"async\" alt=\"Nicole Kidman was on hand to promote SXSW Sydney\u2019s inaugural event in 2023, speaking at a session spotlighting her production company, Blossom Films.\" aspectratios=\"[object Object]\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/01\/cf45c5fe1d7dec4a02e987c48df5f148762c0075.jpeg\"  class=\"sc-d2942506-1 wgbit\"\/>Nicole Kidman was on hand to promote SXSW Sydney\u2019s inaugural event in 2023, speaking at a session spotlighting her production company, Blossom Films.Brendon Thorne\/Getty Images<\/p>\n<p>Despite receiving $100,000 in cash from the <a class=\"inline-link\" href=\"https:\/\/meetings.cityofsydney.nsw.gov.au\/documents\/s89397\/Information%20Relevant%20To%20Item%208.4%20-%20Grants%20and%20Sponsorship%20-%20Creative%20Grants.pdf\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">City of Sydney<\/a> annually plus value-in-kind through venue hire fee waivers, SXSW Sydney said in a statement to media that the decision to cease operations reflects the <a class=\"inline-link\" href=\"https:\/\/www.theage.com.au\/culture\/music\/festivals-are-collapsing-but-can-jack-white-save-australian-live-music-20240814-p5k298.html\" rel=\"nofollow noopener\" target=\"_blank\">prevailing market conditions impacting major events<\/a>, festivals and cultural programs worldwide.<\/p>\n<p>\u201cSXSW Sydney represented an ambitious and meaningful extension of the SXSW brand, and we are incredibly proud of what was built in partnership with the Sydney team, Destination NSW, and the broader creative community,\u201d says Jenny Connelly, director in charge of SXSW.<\/p>\n<p>Related Article<a href=\"https:\/\/www.theage.com.au\/culture\/music\/hear-that-it-s-the-sound-of-live-music-dying-for-local-australian-artists-20250429-p5lv5t.html\" tabindex=\"-1\" class=\"sc-cba76dee-0 hLTVHY\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" alt=\"Lady Gaga performing at the Grammy Awards in February.\" aspectratios=\"[object Object]\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/01\/13ab1a507369aa50175173bac437e675c08fba88.jpeg\"  class=\"sc-d2942506-1 ffXaNQ\"\/><\/a><\/p>\n<p>\u201cOver three years, SXSW Sydney demonstrated the power of convening global innovators, creatives, and leaders, and created a platform that elevated voices from Australia and the Asia-Pacific region onto the world stage. While the event will not proceed in 2026, we are grateful for the collaboration, creativity, and commitment that defined SXSW Sydney.\u201d<\/p>\n<p>SXSW Sydney\u2019s co-managing directors, Simon Cahill and Jono Whyman, thanked partners Destination NSW, SXSW and the event\u2019s sponsors, saying in a statement they \u201cowe a debt of gratitude to the people who joined us\u201d for the festival.<\/p>\n<p>\u201cWe are especially grateful to the SXSW Sydney team for their dedication and hard work in bringing this event to life and establishing a platform that showcased Australia and the Asia-Pacific as pioneers in global culture.\u201d<\/p>\n<p>Georgie Healy, host of the In the Blink of AI podcast, said SXSW Sydney\u2019s closure would send the wrong signal to local entrepreneurs.<\/p>\n<p>\u201cSXSW Sydney was one of the few platforms where early-stage founders and creatives could gain visibility and validation under a globally recognised brand,\u201d she told this masthead.<\/p>\n<p>\u201cWe\u2019re very good at verbally celebrating success&#8230; I would like to see actual investing in the environments that actually create it.\u201d<\/p>\n<p><img decoding=\"async\" alt=\"Jessy Wu is a former venture capital investor and now runs her own agency.\" aspectratios=\"[object Object]\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/01\/4be908c3be09189a5f3316abc4e4cc6aabea8aa1.jpeg\"  class=\"sc-d2942506-1 wgbit\"\/>Jessy Wu is a former venture capital investor and now runs her own agency.<\/p>\n<p>Others said SXSW Sydney would not be missed. Jessy Wu, is a Sydney-based entrepreneur and former VC investor who has been a vocal critic of the event. In October 2025, she called SXSW Sydney a \u201crent-seeking leech\u201d.<\/p>\n<p>Wu said she was happy to see the event gone.<\/p>\n<p>\u201cDestination NSW spent more than $12 million to import an event that immediately set about extracting value from a community it hadn\u2019t contributed to building. SXSW Sydney charged local organisations $5000 to host satellite events, didn\u2019t pay most speakers, and priced tickets at levels that locked out the many people,\u201d she said.<\/p>\n<p>Related Article<a href=\"https:\/\/www.theage.com.au\/national\/ousted-writer-launches-defamation-action-against-south-australian-premier-20260114-p5ntxg.html\" tabindex=\"-1\" class=\"sc-cba76dee-0 hLTVHY\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" alt=\"Academic and writer Dr Randa Abdel-Fattah.\" aspectratios=\"[object Object]\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/01\/1768128253_891_10f77499827204838f1541f5c823fe2a98092ca9.jpeg\"  class=\"sc-d2942506-1 ffXaNQ\"\/><\/a><\/p>\n<p>\u201cIt was a corporate conference cosplaying as a grassroots innovation festival. $12 million in the hands of local organisers could have done far more for Sydney\u2019s culture and innovation ecosystem.\u201d<\/p>\n<p>A spokesperson for Destination NSW said the event had \u201cplayed an important role in showcasing Sydney\u2019s creative and innovation sectors\u201d but it was decided after a review that SXSW Sydney would not proceed for 2026 and 2027.<\/p>\n<p>\u201cThe event has delivered cultural, economic and industry outcomes for the city over the past three years,\u201d the spokesperson said in a statement to this masthead.<\/p>\n<p>\u201cDestination NSW will continue to support a diverse, year-round calendar of major events that drive visitation and deliver benefits for NSW communities and businesses.\u201d<\/p>\n<p>Start the day with a summary of the day\u2019s most important and interesting stories, analysis and insights. <a class=\"inline-link\" href=\"https:\/\/www.smh.com.au\/link\/follow-20170101-p57ogt\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">Sign up for our Morning Edition newsletter<\/a>.<\/p>\n<p>Save<\/p>\n<p class=\"sc-d1b14060-4 NcyxX\">You have reached your maximum number of saved items.<\/p>\n<p>Remove items from your <a href=\"https:\/\/www.theage.com.au\/goodfood\/saved\" class=\"sc-3f16ee48-12 sc-d1b14060-2 kfUMNO cdQiAR\" rel=\"nofollow noopener\" target=\"_blank\">saved list<\/a> to add more.<\/p>\n<p><img decoding=\"async\" alt=\"Bronte Gossling\" data-testid=\"author-avatar-image\" height=\"40\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2025\/12\/3a58d4f812ffb3d3b5fe7e121013ea03f72445ddca93bf935e588babe0902f4a.png\"  width=\"40\" class=\"sc-9a01536c-0 cJPmxL\"\/><a class=\"sc-cba76dee-0 hLTVHY sc-b5b9fd03-2 bOdPsp\" href=\"https:\/\/www.theage.com.au\/by\/bronte-gossling-p537in\" rel=\"nofollow noopener\" target=\"_blank\">Bronte Gossling<\/a> is a reporter for The Sydney Morning Herald, The Age, WAtoday and Brisbane Times.Connect via <a class=\"sc-cba76dee-0 hLTVHY sc-b5b9fd03-5 cqyqDm\" href=\"https:\/\/www.theage.com.au\/culture\/art-and-design\/mailto:bgossling@nine.com.au\" rel=\"nofollow noopener\" target=\"_blank\">email<\/a>.<img decoding=\"async\" alt=\"David Swan\" data-testid=\"author-avatar-image\" height=\"40\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2025\/12\/1765876452_771_b3a5e27b67bafef557dc9d266c430580bca7aae2.png\"  width=\"40\" class=\"sc-9a01536c-0 cJPmxL\"\/><a class=\"sc-cba76dee-0 hLTVHY sc-b5b9fd03-2 bOdPsp\" href=\"https:\/\/www.theage.com.au\/by\/david-swan-p53741\" rel=\"nofollow noopener\" target=\"_blank\">David Swan<\/a> is the technology editor for The Age and The Sydney Morning Herald. He was previously technology editor for The Australian newspaper.Connect via <a class=\"sc-cba76dee-0 hLTVHY sc-b5b9fd03-5 cqyqDm\" href=\"https:\/\/twitter.com\/swan_legend?lang=en\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">Twitter<\/a> or <a class=\"sc-cba76dee-0 hLTVHY sc-b5b9fd03-5 cqyqDm\" href=\"https:\/\/www.theage.com.au\/culture\/art-and-design\/mailto:david.swan@nine.com.au\" rel=\"nofollow noopener\" target=\"_blank\">email<\/a>.From our partners<script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"January 14, 2026 \u2014 1:50pm Save You have reached your maximum number of saved items. Remove items from&hellip;\n","protected":false},"author":2,"featured_media":412499,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[64,63,447,134],"class_list":{"0":"post-412498","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-celebrities","8":"tag-au","9":"tag-australia","10":"tag-celebrities","11":"tag-entertainment"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/412498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/comments?post=412498"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/412498\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media\/412499"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media?parent=412498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/categories?post=412498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/tags?post=412498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}