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The artwork ‘Balance’ was shot at the beautiful Peninsula de Jandia, Fuerteventura, Spain, 2025 (Image credit: Astrid Verhoef, courtesy All About Photo<\/a>)<\/p>\n 1st Place “For all my artwork I’m exploring my relationship and connection to the natural world, usually portraying a figure that always seems to linger somewhere between the natural and an artificial element preventing her from truly connecting. Like a trace from the world she can\u2019t leave behind.<\/p>\n “I am used to working solo to experience my personal connection to the landscape in the most profound way without any distractions. Even though I treasure that connection and it works very well for me this way, at rare occasions I do want to work with an extra model. This particular posture is the result of movement, dancing together. It did change the experience: a dance of balance showing a connection with each other as well as with the landscape. We are one and opposites at the same time. Contrast and connection, trust and dependance. Feeling a force of nature within and around ourselves, strength and balance in the volcanic landscape where barren meets beauty.<\/p>\n “All work is lens-based and do not contain any AI generated components. Photography takes place in landscapes on location. Basic Photoshop<\/a> tools were used, such as color \/contrast adjustments, and collage techniques (if needed for the desired final image).”<\/p>\n The series was captures near Zagora in Morocco, 2025 (Image credit: Antonio Denti, courtesy All About Photo<\/a>)<\/p>\n 2nd Place “Souvenir makers at work on the edge of the Sahara Desert, as in the small town near-by their families live on. ‘Harder Lives’ is part of a wider project called ‘Everything and Nothing’ that tries to capture the moving essence of the little lives – our little lives – in the backdrop of the global economy and of a massive new industrial revolution in very different settings.<\/p>\n “In this case a small village in Morocco that used to live off very little (dates, palms, small herding, minor caravans) and now shifted to global tourism as all kinds of people travel there from all places in the world to see the magic marvels of the Sahara.”<\/p>\n This image is part of Lynne’s series People I Know (Image credit: Lynne Breitfeller, courtesy All About Photo<\/a>)<\/p>\n 3rd Place “This image, ‘Stacy and Miss Kitty’, is from ‘People I Know’, a collection of portraits, created in the early to mid-nineties of friends, family, and acquaintances. Some are candid, and others are performative.<\/p>\n “These photos bring me back to earlier times and help me visualize my early adult years and how people come in and out of our lives, and how some stay. Each holds a place in the catalog of my memory.”<\/p>\n You might like…<\/p>\n For more inspiration, browse the best photography awards and contests<\/a>. If you want to know more about winning techniques and visual languages, take a look at our ‘Why Shots Work’ series. <\/a>Here we analyze outstanding images and discuss what it takes to create award-winning imagery.<\/p>\n
Balance by Astrid Verhoef<\/a> (Netherlands)<\/p>\n![\"A](\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2025\/08\/hz6cHC6QGgd78eDXAwBLGW.jpg\")
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Series Harder Lives by Antonio Denti <\/a>(Italy)<\/p>\n![\"A](\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2025\/08\/UBez77t4qWF3GCsMTD4kSW.jpg\")
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Stacy and Miss Kitty by Lynne Breitfeller<\/a> (USA) <\/p>\n