{"id":501290,"date":"2026-02-24T16:25:07","date_gmt":"2026-02-24T16:25:07","guid":{"rendered":"https:\/\/www.newsbeep.com\/au\/501290\/"},"modified":"2026-02-24T16:25:07","modified_gmt":"2026-02-24T16:25:07","slug":"unmother-state-dependent-memory-review","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/au\/501290\/","title":{"rendered":"Unmother – State Dependent Memory Review"},"content":{"rendered":"

\"\"Independent U.K. undergrounder\u2019s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019. Their 2021 debut, Lay Down the Sun, garnered significant underground acclaim that, according to the promo kit, established Unmother \u201cas a restless and forward-thinking presence within the scene.\u201d Foregoing the nature-scapes and mythological motifs of other post-black metal outfits, Unmother draws inspiration from the streets and, with their sophomore effort, State Dependent Memory, examines \u201curban isolation, inner dislocation, and moral decline, reflecting a world formed by concrete environments and social erosion.\u201d After swapping their first \u201cV\u201d vocalist, Venla, for their second, V. (VOAK), Unmother prepares to take the next step on their evolving musical journey. Does State Dependent Memory offer a solution that might save our base, dehumanized society, from itself, or will it amount to so much piss in the wind?<\/p>\n

State Dependent Memory crackles with gritty, asphaltic energy, casting Unmother as conscientious agitators, decrying societal urban decay in veins similar to acts like Chat Pile or Ashenspire, even if avoiding any direct auricular comparison. Departing from the rawer, denser claustrophobia of Lay Down the Sun, Unmother sought slightly warmer sonic climes on State Dependent Memory, weaving undulating post-metal textures into its mostly traditional black-metal framework. Sure, plenty of blast beats and tremolos (\u201cMy Armor,\u201d \u201cBear Hug\u201d) remain, courtesy of drummer B. and guitarists Azoso and Declwa (who also handles bass). Still, it\u2019s what Unmother does with the spaces between that adds the most character, which begins with the varied vocal approach of V., who, like Attila Csihar, possesses a wider range of barks, croaks, shouts, and screams than his more one-dimensional predecessor, whose hissier, raw-blackened rasp overpowered much of Lay Down the Sun for me. Without dulling any of the sharp edges that, well, make them edgy, Unmother benefits from their take on \u201cpost\u201d as a counterpoint to tradition.<\/p>\n

\ufeffMy Armor by Unmother<\/a><\/p>\n

State Dependent Memory tips the scales of orthodoxy with atmospheres that are as hypnotizing as they are abrasive. Pensive and creepy, the leads that skulk through the shadowed alleys of \u201cModern Dystopia\u201d are effective and shroud the track with an almost Marilyn Manson-like pall, while Declwa\u2019s bass notes thrum and throb like slow-strobing traffic lights on a dark, misty night. Venla makes a guest appearance here as well; his croaking rasp at this dose ups the fear factor and complements V.\u2019s tortured delivery. Satisfying, too, is the eerie, haunted-jewelry-box melody and desperate howling of V., which make up the slower-paced interlude within the trad-black assault of \u201cBear Hug,\u201d offering a sprinkling of Shining-like glitter. Ironically, the most black metal track on State Dependent Memory is Unmother\u2019s cover of \u201c\u0391\u03c4\u03c4\u03b9\u03ba\u03ae \u2013 \u0392\u03b9\u03ba\u03c4\u03ce\u03c1\u03b9\u03b1\u201d (\u201cAttiki Victoria\u201d) by Greek synthwave outfit \u039f\u0394\u039f\u03a3 55, which distills the eight-minute-long original\u2019s main melody down to a viscerally efficient, tremolo-forward beast. It\u2019s poppy, new-wave-esque movements, filled with an almost hopeful melodicism, are set effectively against V.\u2019s pleading screams and shouts.<\/p>\n

\"\"
Angeliki Mourgela\u2019s mix and Roland Rodas\u2019 master capture the essence of Unmother\u2019s talents. With a foggy production that reminded me of Mayhem\u2019s Ordo ad Chao, I enjoyed Lay Down the Sun but had to strain to pick out much of its instrumental intricacy. State Dependent Memory doesn\u2019t suffer the same issue, as each instrument glows brightly in its own space, with B.\u2019s varied drum performance and Declwa\u2019s excellent bass work being the biggest beneficiaries. And while I can\u2019t say Unmother wasted any of State Dependent Memory\u2019s thirty-eight-minute runtime, closing the album with the no-burn instrumental \u201cMagda\u201d was a miss. The track fades in with some reflective, organ-like synths, foreign-spoke voice samples, and gently plucked guitar lines bolstered with tension-building but delicately strummed chords, which all continue to build slightly over the next four minutes and twenty seconds only to fade out again. No satisfying payoff, just a segue to silence. Whether this move was intentional or not, the addition of another well-executed track proper could have avoided such a deflating ending.<\/p>\n

Acerbically moody, Unmother possesses a maturity that belies their short existence. This quartet of relative unknowns continues to carve their mark into the U.K.\u2019s underground metal scene, and if State Dependent Memory is any indication, they may not be toiling down there for long.<\/p>\n

Rating: 3.0\/5.0
DR: 9 | Format Reviewed: 320kb\/s mp3
Label: Independent
Websites: Bandcamp<\/a> | Facebook<\/a>
Releases Worldwide: February 20th, 2026<\/p>\n

\n\tGive in to Your Anger:<\/p>\n","protected":false},"excerpt":{"rendered":"Independent U.K. undergrounder\u2019s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019.…\n","protected":false},"author":2,"featured_media":501291,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[10968,10612,252040,64,63,26922,237899,134,239642,5403,45969,136,41353,228,41356,252041,252042,252043],"class_list":{"0":"post-501290","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-10968","9":"tag-3-0","10":"tag-ashenspire","11":"tag-au","12":"tag-australia","13":"tag-black-metal","14":"tag-chat-pile","15":"tag-entertainment","16":"tag-feb26","17":"tag-independent","18":"tag-marilyn-manson","19":"tag-music","20":"tag-post-metal","21":"tag-review","22":"tag-shining","23":"tag-state-dependent-memory","24":"tag-u-k-metal","25":"tag-unmother"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/501290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/comments?post=501290"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/501290\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media\/501291"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media?parent=501290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/categories?post=501290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/tags?post=501290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}