{"id":549964,"date":"2026-03-19T06:14:18","date_gmt":"2026-03-19T06:14:18","guid":{"rendered":"https:\/\/www.newsbeep.com\/au\/549964\/"},"modified":"2026-03-19T06:14:18","modified_gmt":"2026-03-19T06:14:18","slug":"australias-first-major-retrospective-of-takashi-murakami-to-be-held-in-sydney","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/au\/549964\/","title":{"rendered":"Australia\u2019s first major retrospective of Takashi Murakami to be held in Sydney"},"content":{"rendered":"

\"Takashi<\/a>The Art Gallery of New South Wales will present a blockbuster Australian-first retrospective exhibition of internationally acclaimed Japanese artist\u00a0Takashi Murakami<\/a>, featuring the global premiere of new work and celebrating three decades of creative output by one of the most influential and recognisable contemporary artists of our time.<\/p>\n

Developed by the Art Gallery in collaboration with Takashi Murakami, the exhibition traces Murakami\u2019s practice from the explosive innovations of the 1990s to a suite of new works yet to be revealed. Bringing together paintings, sculptures, video and large-scale installations, the exhibition charts the artist\u2019s emergence as a defining figure of contemporary art and popular culture.<\/p>\n

Opening 5 December 2026, the Sydney-exclusive exhibition is presented at the Art Gallery as part of the 2026-27 Sydney International Art Series. Sydney International Art Series is a NSW Government initiative through its tourism and events agency, Destination NSW.<\/p>\n

\u201cTakashi Murakami\u2019s singular vision has transformed how we understand contemporary visual culture, and this will be a rare opportunity to step directly inside his joyful creative universe to experience the full spectrum of his phenomenal work,\u201d said Art Gallery of New South Wales director Maud Page.<\/p>\n

\u201cWe revel in our longstanding relationship with Murakami and are so thrilled to be collaborating in the development of this exhibition, which we will be proud to share with audiences from across Australia and beyond.\u201d<\/p>\n

\"Takashi<\/a>In an expansive display across the Ainsworth Family Gallery and the atmospheric Nelson Packer Tank in the Naala Badu building, visitors will encounter the evolution of Murakami\u2019s signature \u2018Superflat\u2019 aesthetic \u2013 a bold collapsing of high art, subculture and commercial imagery informed by diverse influences from anime to historical Japanese painting.<\/p>\n

Early paintings reveal his search for a visual language that could respond to a rapidly globalising Japan, while later works expand this inquiry into a vibrant, often unsettling, universe populated by cartoon-like characters, smiling flowers and feverish, saturated scenes rendered with legendary figures.<\/p>\n

Among many exhibition highlights will be new work currently being created in Murakami\u2019s studio, which will offer a rare window into the artist\u2019s ongoing creative process and its strong ties to Japanese art history. This blend of past and present highlights the spirit of reinvention and continuity in Murakami\u2019s practice, which bridges tradition and technology, humour and critique, the playful and the profound.<\/p>\n

Born in Japan in 1962, Murakami is one of the most significant voices in contemporary art today. Often compared to Andy Warhol, he is celebrated for high\u2011profile collaborations with cultural icons such as Issey Miyake, Virgil Abloh, Marc Jacobs, Pharrell Williams, BLACKPINK, NewJeans and Billie Eilish, as well as brands including Louis Vuitton, Hublot and Dom Perignon.<\/p>\n

With a PhD in traditional Japanese\u00a0nihonga\u00a0painting, he merges pop culture with deep knowledge of Japanese religion, folklore and art history, reimagining the supernatural beings of Japan\u2019s Edo period for the 21st century.<\/p>\n

\"Takashi<\/a>In 2019, the Art Gallery commissioned Murakami to create a new work,\u00a0Japan Supernatural: Vertiginous After Staring at the Empty World Too Intensely, I Found Myself Trapped in the Realm of Lurking Ghosts and Monsters<\/a>, for its Sydney International Art Series 2019\u201320 exhibition,\u00a0Japan Supernatural.<\/p>\n

A publication produced by the Art Gallery will accompany the exhibition, featuring new writing by the artist himself, alongside essays by the exhibition\u2019s curator, Art Gallery senior curator of Asian art,\u00a0Melanie Eastburn\u00a0and\u00a0Ed Schad, curator and publications manager at The Broad in Los Angeles, and curator of the exhibition\u00a0Takashi Murakami: Stepping on the Tail of a Rainbow, which debuted at The Broad in 2022 and then travelled to the Cleveland Museum of Art in expanded form in 2025.<\/p>\n

The Sydney International Art Series brings the extraordinary works of internationally acclaimed artists exclusively to Sydney, in collaboration with the Art Gallery of New South Wales and Museum of Contemporary Art Australia. As part of the Sydney International Art Series 2026\u201327 the Museum of Contemporary Art Australia will present Philippe Parreno: 5 Moons<\/a>\u202ffrom 21 November 2026 to 26 April 2027.<\/p>\n

\u201cSecuring the works of an internationally acclaimed artist like Takashi Murakami is a fantastic coup for this year\u2019s Sydney International Art Series. We are thrilled to collaborate with the Art Gallery on this world-leading exhibition, which not only enriches our state\u2019s vibrant arts scene but also supports businesses and jobs by attracting art lovers from across the country and the globe. This must-see exhibition will deliver significant economic benefits to our state and showcase Sydney as Australia\u2019s leading destination for world-class cultural experiences,\u201d said Minister for Jobs and Tourism Steve Kamper.<\/p>\n

Takashi Murakami
Art Gallery of New South Wales, Art Gallery Road, The Domain (Sydney)
Exhibition: 5 December 2025 to 18 July 2027
Entry fees apply<\/p>\n

For more information, visit: www.artgallery.nsw.gov.au<\/a> for details.<\/p>\n

Images: Takashi Murakami, Cherry Blossoms Fujiyama JAPAN, 2020 (detail), acrylic and platinum leaf and gold leaf on canvas mounted on aluminum frame, 50 \u00d7 212.5 cm \u00a9 2020 Takashi Murakami\/Kaikai Kiki Co., Ltd. All Rights Reserved | Takashi Murakami \u2013 photo by Shin Suzuki \u00a9 Takashi Murakami\/Kaikai Kiki Co., Ltd. All Rights Reserved |\u00a0Takashi Murakami, Japan Supernatural: Vertiginous After Staring at the Empty World Too Intensely, I Found Myself Trapped in the Realm of Lurking Ghosts and Monsters, 2019\u201320, acrylic, gold leaf and glitter on canvas, 300 x 1,000 cm, Art Gallery of New South Wales, purchased with funds provided by the Art Gallery of New South Wales Foundation 2019 \u00a9 2019\u201320 Takashi Murakami\/Kaikai Kiki Co., Ltd. All Rights Reserved<\/p>\n","protected":false},"excerpt":{"rendered":"The Art Gallery of New South Wales will present a blockbuster Australian-first retrospective exhibition of internationally acclaimed Japanese…\n","protected":false},"author":2,"featured_media":549965,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[64,63,4100,163850,40037,4094,163851,4101,647,163849,4093,163853,44,4092,4099,4090,4105,163852,4089,4104],"class_list":["post-549964","post","type-post","status-publish","format-standard","has-post-thumbnail","category-australia","tag-au","tag-australia","tag-belvoir","tag-book-of-mormom","tag-destination-nsw","tag-fortyfivedownstairs","tag-kooza","tag-la-boite-theatre","tag-melbourne","tag-meow-meow","tag-midsumma","tag-muck-rack","tag-news","tag-ngv","tag-opera-australia","tag-publication-media","tag-rocky-horror","tag-the-lion-king","tag-theatre","tag-todd-mckenney"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/549964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/comments?post=549964"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/549964\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media\/549965"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media?parent=549964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/categories?post=549964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/tags?post=549964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}