{"id":637290,"date":"2026-04-29T00:24:20","date_gmt":"2026-04-29T00:24:20","guid":{"rendered":"https:\/\/www.newsbeep.com\/au\/637290\/"},"modified":"2026-04-29T00:24:20","modified_gmt":"2026-04-29T00:24:20","slug":"australian-actor-megan-wilding-stars-in-game-set-match-a-play-that-feels-like-tennis","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/au\/637290\/","title":{"rendered":"Australian actor Megan Wilding stars in Game. Set. Match, a play that feels like tennis"},"content":{"rendered":"<p class=\"paragraph_paragraph___QITb\">Megan Wilding doesn&#8217;t think she would have been cast in Malthouse Theatre&#8217;s latest play if she hadn&#8217;t written it herself.<\/p>\n<p class=\"paragraph_paragraph___QITb\">Game. Set. Match. follows Ray (Wilding; <a class=\"Link_link__5eL5m ScreenReaderOnly_srLinkHint__OysWz Link_showVisited__C1Fea Link_showFocus__ALyv2\" href=\"https:\/\/www.abc.net.au\/news\/2018-05-23\/blackie-blackie-brown-flips-script-on-indigenous-trauma\/9786868\" data-component=\"Link\" rel=\"nofollow noopener\" target=\"_blank\">Blackie Blackie Brown<\/a>) and Joshua (Rick Davies; Offspring) who meet after the funeral of his mother, an Australian tennis legend.<\/p>\n<p class=\"paragraph_paragraph___QITb\">As the night wears on, what starts as off-kilter banter and flirtation descends into something much darker, when Ray reveals she first met Joshua a long time ago.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;It&#8217;s a rom-com until it isn&#8217;t,&#8221; Gamilaroi actor and playwright Wilding tells ABC Radio National&#8217;s Awaye!\u00a0<\/p>\n<p>&#8220;And big Blak women with opinions don&#8217;t usually get cast as romantic leads.&#8221;<\/p>\n<p class=\"paragraph_paragraph___QITb\">But that&#8217;s not the only reason Wilding thinks she would&#8217;ve been overlooked for Game. Set. Match.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;At the moment I&#8217;m considered quite a good comedy actor, and I love that,&#8221; she says. &#8220;I am. I&#8217;m an excellent comedy actor, but also I&#8217;m an excellent dramatic actor.<\/p>\n<p><img decoding=\"async\" alt=\"On stage, Contessa Treffone holds Megan Wilding's chin. They are both wearing bright pink outfits.\" class=\"Image_image__5tFYM ContentImage_image__DQ_cq\"  src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/04\/703944067e0af6cd6384c1f28102e4a8.jpeg\" loading=\"lazy\" data-component=\"Image\" data-lazy=\"true\"\/><\/p>\n<p class=\"Typography_base__sj2RP FigureCaption_text__zDxQ5 Typography_sizeMobile12__w_FPC Typography_lineHeightMobile20___U7Vr Typography_regular__WeIG6 Typography_colourInherit__dfnUx\" data-component=\"Typography\">Wilding is known for her roles in comedy plays, including A Fool in Love (pictured, with Contessa Treffone) in 2024 and Banging Denmark in 2019. (Supplied: STC\/Daniel Boud)<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;Sometimes I underestimate myself and I think that could potentially hold me back, but I also think that sometimes people casting these things underestimate me. So that&#8217;s why I go &#8216;I don&#8217;t know if this would land on my desk&#8217;.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;But it has. I mean, it was borne from my desk, so it landed on it all right.&#8221;<\/p>\n<p>Finding the right time<\/p>\n<p class=\"paragraph_paragraph___QITb\">In 2017, Wilding was two years out of drama school but had only been cast in a handful of TV shows including True Story with Hamish &amp; Andy (Channel 9) and The Edge of the Bush (ABC TV).<\/p>\n<p><img decoding=\"async\" alt=\"In front of an unfurled screen, Megan Wilding, an Indigenous woman, mid-30s, gives Rick Davies, early 40s, a skeptical look.\" class=\"Image_image__5tFYM ContentImage_image__DQ_cq\"  src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/04\/b6adc51434671f247250b218793339a1.jpeg\" loading=\"lazy\" data-component=\"Image\" data-lazy=\"true\"\/><\/p>\n<p class=\"Typography_base__sj2RP FigureCaption_text__zDxQ5 Typography_sizeMobile12__w_FPC Typography_lineHeightMobile20___U7Vr Typography_regular__WeIG6 Typography_colourInherit__dfnUx\" data-component=\"Typography\">Wilding and Davies previously worked together on True Story with Hamish &amp; Andy in 2017. (Supplied: \u00a0Malthouse\/Peter Tarasuik)<\/p>\n<p class=\"paragraph_paragraph___QITb\">So, she decided to turn her hand to writing, toying with the idea of a play that uses tennis as a framing device for a much bigger conversation between white and Blak Australia about colonisation and sexual violence.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;I was sitting around, just catching up with myself and processing the colony and acting and conversations,&#8221; she says. &#8220;I guess it all got chucked in a slow cooker and kind of mingled around and Game. Set. Match. was born.&#8221;<\/p>\n<p class=\"paragraph_paragraph___QITb\">Wilding applied for the Balnaves Aboriginal and Torres Strait Fellowship, winning the opportunity to spend a year writing the play with Sydney&#8217;s Belvoir St Theatre.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;And then it sat for a bit because I don&#8217;t know if I was in a place to fully go where the piece needed me to [and] the conversations we were having [about race] needed to catch up,&#8221; Wilding says.<\/p>\n<p class=\"paragraph_paragraph___QITb\">Four years later, Game. Set. Match. won the Griffin Award for new Australian playwriting.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;And then it was massaged again at Griffin Theatre,&#8221; Wilding says.<\/p>\n<p class=\"paragraph_paragraph___QITb\">Even then she didn&#8217;t feel the play had reached its full potential, so she put it back in a drawer.<\/p>\n<p class=\"paragraph_paragraph___QITb\">But as more time passed, the conversation about Indigenous Australia changed, especially in the wake of the failed referendum in 2023. Wilding&#8217;s play changed too.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;There was a great heartbreak with the Voice to Parliament, but then the rebuild of going &#8216;I don&#8217;t need anyone to tell me whether I have a voice or not&#8217;,&#8221; she says.<\/p>\n<p class=\"paragraph_paragraph___QITb\">Wilding made the script &#8220;punchier, gutsier&#8221;. And it was this &#8220;braver and bloodier&#8221; iteration that she finally felt ready to show audiences.<\/p>\n<p><img decoding=\"async\" alt=\"Megan Wilding, an Indigenous woman in her mid-30s, smiles brightly in a brick-walled rehearsal space, one hand on her hip.\" class=\"Image_image__5tFYM ContentImage_image__DQ_cq\"  src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/04\/32fd27b56314ecebbf5cb2489f222f4d.jpeg\" loading=\"lazy\" data-component=\"Image\" data-lazy=\"true\"\/><\/p>\n<p class=\"Typography_base__sj2RP FigureCaption_text__zDxQ5 Typography_sizeMobile12__w_FPC Typography_lineHeightMobile20___U7Vr Typography_regular__WeIG6 Typography_colourInherit__dfnUx\" data-component=\"Typography\">&#8220;I feel like where I&#8217;m at as an artist now is exactly what Game. Set. Match. deserves from someone,&#8221; Wilding says. (Supplied: \u00a0Malthouse\/Gianna Rizzo)<\/p>\n<p class=\"paragraph_paragraph___QITb\">She sent the script to director and dramaturge Jessica Arthur (Koreaboo), who brought it to Malthouse.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;I&#8217;m the most happy I&#8217;ve been with the script so far,&#8221; she says. &#8220;A lot has changed, but I think the underlying fire is still the same. The characters now have more of a hold of it and aren&#8217;t shying away from it.&#8221;<\/p>\n<p>Joining a wave of Bla(c)k artistry<\/p>\n<p class=\"paragraph_paragraph___QITb\">Game. Set. Match is also a kind of revenge play, in the tradition of Gamilaroi and Torres Strait Islander playwright Nakkiah Lui&#8217;s Blackie Blackie Brown (2018) about an Indigenous archaeologist turned vigilante superhero, and Black American playwright Aleshea Harris&#8217;s Is God Is (2018) about a pair of sisters who go on a Tarantino-esque road trip of retribution.<\/p>\n<p><img decoding=\"async\" alt=\"The actor stands, wearing a blue wig, facial makeup and a bustier emblazoned with the Aboriginal flag.\" class=\"Image_image__5tFYM ContentImage_image__DQ_cq\"  src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/04\/71373f011b5ceef2899aa256c7c89356.jpeg\" loading=\"lazy\" data-component=\"Image\" data-lazy=\"true\"\/><\/p>\n<p class=\"Typography_base__sj2RP FigureCaption_text__zDxQ5 Typography_sizeMobile12__w_FPC Typography_lineHeightMobile20___U7Vr Typography_regular__WeIG6 Typography_colourInherit__dfnUx\" data-component=\"Typography\">Wilding starred as an archaeologist vigilante in Nakkiah Lui&#8217;s Blackie Blackie Brown in 2018. (Supplied: Sydney Theatre Company\/Daniel Boud)<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;It seems so easy for people to lie to us but I think we&#8217;re smarter [than that],&#8221; Wilding says.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;We prove every single day how intelligent we are when we call bullshit. I see it in the matriarchs I&#8217;m surrounded by [and] the artistry of Blak women that I&#8217;ve witnessed in my career.&#8221;<\/p>\n<p class=\"paragraph_paragraph___QITb\">Those matriarchs include playwright-performers Ursula Yovich (Barbara and the Camp Dogs) and Leah Purcell (The Drover&#8217;s Wife).<\/p>\n<p class=\"paragraph_paragraph___QITb\">Wilding recalls being in the audience of their shows at Belvoir and &#8220;getting chills, seeing a Blak woman own her words&#8221;.<\/p>\n<p class=\"paragraph_paragraph___QITb\">She&#8217;s similarly enamoured with her friend and peer Dalara Williams.<\/p>\n<p><a href=\"https:\/\/www.abc.net.au\/news\/2026-02-20\/lisa-rachael-maza-sisters-black-light-malthouse-theatre\/106357630\" data-component=\"FullBleedLink\" class=\"RelatedCard_link__rsgR9 FullBleedLink_root__lTw_U interactive_focusContext__yRhc_ interactive_defaults__AKxUU FullBleedLink_showVisited__g3Xvz\" rel=\"nofollow noopener\" target=\"_blank\">Rachael Maza on new play Black Light<\/a><\/p>\n<p class=\"Typography_base__sj2RP RelatedCard_synopsis__cFwMW Typography_sizeMobile14__u7TGe Typography_lineHeightMobile20___U7Vr Typography_regular__WeIG6 Typography_colourInherit__dfnUx\" data-component=\"Typography\">The former head of Indigenous theatre company Ilbijerri teams up with her sister Lisa for Black Light.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;The last play I did in Sydney was last year, Big Girls Don&#8217;t Cry by Dalara Williams, shout out.&#8221; she says. &#8220;And that was just a different experience to what I&#8217;d ever done in Sydney because it was just so Blak and for mob.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;I think the way that she tapped into the voice of Redfern and was able to amplify that was just so exciting. She found a voice that she didn&#8217;t shy away from.&#8221;<\/p>\n<p class=\"paragraph_paragraph___QITb\">It&#8217;s something Wilding hopes she can replicate at Malthouse in May.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;I want [audiences] to go, &#8216;Oh, that was good tennis&#8217;,&#8221; she says. &#8220;Because I&#8217;ve really tried to write these two characters in a conversation that feels like tennis.<\/p>\n<p>&#8220;And I think tennis naturally goes into theatre because one of the first things you get told in drama school is to play to win.&#8221;&#8216;It&#8217;s a gift&#8217;<\/p>\n<p class=\"paragraph_paragraph___QITb\">For Wilding, starring in her own play isn&#8217;t totally new.<\/p>\n<p class=\"paragraph_paragraph___QITb\">In 2019, she wrote, directed, and starred in A Little Piece of Ash, a semi-autobiographical story about a straight-talking millennial reckoning with her mother&#8217;s death.<\/p>\n<p><img decoding=\"async\" alt=\"Megan Wilding: A Little Piece of Ash\" class=\"Image_image__5tFYM ContentImage_image__DQ_cq\"  src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/04\/44a3cd2dc16c4809c801629f8f1cb39e.jpeg\" loading=\"lazy\" data-component=\"Image\" data-lazy=\"true\"\/><\/p>\n<p class=\"Typography_base__sj2RP FigureCaption_text__zDxQ5 Typography_sizeMobile12__w_FPC Typography_lineHeightMobile20___U7Vr Typography_regular__WeIG6 Typography_colourInherit__dfnUx\" data-component=\"Typography\">Wilding in 2019, for A Little Piece of Ash, a story about grief, loss and the survival of the modern Aboriginal woman. (Supplied: Chandel Brandimarti)<\/p>\n<p class=\"paragraph_paragraph___QITb\">But making Game. Set. Match. felt different. Now, Wilding is excited, nervous and scared.<\/p>\n<p class=\"paragraph_paragraph___QITb\">This means that sometimes she has to choose between the contradictory impulses of &#8220;Actor Meg&#8221; and &#8220;Writer Meg&#8221;.<\/p>\n<p class=\"paragraph_paragraph___QITb\">Occasionally &#8220;Writer Meg&#8221; coaxes the actor to go further with her character in rehearsals, reminding her theatre is a collaboration and an actor&#8217;s performance enriches the writing.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;I think [Actor Meg] is going, &#8216;OK, writer, you do it and I&#8217;ll just follow&#8217;,&#8221; Wilding explains.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;And I&#8217;m going, &#8216;No. But you&#8217;re also my muse, my love. Please come sit with me. What do you want to do? What&#8217;s yummy in your mouth? Because you&#8217;re going to know the character more because you&#8217;re going to have to bring it to life&#8217;.&#8221;<\/p>\n<p><img decoding=\"async\" alt=\"A TV still of Megan Wilding and Tony Armstrong, both mid-30s, Indigenous, in a TV studio, Wilding dressed as a silver snake.\" class=\"Image_image__5tFYM ContentImage_image__DQ_cq\"  src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/04\/6680d40f3fec48bcb20dbc67aaf21642.jpeg\" loading=\"lazy\" data-component=\"Image\" data-lazy=\"true\"\/><\/p>\n<p class=\"Typography_base__sj2RP FigureCaption_text__zDxQ5 Typography_sizeMobile12__w_FPC Typography_lineHeightMobile20___U7Vr Typography_regular__WeIG6 Typography_colourInherit__dfnUx\" data-component=\"Typography\">Earlier this year, Wilding featured as the Rainbow Serpent in Indigenous late-night show Always Was Tonight. (Supplied: ABC TV\/Teresa Tan)<\/p>\n<p class=\"paragraph_paragraph___QITb\">Ultimately, it&#8217;s this challenge that excites Wilding the most.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;I think that&#8217;s an indicator to just run towards it because I&#8217;ve just never done anything like this before in my career,&#8221; she says.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;I feel like it&#8217;s a gift I&#8217;ve been given and I&#8217;m going to try my darnedest to serve it.&#8221;<\/p>\n<p class=\"paragraph_paragraph___QITb\"><a class=\"Link_link__5eL5m ScreenReaderOnly_srLinkHint__OysWz Link_showVisited__C1Fea Link_showFocus__ALyv2\" href=\"https:\/\/www.malthousetheatre.com.au\/whats-on\/season-2026\/game-set-match\" data-component=\"Link\" rel=\"nofollow noopener\" target=\"_blank\">Game. Set. Match.<\/a> is at Malthouse Theatre, Melbourne from May 1-23.<\/p>\n","protected":false},"excerpt":{"rendered":"Megan Wilding doesn&#8217;t think she would have been cast in Malthouse Theatre&#8217;s latest play if she hadn&#8217;t written&hellip;\n","protected":false},"author":2,"featured_media":637291,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[308482,64,63,280655,110297,44152,134,308484,308485,308481,308480,308483],"class_list":["post-637290","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-aboriginal-theatre","tag-au","tag-australia","tag-australian-actor","tag-australian-theatre","tag-awaye","tag-entertainment","tag-game-set-match","tag-malthouse","tag-malthouse-theatre","tag-megan-wilding","tag-whats-on-melbourne"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/637290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/comments?post=637290"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/637290\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media\/637291"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media?parent=637290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/categories?post=637290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/tags?post=637290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}