{"id":768975,"date":"2026-06-30T02:27:17","date_gmt":"2026-06-30T02:27:17","guid":{"rendered":"https:\/\/www.newsbeep.com\/au\/768975\/"},"modified":"2026-06-30T02:27:17","modified_gmt":"2026-06-30T02:27:17","slug":"grateful-dead-exhibit-opens-at-haight-street-art-center","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/au\/768975\/","title":{"rendered":"Grateful Dead exhibit opens at Haight Street Art Center"},"content":{"rendered":"<p><img alt=\"Alton Kelley\u2019s design for the Grateful Dead\u2019s 1978 tour of Egypt.\u00a0\" loading=\"eager\" fetchpriority=\"high\"   style=\"aspect-ratio:4 \/ 3\" class=\"x100 y100 opc bgpc ofcv bgscv block bg-gray200 mnh0px fill\"\/><\/p>\n<p>Alton Kelley\u2019s design for the Grateful Dead\u2019s 1978 tour of Egypt.\u00a0<\/p>\n<p>Haight Street Art Center<\/p>\n<p>The\u00a0Haight Street Art Center is celebrating one of San Francisco\u2019s most beloved rock bands with a new, two part exhibition.<\/p>\n<p>\u201cForever Grateful,\u201d slated to open Friday, July 3, features art, instruments and other memorabilia from the Grateful Dead\u2019s history from 1965 to 1995. The show is the first of a two-part exhibition about the rock, blues and psychedelic jam band in the city this year.<\/p>\n<p>\u201cForever Grateful\u201d:\u00a0Noon-6 p.m. Thursday-Saturday. July 3-Sept. 20. Free. Haight Street Art Center, 215 Haight St., S.F. 415-900-4106. <a href=\"https:\/\/www.haightstreetart.org\" rel=\"nofollow noopener\" target=\"_blank\">www.haightstreetart.org<\/a><\/p>\n<p>Grahame Lesh &amp; Friends:\u00a02 p.m. Saturday, July 4. Free.\u00a0Haight Street Art Center, 215 Haight St., S.F. 415-900-4106.\u00a0\u00a0<\/p>\n<p>In a statement, Trixie Garcia, daughter of lead guitarist and vocalist Jerry Garcia, praised the opening of the exhibition in the city of the group\u2019s 1965 founding.<\/p>\n<p class=\"uiTextSmall f aic jcc\">Article continues below this ad<\/p>\n<p>\u201cMy family is pleased to know that the Haight Street Art Center will be featuring a Grateful Dead exhibition this summer,\u201d she said. \u201cWhat originated here in the \u201960s and the resulting cultural shift felt across the world will never be forgotten. There\u2019s nowhere like San Francisco and there\u2019s nothing like the Grateful Dead!\u201d\u00a0<\/p>\n<p>As part of the show\u2019s opening, Grahame Lesh, the son of bass guitarist and vocalist Phil Lesh, will host a free performance on Saturday, July 4, with his band, Grahame Lesh &amp; Friends, featuring Alex Jordan, Jason Crosby, Burt Lewis and Danny Luehring.<\/p>\n<p><img alt=\"Among the poster art on view at the Haight Street Art Center \u201cForever Grateful\u201d is this 1966 Wes Wilson design for the Grateful Dead at the Fillmore Audtorium.\" loading=\"lazy\"   style=\"aspect-ratio:3 \/ 4\" class=\"x100 y100 opc bgpc ofcv bgscv block bg-gray200 mnh0px fill\"\/><\/p>\n<p>Among the poster art on view at the Haight Street Art Center \u201cForever Grateful\u201d is this 1966 Wes Wilson design for the Grateful Dead at the Fillmore Audtorium.<\/p>\n<p>Haight Street Art Center<\/p>\n<p>The Grateful Dead were formed in 1965 with founding members Garcia, Lesh, Bob Weir on rhythm guitar and vocals, Bill Kreutzmann on drums, and Ron \u201cPigpen\u201d McKernan on keyboards, harmonica, and vocals. The band continued after McKernan\u2019s death in 1973 but split after the passing of Garcia in 1995. The band\u2019s honors include being inducted into the Rock &amp; Roll Hall of Fame in 1994 and a recording of their performance at Cornell University\u2019s Barton Hall being added to the National Recording Registry of the Library of Congress in 2012. Weir,\u00a0Lesh, Kreutzmann and Hart were recognized at the Kennedy Center Honors in 2024.<\/p>\n<p>San Francisco Chronicle Logo<\/p>\n<p>Make us a Preferred Source to get more of our news when you search.<\/p>\n<p><a href=\"https:\/\/www.google.com\/preferences\/source?q=sfchronicle.com\" data-link=\"native\" role=\"button\" aria-label=\"Add Preferred Source\" class=\"td300 cp f aic jcc disabled:cd wsn px24 y40px px16 py8 buttonSm fs13 xs:fs16 xs:buttonLg bg-primaryAccessible hover:o80 c-white disabled:bg-gray300 disabled:c-gray600 border bn tac br2\"><\/p>\n<p>Add Preferred Source<\/p>\n<p><\/a><\/p>\n<p>The Haight Street Art Center show, which encompasses both floors of the center, is curated by Ben Marks, with advisers Dennis McNally, a Grateful Dead historian, and Susana Millman, a photographer known for her images of the band. \u201cForever Grateful\u201d displays more than 400 items, from photos to records and visual art. The show also highlights the poster creators who helped shape the band\u2019s visual identity, including San Francisco\u2019s \u201cBig Five\u201d rock-poster artists Wes Wilson, Stanley Mouse, Alton Kelley, Victor Moscoso and Rick Griffin.\u00a0<\/p>\n<p class=\"uiTextSmall f aic jcc\">Article continues below this ad<\/p>\n<p>The largest gallery space features a 1-to-4 scale replica of the band\u2019s famous \u201cWall of Sound\u201d audio installation. The\u00a0immersive recreation of the speaker system used in concerts plays the band\u2019s live recordings, offering visitors a chance to experience something close to a concert\u2019s sound. The installation was designed and built by Anthony Coscia of instrument and cabinet builder Coscia Guitar and includes 500 speakers.<\/p>\n<p><img alt=\"Alton Kelley and Stanley Mouse\u2019s \u201cBertha,\u201d 1967, is on view in \u201cForever Grateful\u201d at the Haight Street Art Center.\" loading=\"lazy\"   style=\"aspect-ratio:1 \/ 1\" class=\"x100 y100 opc bgpc ofcv bgscv block bg-gray200 mnh0px fill\"\/><\/p>\n<p>Alton Kelley and Stanley Mouse\u2019s \u201cBertha,\u201d 1967, is on view in \u201cForever Grateful\u201d at the Haight Street Art Center.<\/p>\n<p>Haight Street Art Center<\/p>\n<p>\u201cThe thing that really set the Grateful Dead apart from everyone else was its sound,\u201d said Marks. \u201cIt wasn\u2019t merely a technical achievement\u00a0\u2014 the lack of distortion in the band\u2019s live sound allowed you to fully experience the music.\u201d<\/p>\n<p>Although the band only had only one Top 40 single in its 30-year career, with the 1987 song \u201cTouch of Grey,\u201d it was among the highest-grossing American touring acts for decades.\u00a0<\/p>\n<p>Part of the intent of \u201cForever Grateful\u201d is to also recognize the Deadhead community, from the first fan club founded by Palo Alto classmates of Weir to the generations of tie-dye wearing devotees since.<\/p>\n<p class=\"uiTextSmall f aic jcc\">Article continues below this ad<\/p>\n<p>\u201cForever Grateful,\u201d Haight Street Art Center Board Chair Roger McNamee said in a statement, was \u201ccreated by Dead Heads for Dead Heads.\u201d<\/p>\n<p>\u201c(It) serves as both a museum exhibition and a gathering space for visitors to enjoy music, art, photography, and artifacts of the band that defies description and its equally indescribable community,\u201d he said.\u00a0<\/p>\n<p>The second exhibition, \u201cForever Grateful, Golden Gate Park,\u201d is slated to open Sept. 5, at the Hall of Flowers in Golden Gate Park.<\/p>\n","protected":false},"excerpt":{"rendered":"Alton Kelley\u2019s design for the Grateful Dead\u2019s 1978 tour of Egypt.\u00a0 Haight Street Art Center The\u00a0Haight Street Art&hellip;\n","protected":false},"author":2,"featured_media":768976,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[449,458,8952,365761,459,64,63,485,460,134,6113],"class_list":["post-768975","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-arts-and-entertainment","tag-arts-and-exhibits","tag-artsanddesign","tag-au","tag-australia","tag-california","tag-design","tag-entertainment","tag-san-francisco"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/768975","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/comments?post=768975"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/768975\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media\/768976"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media?parent=768975"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/categories?post=768975"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/tags?post=768975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}