{"id":77112,"date":"2025-08-18T09:44:07","date_gmt":"2025-08-18T09:44:07","guid":{"rendered":"https:\/\/www.newsbeep.com\/au\/77112\/"},"modified":"2025-08-18T09:44:07","modified_gmt":"2025-08-18T09:44:07","slug":"humour-and-authors-voice-stand-out-in-collection","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/au\/77112\/","title":{"rendered":"Humour and author\u2019s voice stand out in collection"},"content":{"rendered":"<p class=\"\">Although rarely out of fashion, the Irish short story has experienced something of a renaissance in the last decade, aided in part by an abundance of literary journals and small presses nurturing the form.\u00a0<\/p>\n<p class=\"\">One such outfit is Arlen House, the feminist publisher celebrating 50 years since its founding by Cork woman Catherine Rose, now run by Alan Hayes.<\/p>\n<p class=\"contextmenu internal_BodyRagged\">This radical small publisher remains as enthusiastic as ever in championing the many writers on its varied list.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">A recent offering is  Even Still, the debut story collection from Celia de Fr\u00e9ine, a seasoned and award-winning poet and playwright, born in Newtownards and raised in Dublin.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">Elsewhere, de Fr\u00e9ine writes across genres in Irish and English, and the story  My Sister Safija is a translation of her original,  Mo Dheirfi\u00far Maja .<\/p>\n<p class=\"contextmenu internal_BodyRagged\">The standout qualities of de Fr\u00e9ine\u2019s collection are voice and humour.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">\n            From a child navigating the perils of her city streets to an amateur actress finding relief from the daily grind, her characters\u2019 interior monologues always feel authentic.\u00a0\n        <\/p>\n<p class=\"contextmenu internal_BodyRagged\">She resists a nostalgic view of 20th century Ireland in favour of spotlighting its difficulties and dangers for women and girls, with a healthy dose of comedy alongside everyday horrors.<\/p>\n<p class=\"contextmenu internal_BodyRagged\">The opening three stories are told from the point of view of the quick-witted Veronica, following her from a working-class Dublin childhood into young womanhood and beyond.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">The second offering,  The Story of Elizabeth, was shortlisted for the An Post Irish Short Story of the Year Award, and all three of Veronica\u2019s stories are peppered with delicate foreshadowing alongside moments of profundity \u2014 her mother is reluctant to part with old and broken items because: \u201cThey all belong to a story she\u2019s afraid she\u2019ll forget if they\u2019re thrown out.\u201d<\/p>\n<p class=\"contextmenu internal_BodyRagged\">It\u2019s refreshing to read a collection with so many genuinely funny lines.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">De Fr\u00e9ine has an impressive ability to mix drama and humour that is reminiscent of major playwrights such as Friel.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">As with Friel, I got the impression that the short story is perhaps not de Fr\u00e9ine\u2019s most natural form.\u00a0<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2025\/08\/4746441_2_articleinline_Even_20Still_20Celia_20de_20Fr_c3_a9ine_20copy.jpg\" alt=\"\" title=\"\" class=\"card-img\"\/><\/p>\n<p class=\"\">A tendency towards summarisation and sweeping, urgent plots can at times feel more suited to stage or screen.<\/p>\n<p class=\"contextmenu internal_BodyRagged\">Tension is expertly built only to be conveniently dispelled, a reliance on the first person can make the similarly aged protagonists feel interchangeable.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">De Fr\u00e9ine\u2019s prose style works fittingly in other instances, such as in the delightfully meta  The Short of It, where an Irish teacher is taking an evening writing class and mining her life for material, or in the dark fairytale-like La Cantatrice Muette , in which a butcher in a passionless marriage loses half a finger and finds a renewed lust for life.<\/p>\n<p class=\"contextmenu internal_BodyRagged\">Yet, de Fr\u00e9ine shines most brightly in this mode when she gives her ideas room to breathe and roots her spiky characters in present tense action.<\/p>\n<p class=\"contextmenu internal_BodyRagged\">In  Vive la R\u00e9volution, one of the strongest stories in the collection, class differences among a group of students in 1969 are subtly rendered through the energy of a house party, perennial in its relevance: \u201cAfter a few minutes shifting our feet on the same carpet stain, he edges me towards the bedroom.\u201d<\/p>\n<p class=\"contextmenu internal_BodyRagged\">This story would sit easily in any of Ireland\u2019s top literary journals and showcases de Fr\u00e9ine\u2019s potential in a form that she is perhaps still finding her own feet in.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">An altered arrangement and heavier editorial intervention may have benefited  Even Still, but there is no denying de Fr\u00e9ine\u2019s unique talent and knack for a comical flourish.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">As her writer in  The Short of It remarks: \u201cShit happens to everyone, but it\u2019s your own individual way of writing about that shit that makes it interesting.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Although rarely out of fashion, the Irish short story has experienced something of a renaissance in the last&hellip;\n","protected":false},"author":2,"featured_media":77113,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[45002,64,63,457,134,59171],"class_list":["post-77112","post","type-post","status-publish","format-standard","has-post-thumbnail","category-books","tag-books-fiction","tag-au","tag-australia","tag-books","tag-entertainment","tag-person-celia-de-freine"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/77112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/comments?post=77112"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/77112\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media\/77113"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media?parent=77112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/categories?post=77112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/tags?post=77112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}