{"id":85085,"date":"2025-08-21T13:55:07","date_gmt":"2025-08-21T13:55:07","guid":{"rendered":"https:\/\/www.newsbeep.com\/au\/85085\/"},"modified":"2025-08-21T13:55:07","modified_gmt":"2025-08-21T13:55:07","slug":"playtime-heads-to-venice-to-promote-my-tennis-maestro-and-gorgona","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/au\/85085\/","title":{"rendered":"Playtime heads to Venice to promote My Tennis Maestro and Gorgon\u00e0"},"content":{"rendered":"<p class=\"lancio\">21\/08\/2025 &#8211; On the Lido, the French sales agent will have high hopes for the new film by Italy\u2019s Andrea Di Stefano and the feature debut by Greece\u2019s Evi Kalogiropoulou<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2025\/08\/1755770626228_0620x0413_0x0x970x646_1755784181623.jpg\" width=\"620\" height=\"413\" alt=\"Playtime heads to Venice to promote My Tennis Maestro and Gorgon\u00e0\" data-id=\"167565\"\/><\/p>\n<p>My Tennis Maestro by Andrea Di Stefano<\/p>\n<p>The 82nd <a href=\"https:\/\/www.labiennale.org\/en\/cinema\/2025\" rel=\"nofollow noopener\" target=\"_blank\">Venice Film Festival<\/a> (27 August-6 September) looks set to be very much devoted to European cinema for French international sales agent <a href=\"https:\/\/cineuropa.org\/intsale\/26603\/\" rel=\"nofollow noopener\" target=\"_blank\">Playtime<\/a>, whose line-up includes the Italian production <a href=\"https:\/\/cineuropa.org\/film\/482268\/\" rel=\"nofollow noopener\" target=\"_blank\">My Tennis Maestro<\/a> by Andrea Di Stefano, which will be unveiled in the official selection (out of competition), and Gorgon\u00e0 by Greece\u2019s Evi Kalogiropoulou, due to be screened in competition in the <a href=\"https:\/\/www.sicvenezia.it\/en\/\" rel=\"nofollow noopener\" target=\"_blank\">International Film Critics\u2019 Week<\/a>.<\/p>\n<p>With Italian star Pierfrancesco Favino toplining the cast, starring alongside Tiziano Menichelli, Giovanni Ludeno and Dora Romano, My Tennis Maestro is the fourth feature by Di Stefano, who rose to fame at Toronto in 2014 with <a href=\"https:\/\/cineuropa.org\/film\/262495\/\" rel=\"nofollow noopener\" target=\"_blank\">Paradise Lost<\/a>\u00a0[+see also: <br \/><a href=\"https:\/\/cineuropa.org\/en\/newsdetail\/264039\/\" rel=\"nofollow noopener\" target=\"_blank\">film\u00a0review<\/a><br \/><a href=\"https:\/\/cineuropa.org\/en\/video\/rdID\/262495\/f\/t\/\" rel=\"nofollow noopener\" target=\"_blank\">trailer<\/a><br \/><a href=\"https:\/\/cineuropa.org\/en\/video\/rdID\/262495\/f\/mo\/\" rel=\"nofollow noopener\" target=\"_blank\">making\u00a0of<\/a><br \/><a href=\"https:\/\/cineuropa.org\/en\/film\/262495\/\" rel=\"nofollow noopener\" target=\"_blank\">film\u00a0profile<\/a>] and took part in the 2023 Berlinale with a Special Screening of <a href=\"https:\/\/cineuropa.org\/film\/438654\/\" rel=\"nofollow noopener\" target=\"_blank\">The Last Night of Amore<\/a>\u00a0[+see also: <br \/><a href=\"https:\/\/cineuropa.org\/en\/newsdetail\/439192\/\" rel=\"nofollow noopener\" target=\"_blank\">film\u00a0review<\/a><br \/><a href=\"https:\/\/cineuropa.org\/en\/video\/rdID\/438654\/f\/t\/\" rel=\"nofollow noopener\" target=\"_blank\">trailer<\/a><br \/><a href=\"https:\/\/cineuropa.org\/en\/interview\/439270\/\" rel=\"nofollow noopener\" target=\"_blank\">interview: Andrea Di Stefano<\/a><br \/><a href=\"https:\/\/cineuropa.org\/en\/film\/438654\/\" rel=\"nofollow noopener\" target=\"_blank\">film\u00a0profile<\/a>]. Written by the director himself, the story unfolds in Italy in 1989. After years of intense training, 13-year-old Felice, carrying his father&#8217;s expectations on his shoulders, finally sets out to compete in the national tennis tournaments. While dreaming of a simple summer holiday, he&#8217;s instead placed under the wing of ex-tennis champion Raul, an unconventional coach hired by his father. Match after match, the two embark on a journey that will lead Felice to discover the taste of freedom, and Raul to glimpse the possibility of a fresh start. As they travel along the Italian coast, an unexpected, deep and sincere bond between them develops. The film is being produced by <a href=\"https:\/\/cineuropa.org\/prodcompany\/90891\/\" rel=\"nofollow noopener\" target=\"_blank\">Indiana Production<\/a>, <a href=\"https:\/\/cineuropa.org\/prodcompany\/7726\/\" rel=\"nofollow noopener\" target=\"_blank\">Indigo Film<\/a>, <a href=\"https:\/\/cineuropa.org\/prodcompany\/330140\/\" rel=\"nofollow noopener\" target=\"_blank\">Vision Distribution<\/a> and <a href=\"https:\/\/cineuropa.org\/prodcompany\/325540\/\" rel=\"nofollow noopener\" target=\"_blank\">Memo Film<\/a>, with support from <a href=\"https:\/\/cineuropa.org\/prodcompany\/210534\/\" rel=\"nofollow noopener\" target=\"_blank\">Sky<\/a>.<\/p>\n<p>The Playtime team, headed up by Nicolas Brigaud-Robert, S\u00e9bastien Beffa and Fran\u00e7ois Yon, will be touting a second trump card at Venice: Gorgon\u00e0 by Greece\u2019s Evi Kalogiropoulou (see the <a href=\"https:\/\/cineuropa.org\/newsdetail\/481508\" rel=\"nofollow noopener\" target=\"_blank\">news<\/a>). This feature debut is being produced by Greece\u2019s <a href=\"https:\/\/cineuropa.org\/prodcompany\/312251\/\" rel=\"nofollow noopener\" target=\"_blank\">Neda Film<\/a>, and is co-produced by their compatriots at <a href=\"https:\/\/cineuropa.org\/prodcompany\/251036\/\" rel=\"nofollow noopener\" target=\"_blank\">Blonde<\/a> and by French outfits <a href=\"https:\/\/cineuropa.org\/prodcompany\/137425\/\" rel=\"nofollow noopener\" target=\"_blank\">Blue Monday Productions<\/a> and <a href=\"https:\/\/cineuropa.org\/prodcompany\/216017\/\" rel=\"nofollow noopener\" target=\"_blank\">Kidam<\/a>.<\/p>\n<p>Playtime will also be pressing on with sales for <a href=\"https:\/\/cineuropa.org\/film\/481393\/\" rel=\"nofollow noopener\" target=\"_blank\">Solomamma<\/a>\u00a0[+see also: <br \/><a href=\"https:\/\/cineuropa.org\/en\/newsdetail\/482165\/\" rel=\"nofollow noopener\" target=\"_blank\">film\u00a0review<\/a><br \/><a href=\"https:\/\/cineuropa.org\/en\/video\/rdID\/481393\/f\/t\/\" rel=\"nofollow noopener\" target=\"_blank\">trailer<\/a><br \/><a href=\"https:\/\/cineuropa.org\/en\/interview\/482315\/\" rel=\"nofollow noopener\" target=\"_blank\">interview: Janicke Askevold<\/a><br \/><a href=\"https:\/\/cineuropa.org\/en\/film\/481393\/\" rel=\"nofollow noopener\" target=\"_blank\">film\u00a0profile<\/a>] by Norway\u2019s Janicke Askevold (which was premiered in competition at Locarno) and for its three Cannes selections: the competition entry <a href=\"https:\/\/cineuropa.org\/film\/476603\/\" rel=\"nofollow noopener\" target=\"_blank\">Eagles of the Republic<\/a>\u00a0[+see also: <br \/><a href=\"https:\/\/cineuropa.org\/en\/newsdetail\/477693\/\" rel=\"nofollow noopener\" target=\"_blank\">film\u00a0review<\/a><br \/><a href=\"https:\/\/cineuropa.org\/en\/video\/rdID\/476603\/f\/t\/\" rel=\"nofollow noopener\" target=\"_blank\">trailer<\/a><br \/><a href=\"https:\/\/cineuropa.org\/en\/interview\/477778\/\" rel=\"nofollow noopener\" target=\"_blank\">interview: Tarik Saleh<\/a><br \/><a href=\"https:\/\/cineuropa.org\/en\/film\/476603\/\" rel=\"nofollow noopener\" target=\"_blank\">film\u00a0profile<\/a>] by Sweden\u2019s Tarik Saleh (which will be shown shortly in Toronto Centrepiece), <a href=\"https:\/\/cineuropa.org\/film\/476929\/\" rel=\"nofollow noopener\" target=\"_blank\">The Richest Woman in the World<\/a>\u00a0[+see also: <br \/><a href=\"https:\/\/cineuropa.org\/en\/newsdetail\/477704\/\" rel=\"nofollow noopener\" target=\"_blank\">film\u00a0review<\/a><br \/><a href=\"https:\/\/cineuropa.org\/en\/interview\/477808\/\" rel=\"nofollow noopener\" target=\"_blank\">interview: Thierry Klifa<\/a><br \/><a href=\"https:\/\/cineuropa.org\/en\/film\/476929\/\" rel=\"nofollow noopener\" target=\"_blank\">film\u00a0profile<\/a>] by France\u2019s Thierry Klifa (set to be released in France on 29 October) and <a href=\"https:\/\/cineuropa.org\/film\/477638\/\" rel=\"nofollow noopener\" target=\"_blank\">C\u2019est Si Bon!<\/a> by his fellow countrywoman Diane Kurys (due for release in France on 1 October). Also standing out on the line-up, and currently in post-production, are Greenland by Emmanuel Courcol (see the <a href=\"https:\/\/cineuropa.org\/newsdetail\/475756\/\" rel=\"nofollow noopener\" target=\"_blank\">article<\/a>), Nobody\u2019s Son by Safy Nebbou (see the <a href=\"https:\/\/cineuropa.org\/newsdetail\/476106\/\" rel=\"nofollow noopener\" target=\"_blank\">article<\/a> \u2013 with <a href=\"https:\/\/cineuropa.org\/distributor\/203779\/\" rel=\"nofollow noopener\" target=\"_blank\">Sony Pictures<\/a> confirmed to distribute it in France, the USA, Canada and South America), Chopin, A Sonata in Paris by Poland\u2019s Micha\u0142 Kwieci\u0144ski, In a Whisper by Tunisia\u2019s Leyla Bouzid, Five Seconds by Italy\u2019s Paolo Virz\u00ec (see the <a href=\"https:\/\/cineuropa.org\/newsdetail\/468407\/\" rel=\"nofollow noopener\" target=\"_blank\">article<\/a>), The Rembrandt Syndrome by Pierre Schoeller (see the <a href=\"https:\/\/cineuropa.org\/newsdetail\/457605\/\" rel=\"nofollow noopener\" target=\"_blank\">article<\/a> \u2013 French theatrical release slated for 24 September) and the Spanish thriller Golpes by Rafael Cobos (see the <a href=\"https:\/\/cineuropa.org\/newsdetail\/475126\/\" rel=\"nofollow noopener\" target=\"_blank\">article<\/a>).<\/p>\n<p class=\"translatedfrom\">(Translated from French)<\/p>\n","protected":false},"excerpt":{"rendered":"21\/08\/2025 &#8211; On the Lido, the French sales agent will have high hopes for the new film by&hellip;\n","protected":false},"author":2,"featured_media":85086,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[565],"tags":[64,63,85,747],"class_list":{"0":"post-85085","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-tennis","8":"tag-au","9":"tag-australia","10":"tag-sports","11":"tag-tennis"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/85085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/comments?post=85085"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/85085\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media\/85086"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media?parent=85085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/categories?post=85085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/tags?post=85085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}