{"id":879884,"date":"2026-09-04T16:12:17","date_gmt":"2026-09-04T16:12:17","guid":{"rendered":"https:\/\/www.newsbeep.com\/au\/879884\/"},"modified":"2026-09-04T16:12:17","modified_gmt":"2026-09-04T16:12:17","slug":"many-of-us-in-israel-live-in-a-state-of-shock-at-the-savagery-veteran-director-amos-gitai-returns-to-gaza-venice-film-festival","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/au\/879884\/","title":{"rendered":"\u2018Many of us in Israel live in a state of shock at the savagery\u2019: veteran director Amos Gitai returns to Gaza | Venice film festival"},"content":{"rendered":"<p class=\"dcr-1s160rg\">The Palestinian village of Khan al-Ahmar sits off dust-blown Highway-1, between Jerusalem and Jericho in the Israeli-occupied West Bank. At the village centre is the \u201cschool of tires\u201d, a fragile construction of rubber, wood and adobe which is attended by around 300 Bedouin boys and girls. The Israeli authorities denied the villagers an official building permit and ruled that the entire settlement is illegal. For the past eight years the school has been operating under threat of imminent demolition, a symbol of resistance to widespread settler violence.<\/p>\n<p>Amos Gitai arriving at the Venice film festival, 3 September 2026. Photograph: Laurent Vu\/Sipa\/Shutterstock<\/p>\n<p class=\"dcr-1s160rg\">It is only international pressure, says the veteran Israeli writer-director Amos Gitai, that has kept the place upright and still open. \u201cThe school has become a litmus paper. It is a test of how far the international community will go [to protect the rights of the people of Khan al-Ahmar]. For once, on this issue, Europe stood up and said no.\u201d As for the future, who can tell?<\/p>\n<p class=\"dcr-1s160rg\">Khan al-Ahmar\u2019s \u201cschool of tires\u201d provides an anchor of sorts for Gitai\u2019s The Road to Jericho, a fluid, haunting documentary that elects to frame fraught recent history as a great tidal churn. In tackling the issue of the occupied West Bank, 75-year-old Gitai is also exploring his own role as a ringside observer and frequent commentator, delving back through the bulging back catalogue of a director who the critic Michael Atkinson dubbed \u201cIsrael\u2019s one-man New Wave.\u201d His film stirs a documentary portrait of the school with ghostly footage from the past 40 years. So we see a clip of the playwright Arthur Miller from Gitai\u2019s 2001 drama Eden, plus archive interviews with Shimon Peres and Yitzhak Rabin during the golden false dawn of the mid-90s Oslo accords.<\/p>\n<p class=\"dcr-1s160rg\">The future, Gitai admits, looked altogether brighter back then. The wise heads, by and large, have since left the building. \u201cThe killing of Rabin [in 1995 by a far-right Israeli law student] decapitated the efforts to create a dialogue,\u201d he explains. \u201cRabin was very simple, very sober. He wanted an agreement and was prepared to put all the questions on the table and discuss them [because he knew that] you cannot force an agreement. An agreement has to be agreed upon.\u201d<\/p>\n<p class=\"dcr-1s160rg\">And now? \u201cThat\u2019s all gone,\u201d he says flatly. \u201cEverything has been destabilised and we are now in the hands of people who don\u2019t want peace, whether it\u2019s extreme-right settlers or Hamas. So this is, absolutely, the worst time I\u2019ve known in my life. Many of us in Israel have been living these last three years in a state of shock at the levels of violence and savagery we are seeing.\u201d<\/p>\n<p>\u2018I consider my work as a civic gesture\u2019 \u2026 Gitai in 2005. Photograph: Martin Argles\/The Guardian<\/p>\n<p class=\"dcr-1s160rg\">The Road to Jericho is one of several pictures at this year\u2019s Venice film festival that explicitly focus on the Middle East. NAZA, a <a href=\"https:\/\/www.theguardian.com\/film\/2026\/aug\/24\/gaza-documentary-produced-by-the-guardian-to-receive-world-premiere-at-venice-film-festival\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">co-production with the Guardian<\/a> that plays in the main competition, spotlights the Israeli military\u2019s role in the mass killing of Palestinian civilians. Raj\u2019in (We Shall Return), a VR documentary about ethnic cleansing in the West Bank, is a harrowing highlight of the Venice Immersive section. The Road to Jericho, though, is something else again. It\u2019s more akin to a tone poem in that it is elliptical, deeply felt and about as far from polemic as political cinema gets.<\/p>\n<p class=\"dcr-1s160rg\">\u201cI consider my work as a civic gesture,\u201d Gitai says. \u201cI make films when I\u2019m moved or disturbed by something \u2013 that\u2019s always the trigger.\u201d He first visited Khan al-Ahmar while shooting another picture, 10 years ago, and was touched by the perseverance and dedication of its Bedouin community. \u201cI wanted to use film-making to defend the school,\u201d he says.<\/p>\n<p class=\"dcr-1s160rg\">He is wary, though, of films that deal in certainties and set out with a clear, laser-focused agenda. \u201cI don\u2019t believe art changes reality,\u201d he says. \u201cThat was never the case. What art can do is scratch a memory \u2013 and that\u2019s important. Machine guns and money move the world, but so do ideas. And cinema is a great vessel for ideas.\u201d<\/p>\n<p>A scene from NAZA, a documentary by the Guardian directed by Yuval Abraham and Rachel Szor. Photograph: The Guardian<\/p>\n<p class=\"dcr-1s160rg\">In Field Diary, his 1982 documentary about <a href=\"https:\/\/www.theguardian.com\/world\/gaza\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">Gaza<\/a> on the eve of the Lebanon War, the director interviewed Bassam Shakaa, the then-mayor of Nablus. Shakaa was confined to a wheelchair, having lost a leg in an attack by Israeli settlers. Gitai asked him whether he considered himself an optimist or a pessimist. \u201cPessimism is a luxury we cannot afford,\u201d Shakaa said.<\/p>\n<p class=\"dcr-1s160rg\">More than 40 years on those words resonate more than ever. \u201cI don\u2019t know if I\u2019m an optimist,\u201d Gitai says. \u201cThat would be a naive thing to say when we see everything that\u2019s going on. But look at Europe 80 years ago \u2013 the stage for the killing of millions and millions of people \u2013 and it\u2019s a good historical reference. It shows that people can always still come together and reconstruct, even after the horror of the second world war. So you have to preserve hope. Hope and ideas \u2013 these are the great motors for change.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"The Palestinian village of Khan al-Ahmar sits off dust-blown Highway-1, between Jerusalem and Jericho in the Israeli-occupied West&hellip;\n","protected":false},"author":2,"featured_media":879885,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[64,63,134],"class_list":["post-879884","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-au","tag-australia","tag-entertainment"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/879884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/comments?post=879884"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/879884\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media\/879885"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media?parent=879884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/categories?post=879884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/tags?post=879884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}