{"id":890193,"date":"2026-09-13T06:34:14","date_gmt":"2026-09-13T06:34:14","guid":{"rendered":"https:\/\/www.newsbeep.com\/au\/890193\/"},"modified":"2026-09-13T06:34:14","modified_gmt":"2026-09-13T06:34:14","slug":"bryce-dessner-to-present-orchestral-works-in-sydney","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/au\/890193\/","title":{"rendered":"Bryce Dessner to present orchestral works in Sydney"},"content":{"rendered":"

American composer and guitarist for The National, Bryce Dessner, will present orchestral works in Sydney, Australia, together with the Sydney Symphony Orchestra. The centrepiece of the performances will be the Australian premiere of his cello concerto Trembling Earth, written for Russian cellist Anastasia Kobekina, ABC News Australia reports<\/a>.<\/p>\n

Works about landscape and renewal<\/p>\n

Dessner created Trembling Earth under the impression of an exhibition of landscapes by Edvard Munch in Oslo. The composer describes the work as a pastoral symphony that reflects on the state of humanity in times of conflicts and traumatic events. According to him, the music combines themes of nature’s fragility, human decisions, destruction, renewal and hope.<\/p>\n

The concerto was written when Dessner was the first composer-in-residence of the Czech Philharmonic. He called Kobekina \u201ca force of nature\u201d and noted that she performs both classical repertoire and new music.<\/p>\n

Previously, Dessner wrote Impermanence, commissioned by the Australian String Quartet and Sydney Dance Company, in response to Australia’s large-scale \u201cBlack Summer\u201d bushfires. In Sydney, his composition St Carolyn By The Sea for two electric guitars and strings will also be performed in Australia for the first time. It was inspired by Jack Kerouac’s 1962 novel Big Sur.<\/p>\n

More current news is available on the UA.News Telegram channel Telegram<\/a>.<\/p>\n

Concert hall and algorithms<\/p>\n

Dessner combines his work in the indie rock band The National with writing classical music and considers these directions related through the collective work of musicians. At the same time, for an orchestral performance, the composer must prepare a finished score, whereas The National creates music collaboratively.<\/p>\n

The musician speaks about \u201calgorithmic culture\u201d and music created with the help of artificial intelligence. In his view, concert halls remain a space for direct contact between listeners and performers. Dessner has also completed work on his first opera, Herakles Mad, which is due to premiere next year.<\/p>\n

Trembling Earth concerts featuring Anastasia Kobekina and Umberto Clerici will take place on September 19 and 20 at the Sydney Opera House. Dessner will present the A Portrait In Music programme on September 24 at City Recital Hall in Sydney and on September 25 at the Melbourne Recital Centre.<\/p>\n

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