{"id":89702,"date":"2025-08-23T09:48:18","date_gmt":"2025-08-23T09:48:18","guid":{"rendered":"https:\/\/www.newsbeep.com\/au\/89702\/"},"modified":"2025-08-23T09:48:18","modified_gmt":"2025-08-23T09:48:18","slug":"the-visitor-the-saturday-paper","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/au\/89702\/","title":{"rendered":"The Visitor | The Saturday Paper"},"content":{"rendered":"<p>Rebecca Starford\u2019s The Visitor is an atmospheric and tightly controlled novel that focuses on apparitions and the various shapes of grief, spooling out into fear and chaos. Along with other recent novels such as The Name of the Sister and Jasper Cliff, the book is drawn to the horror and beauty of the Australian outback, a place where people can easily go missing or struggle for survival in the harsh landscape.<\/p>\n<p>Starford started the novel as part of a PhD in creative writing at the University of Queensland on the theme of haunting in Australian literature, and its incorporation of texts such as Patrick White\u2019s Voss and Joan Lindsay\u2019s Picnic at Hanging Rock brings a sense of deeply imbued and troubled colonial history \u2013 a literature of displacement, alienation and loss, inhabited by strangers who don\u2019t belong to this land.<\/p>\n<p>The novel sets the scene in Britain\u2019s damp and cosy Oxfordshire and moves between the points of view of expat Laura, a\u00a0writer in her 40s, and her teenage daughter, Tilly. When Laura\u2019s parents are found dead in a remote gorge, their Brisbane home abandoned, Laura returns to Brisbane with her husband, Andrew, and Tilly to inhabit the house. Tilly\u2019s first trip to Australia gives a\u00a0fresh outsider perspective as Laura struggles to manage her guilt at leaving her parents and a\u00a0growing sense of disconnection.<\/p>\n<p>A feeling of dread creeps up on the characters and the reader in the unbearably muggy heat, where a storm flood pulls Tilly\u2019s bicycle away from her and photographs reveal blurred and disembodied images. The house seems to take on a life of its own: locking doors and windows, making strange noises at night, shifting and hiding things from Laura.<\/p>\n<p>Starford carefully builds this tension and disturbance by sowing seeds of doubt: are these ghostly events really happening or are they more about Laura\u2019s state of mind? Why does Tilly feel haunted too? In a powerful passage, Laura remembers her experience of postnatal depression and how her mind took flight, and becomes anxious that the numbness is returning: \u201cBack then, Laura began to think she and Tilly had a kind of agreement: mutual indifference.\u201d<\/p>\n<p>Starford\u2019s memoir Bad Behaviour \u2013 which became a Stan Original television series \u2013 and earlier novel The Imitator reveal a\u00a0deeply intuitive and classic take on character and suspense. The Visitor plants itself firmly in Australian gothic with a lush sense of the supernatural that lingers beyond the subtropical heat of Brisbane\u2019s suburbs.<\/p>\n<p>Allen &amp; Unwin, 304pp, $32.99<\/p>\n<p>\n          This article was first published in the print edition of The Saturday Paper on<br \/>\n            August 23, 2025 as &#8220;Rebecca Starford, The Visitor&#8221;.<\/p>\n<p>\n      For almost a decade, The Saturday Paper has published Australia\u2019s leading writers and thinkers.<br \/>\n      We have pursued stories that are ignored elsewhere, covering them with sensitivity and depth.<br \/>\n      We have done this on refugee policy, on government integrity, on robo-debt, on aged care,<br \/>\n      on climate change, on the pandemic.\n    <\/p>\n<p>\n      All our journalism is fiercely independent. 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