{"id":963509,"date":"2026-11-13T23:04:26","date_gmt":"2026-11-13T23:04:26","guid":{"rendered":"https:\/\/www.newsbeep.com\/au\/963509\/"},"modified":"2026-11-13T23:04:26","modified_gmt":"2026-11-13T23:04:26","slug":"mother-maiden-crone-exhibition-a-cacophony-of-disruptive-female-energy-at-national-portrait-gallery","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/au\/963509\/","title":{"rendered":"Mother Maiden Crone exhibition &#8216;a cacophony of disruptive female energy&#8217; at National Portrait Gallery"},"content":{"rendered":"<p class=\"paragraph_paragraph___QITb\">Magic, witchcraft, ancient rituals and unbridled sexuality are some of the complex and multifaceted aspects of womanhood explored in the latest exhibition at the National Portrait Gallery in Canberra.<\/p>\n<p class=\"paragraph_paragraph___QITb\">The gallery says the Mother Maiden Crone exhibition creates &#8220;a cacophony of disruptive female energy&#8221;, exploring how the bright and beautiful coexist with the dark and distasteful.<\/p>\n<p><img decoding=\"async\" alt=\"An artwork of a young girls with horn-shaped wings on her head and two different coloured eyes petting an animal skull.\" class=\"Image_image__5tFYM ContentImage_image__DQ_cq\"  src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/11\/c8f97fff3c5d9e212db22d7a4407580e.jpeg\" loading=\"lazy\" data-component=\"Image\" data-lazy=\"true\"\/><\/p>\n<p class=\"Typography_base__sj2RP FigureCaption_text__zDxQ5 Typography_sizeMobile12__w_FPC Typography_lineHeightMobile20___U7Vr Typography_regular__WeIG6 Typography_colourInherit__dfnUx\" data-component=\"Typography\">The Daughter (2012) by Del Kathryn Barton. (Supplied: National Portrait Gallery)<\/p>\n<p class=\"paragraph_paragraph___QITb\">The exhibition contains almost 70 works by three internationally celebrated contemporary artists, including two-time Archibald Prize winner Del Kathryn Barton.<\/p>\n<p class=\"paragraph_paragraph___QITb\">Barton&#8217;s extravagant works were an early inspiration for exhibition co-artist Emily Hunt, whose practice embraces magic and folklore.<\/p>\n<p class=\"paragraph_paragraph___QITb\">Works by artist Jess Johnson round out the exhibition, with her colourful and geometric style showcasing her science fiction-inspired world.<\/p>\n<p class=\"paragraph_paragraph___QITb\">Mother Maiden Crone is the first time the three have had their work displayed together.<\/p>\n<p>&#8216;The unbridled messiness of femaleness&#8217;<img decoding=\"async\" alt=\"A quilt of a woman contorting her legs behind her head surrounded by quilts with sci-fi symbols and a geometric designed rug,\" class=\"Image_image__5tFYM ContentImage_image__DQ_cq\"  src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/11\/781d452cb7df2330a3908855636e606a.jpeg\" loading=\"lazy\" data-component=\"Image\" data-lazy=\"true\"\/><\/p>\n<p class=\"Typography_base__sj2RP FigureCaption_text__zDxQ5 Typography_sizeMobile12__w_FPC Typography_lineHeightMobile20___U7Vr Typography_regular__WeIG6 Typography_colourInherit__dfnUx\" data-component=\"Typography\">Along with artworks on paper, Jess Johnson&#8217;s textiles are also on display at the exhibition. (Supplied: National Portrait Gallery)<\/p>\n<p class=\"paragraph_paragraph___QITb\">Gallery director Bree Pickering said that across the exhibition, craft and the handmade underpinned conceptual and spiritual reckonings with age-old stereotypes.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;Maiden Mother Crone is an exhibition that is both intricate and intimate, as well as maximalist and expansive,&#8221; Ms Pickering said.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;Each of these artists had a very defined practice, and you&#8217;ll see that they have their own visual language.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;There&#8217;s drawing, painting, textiles, ceramics, jewellery, sculpture, and video; and they sit within discreet presentations by each artist, but those presentations sort of blend together in an exhibition that revels in the unbridled messiness of femaleness.&#8221;<\/p>\n<p>The crone as a powerful force for change<img decoding=\"async\" alt=\"A very colourful artwork of a woman surrounded by renaissance-style magic ritual symbols as a border.\" class=\"Image_image__5tFYM ContentImage_image__DQ_cq\"  src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/11\/71710207d8c367de9c605de1f5fdf7fe.jpeg\" loading=\"lazy\" data-component=\"Image\" data-lazy=\"true\"\/><\/p>\n<p class=\"Typography_base__sj2RP FigureCaption_text__zDxQ5 Typography_sizeMobile12__w_FPC Typography_lineHeightMobile20___U7Vr Typography_regular__WeIG6 Typography_colourInherit__dfnUx\" data-component=\"Typography\">No. 11 from The Pandemonium Series (2026) by Emily Hunt. (Supplied: National Portrait Gallery)<\/p>\n<p class=\"paragraph_paragraph___QITb\">For Hunt, the driving force of her work is &#8220;the question of magic&#8221;, with the figure of the crone frequently appearing.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;I think as a mature artist now, I&#8217;m in a position where I can put my credibility on the line and say, &#8216;Magic is real, and magic works,&#8217; so I find that&#8217;s kind of at the core of everything I do,&#8221; Hunt said.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;The figure of the witch, or the crone, is \u2014 I think \u2014 a figure for redemption.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;Often old women are invisible in society, but there&#8217;s an inherent kind of wisdom and power that is held in this position, and I often focus on this crone figure in my work as a kind of powerful force that can also create change.&#8221;<\/p>\n<p><img decoding=\"async\" alt=\"A woman stands in front of artworks.\" class=\"Image_image__5tFYM ContentImage_image__DQ_cq\"  src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/11\/44af325567eb2004cc4bf3f6cd850175.jpeg\" loading=\"lazy\" data-component=\"Image\" data-lazy=\"true\"\/><\/p>\n<p class=\"Typography_base__sj2RP FigureCaption_text__zDxQ5 Typography_sizeMobile12__w_FPC Typography_lineHeightMobile20___U7Vr Typography_regular__WeIG6 Typography_colourInherit__dfnUx\" data-component=\"Typography\">Jess Johnson says the colourful, geometric nature of her work helps audiences look deeper at the themes of a piece. (ABC News: David Scasci)<\/p>\n<p class=\"paragraph_paragraph___QITb\">Johnson approaches her similarly maximalist practice through the lens of a science fiction world she has been drawing for over a decade.<\/p>\n<p class=\"paragraph_paragraph___QITb\">She said her works in the exhibition took archetypes from history and mythology alongside modern ones and re-imagined them within her own universe.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;On the surface it&#8217;s quite geometric and brightly coloured and really detailed, and so I think it&#8217;s almost like that&#8217;s the candy-coloured coating that people can access into these deeper, more subversive ideas underneath the work,&#8221; Johnson said.<\/p>\n<p><img decoding=\"async\" alt=\"An artwork of a woman with facial features made up of strings of colour and horns from her head that resemble a crown.\" class=\"Image_image__5tFYM ContentImage_image__DQ_cq\"  src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/11\/dd357584545143da32e885fa3fb2153a.jpeg\" loading=\"lazy\" data-component=\"Image\" data-lazy=\"true\"\/><\/p>\n<p class=\"Typography_base__sj2RP FigureCaption_text__zDxQ5 Typography_sizeMobile12__w_FPC Typography_lineHeightMobile20___U7Vr Typography_regular__WeIG6 Typography_colourInherit__dfnUx\" data-component=\"Typography\">Maw (2023) by Jess Johnson is on display at the National Portrait Gallery. (Supplied: National Portrait Gallery)<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;I think it&#8217;s quite accessible for people because it&#8217;s very graphic and detailed, and there are these hints of story and narration and mythology and symbology in it.<\/p>\n<p>&#8220;Power, and control, and systems of authority and how power is exerted on a population, those are running themes in my work.&#8221;Interrogating inherited roles of womanhood<img decoding=\"async\" alt=\"Serena Bentley smiles in front of artworks.\" class=\"Image_image__5tFYM ContentImage_image__DQ_cq\"  src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/11\/fcbb3860352c97904db2f2441ae6d837.jpeg\" loading=\"lazy\" data-component=\"Image\" data-lazy=\"true\"\/><\/p>\n<p class=\"Typography_base__sj2RP FigureCaption_text__zDxQ5 Typography_sizeMobile12__w_FPC Typography_lineHeightMobile20___U7Vr Typography_regular__WeIG6 Typography_colourInherit__dfnUx\" data-component=\"Typography\">Serena Bentley says the exhibition celebrates women who defy easy categorisation. (ABC News: David Scasci)<\/p>\n<p class=\"paragraph_paragraph___QITb\">Gallery senior curator Serena Bentley said she was incredibly moved seeing the completed exhibition for the first time.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;We&#8217;ve used the tropes of the maiden, the mother, and the crone as a means of interrogating these inherited roles of womanhood, and how we chose to inhabit them,&#8221; she said.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;But also, how we chose to tear them apart.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;Maiden Mother Crone celebrates women who defy easy categorisation while revealing and dismantling the contradictions that shape both lived and imagined experiences of womanhood.&#8221;<\/p>\n<p><img decoding=\"async\" alt=\"Emily Hunt stands behind a ceramic artwork.\" class=\"Image_image__5tFYM ContentImage_image__DQ_cq\"  src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/11\/558193390dba6c0423a41f158551e7ec.jpeg\" loading=\"lazy\" data-component=\"Image\" data-lazy=\"true\"\/><\/p>\n<p class=\"Typography_base__sj2RP FigureCaption_text__zDxQ5 Typography_sizeMobile12__w_FPC Typography_lineHeightMobile20___U7Vr Typography_regular__WeIG6 Typography_colourInherit__dfnUx\" data-component=\"Typography\">Emily Hunt says that the crone, or the witch, is a symbol of redemption and change. (ABC News: David Scasci)<\/p>\n<p class=\"paragraph_paragraph___QITb\">Hunt said she hoped people attending the unapologetic and &#8220;deeply uncynical&#8221; exhibition would go in with an open mind.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;I do care about my audience, but it&#8217;s not for everybody,&#8221; she said.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;Magic isn&#8217;t for everybody. Feminine ornamentation, decoration, isn&#8217;t for everybody.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;But I think the work, this particular exhibition, is so overwhelming and so powerful and so open and so generous that people will react very strongly to it.<\/p>\n<p><img decoding=\"async\" alt=\"A gallery wall painted with figures of women from mythology surrounded by symbols connected to ritual magic.\" class=\"Image_image__5tFYM ContentImage_image__DQ_cq\"  src=\"https:\/\/www.newsbeep.com\/au\/wp-content\/uploads\/2026\/11\/bdea1368cc971b8f6c17a39563de0199.jpeg\" loading=\"lazy\" data-component=\"Image\" data-lazy=\"true\"\/><\/p>\n<p class=\"Typography_base__sj2RP FigureCaption_text__zDxQ5 Typography_sizeMobile12__w_FPC Typography_lineHeightMobile20___U7Vr Typography_regular__WeIG6 Typography_colourInherit__dfnUx\" data-component=\"Typography\">Emily Hunt&#8217;s sculpture work and wall drawings are on show throughout the Maiden Mother Crone exhibition. (Supplied: National Portrait Gallery)<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;Everyone does have a little bit of an open mind to the subjects that are in this show.<\/p>\n<p class=\"paragraph_paragraph___QITb\">&#8220;It&#8217;s kind of on the periphery, but we&#8217;re bringing it a little bit to the front and centre, and bringing it to attention.&#8221;<\/p>\n<p class=\"paragraph_paragraph___QITb\">The Mother Maiden Crone exhibition is on display at the National Portrait Gallery until May 2027.<\/p>\n","protected":false},"excerpt":{"rendered":"Magic, witchcraft, ancient rituals and unbridled sexuality are some of the complex and multifaceted aspects of womanhood explored&hellip;\n","protected":false},"author":2,"featured_media":963510,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[2666,11480,110663,64,63,22435,2667,531070,531071,134,15940,531075,531072,531069,22429,33394,531073,531074],"class_list":["post-963509","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-act","tag-art","tag-artwork","tag-au","tag-australia","tag-bree-pickering","tag-canberra","tag-del-kathryn-barton","tag-emily-hunt","tag-entertainment","tag-exhibition","tag-feminine","tag-jess-johnson","tag-mother-maiden-crone","tag-national-portrait-gallery","tag-painting","tag-serena-bently","tag-womanhood"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/963509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/comments?post=963509"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/posts\/963509\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media\/963510"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/media?parent=963509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/categories?post=963509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/au\/wp-json\/wp\/v2\/tags?post=963509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}