
All About Photo Magazine unveiled the winners of its latest competition: Colors. The 25 prize-winning photographers demonstrate how powerful color can be in images, whether it’s vibrant, subtle, or minimal.
The overall winning image is a strong example of how impactful color can be even when it is subdued. Irish photographer Trevor Cole’s winning image, “Pastoral Peoples and Practices,” is much less colorful than some of the other awarded works, which helps tell the story of the photo.
“Pastoral Peoples and Practices,” © Trevor Cole | All About Photo Magazine #51: Colors
“The peoples of the Ilemi triangle (the Omo valley of Ethiopia, Central and Eastern Equatoria and Northern Kenya) are all pastoralists,” the photographer explains. “The Mundari gather the fresh dung each morning, dry it and use it to fuel their fires. The ash from the fires is then used to massage their Ankole Watusi cows to mitigate against bites from tsetse flies and mosquitoes. They also veneer themselves with ash for the same reasons, hence they appear ghostly as they herd their cattle and fade into the nebulous haze of smoke generated by the fires.”
“Color is everywhere — in fleeting light, in urban chaos, in the quiet balance of nature,” All About Photo says. “It can soothe or provoke, draw us in or push us away. Beyond its visual appeal, color carries emotion, memory, and meaning, shaping how we experience life itself.”
The second-place winner, Laurin Strele of Austria, employs color in a much more vibrant way. Their winning shot, “The Yellow Man of Aleppo,” comes from the series “Colors of Resilience.”
“The Yellow Man of Aleppo” from the series “Colors of Resilience,” © Laurin Strele | All About Photo Magazine #51: Colors
The third-place winner, Palestinian Abdelrahman Alkahlout, shows a large group of people praying, many wearing colorful shirts, next to the wreckage of a destroyed building.
“Faith Amid Genocide” from the series “Colors of Resilience,” © Abdelrahman Alkahlout | All About Photo Magazine #51: Colors
Each of these top three winners receives $1,000 cash. Alongside the three winners, 22 other photographers received Merit Awards for their submissions. These 22 photos are featured below.
Merit Award Winners
NSFW Warning: One of the awarded images below includes partial nudity and sexual innuendo.
“One Eyed Cat,” © Benjamin Littler | All About Photo Magazine #51: Colors
“Nuit Indienne,” © Xavier Blondeau | All About Photo Magazine #51: Colors
“Telephone, Iowa,” © Fabien Dendiével | All About Photo Magazine #51: Colors
“Somewhere In Between — A Portrait Series of Ladé,” © Mayowa Akande | All About Photo Magazine #51: Colors
“69,” © Eric Davidove | All About Photo Magazine #51: Colors
“Lights On,” © Vitaly Golovatyuk | All About Photo Magazine #51: Colors
“Shades of Style,” © Erhan Coral | All About Photo Magazine #51: Colors
“Bizarre Branches,” © Thaddäus Biberauer | All About Photo Magazine #51: Colors
“Colors of Life,” © Neşe Ari | All About Photo Magazine #51: Colors
“A Ganges Tales,” © Thibault Gerbaldi | All About Photo Magazine #51: Colors
“Brocade,” © Oana Daian | All About Photo Magazine #51: Colors
“Alba y Zazzu,” © Jesús Umbría Brito | All About Photo Magazine #51: Colors
“Color of Death,” © Olivier Jarry-Lacombe | All About Photo Magazine #51: Colors
“Chore,” © Jan Janssen | All About Photo Magazine #51: Colors
“Lily,” © Oksana Omelchuk | All About Photo Magazine #51: Colors
“Crater,” © Yuan Su | All About Photo Magazine #51: Colors
“Lingering Shadows,” © Nazanin Alipour Jeddi | All About Photo Magazine #51: Colors
“Anger,” © Alejandra Nowiczewski | All About Photo Magazine #51: Colors
“Hands of Belonging,” © Marijn Fidder | All About Photo Magazine #51: Colors
“The Girl in the Painting,” © Anna Matysiak | All About Photo Magazine #51: Colors
“The Witch’s Gaze,” © Simone Curzi | All About Photo Magazine #51: Colors
“Beholders No. 1,” © Li Sun | All About Photo Magazine #51: Colors
All the award-winning photos will be featured in the upcoming 51st issue of AAP Magazine.
Image credits: All About Photo Magazine. Individual photographers are credited in the captions.