Blackstar has unveiled Polar Go, a “pocket-sized” two-in-one audio interface and stereo recorder.
Designed to “meet the needs of modern creators”, Polar Go has all the features you’d expect in a streamlined portable audio interface, including a combo XLR/ ¼” mic, line and instrument input – with +48V phantom power for condenser mics – a 3.5mm headphone output and dual USB-C ports for power and data.
Where Blackstar looks to set the Polar Go apart from its competitors, though, is in the addition of built-in ProCapture stereo mics.
The company claims these built-in mics are fit to capture both vocals and instruments with “stunning depth and clarity”.
Additionally, the Polar Go has a companion app – available on both iOS and Android – which ties in to Blackstar’s content creator target audience.
Features of the app include built-in video recording – so you can sync video captured using your smartphone with audio captured through the Polar Go’s stereo mics – as well as a “simple, intuitive UI made for creators”.
There’s also a Magic Wand tool for auto-enhancing audio with a single tap, and presets for vocals, guitar, podcasts and more.
The Polar Go also has a rechargeable battery with up to six hours of battery life, and is compatible with GarageBand, BandLab, and all major recording apps.
Credit: Blackstar
“Polar Go is more than a mobile interface; it’s a complete, pocket-sized studio designed for the modern creator,” says Blackstar.
“With a built-in stereo mic system powered by Blackstar’s exclusive ProCapture technology, Polar Go delivers crystal-clear, professional-grade sound straight from your phone, tablet, or laptop, no studio or experience required.
“Whether you’re a singer-songwriter, podcaster, livestreamer or filmmaker, Polar Go transforms your audio from phone-quality to studio-ready instantly. Just plug in and create, anywhere, anytime.”
The Polar Go is priced at £79. Learn more at Blackstar.
Sam is the Associate News Editor for Guitar.com and MusicTech. Thoroughly immersed in music culture for the majority of his life, Sam has played guitar for 20 years, studied music technology and production at university, and also written for the likes of Guitar World, Total Guitar, Metal Hammer and MusicRadar.