Serpent Lord – The Once Forgotten Ways of Old Review
After reviewing Crotaline in April and Dimmu Borgir’s Grand Serpent Rising earlier this month, 2026 is shaping up…
Goreworm – Miasmic Solitude Review
After releasing debut LP Prodigy of the Grotesque in 2020, Canada’s Goreworm re-emerges from their burrow with follow-up…
Graveir – The Festering Triad Review
Previously, I have banged on about my relationship with black metal being a slightly strange one, and rarely…
Hecate Enthroned – The Corpse of a Titan, a Lament Long Buried Review
Black metal veterans Hecate Enthroned have spent decades trying to step out of Cradle of Filth’s shadow—and not…
Rexoria – Fallen Dimension Review
Typically, you can judge a cheesy power metal album just from its cover art. Look at the laser-powered…
Gus G. – Steel Burner Review
Gus G. is a busy man. For some odd 25 years and counting, the Greek guitarist has not…
Six Feet Under – Next to Die Review
Here in the hall, we have a tradition called “Squatter’s Rights”. This ensures that if you had the…
Sicarius – Nex Review | Angry Metal Guy
Sicarius hit the ground raging in 2017 when the Californian black metal upstarts released their scathingly vicious debut…
Vanderlust – The Human Farm Review
Aliens offer to take you away and give you a perfect—albeit short—life: do you say yes? According to…
Mirror of Deception – Transience Review
As much as metal is a niche interest (at least in my part of the world), it is…
Non Est Deus – Blessings and Curses Review
To receive the honor of reviewing duties for Noise’s latest as a superfan of his output is an…
Foghazer – He Left the Temple Review
Black metal’s wide-ranging milieu encompasses many sub-genres—1st wave, 2nd wave, raw, symphonic, atmospheric, post—the list goes on. One…