Jord – Emellan Träden Review
Jord began life in pretty much the exact way one would expect of an atmospheric black metal act.…
Green Carnation – A Dark Poem Part I: The Shores of Melancholia Review
Not gonna lie, I did a double-take when I saw that Green Carnation’s fantastic Leaves of Yesteryear came…
Proscription – Desolate Divine Review
Last we met Finland’s Proscription, an overwhelming amount of promise was almost as intense as their blackened death…
Imperishable – Revelation in Purity Review
As I prepare to flip the calendar over to what looks like a pretty stacked September, I took…
Panopticon – Laurentian Blue Review
With the mammoth Panopticon ranking and the electrifying Månegarm review behind us, we can now look towards the…
Farseer – Portals To Cosmic Womb Review
Growing up together in the Chicago suburb of Cary, Farseer’s Brendan McCarthy (guitars/vocals), Ted Ballantine (guitar), George Burrows…
Fell Omen – Caelid Dog Summer Review
Raw black metal is a tricky proposition. There’s an extremely thin line to walk between production choices designed…
Unleashed – Fire Upon Your Lands Review
One of the most amusing stories in metal lore is how every single member of influential Swedish death…
Anchorite – Realm of Ruin Review
2025 has not given me nearly enough epic doom. I need a lot of that stuff to offset…
Floating – Hesitating Lights Review
Back in ’22, your favorite AMG staffers butted heads and said “yeehaw” in a Rodeö whose scores were…
Goblinsmoker – The King’s Eternal Throne Review
By: Nameless_n00b_602 Concept albums inherently have higher aspirations than the average release and therefore necessitate an elevated standard…