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For years, Angel Du$t was Justice Tripp’s balmy reprieve from Trapped Under Ice. When he fronted the Baltimore…
Dirt Buyer: Dirt Buyer III Album Review
Getting forced to play little league baseball is about as emo as youthful tribulations get. I imagine Joe…
Mayhem: Liturgy of Death Album Review
Death stalked Mayhem from the womb. Founded near Oslo in 1984, the black metal band cycled through a…
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Remember when Matmos’ Drew Daniel posted about “hit em,” an imaginary electronic genre at 212 bpm and in…
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In January 2021, unassuming clubbers looking for a Saturday night out at Taipei’s FINAL might’ve been surprised to…
Joyce Manor: I Used to Go to This Bar Album Review
Almost a decade and a half after they took basements and Tumblrs across America by storm with a…
By Storm: My Ghosts Go Ghost Album Review
“There’s life and there’s death. We were still alive, so we thought we’d carry on doing it,” Stephen…
Roc Marciano: 656 Album Review
In a world where plenty of rap elders are content to roll out unchallenging albums to steadfast fanbases,…
Dialect: Full Serpent EP | Pitchfork
Past and future blur together in the slipstream of British experimentalist Andrew PM Hunt’s music as Dialect. Since…
Searows: Death in the Business of Whaling Album Review
Portland, Oregon singer-songwriter Alec Duckart, who performs as Searows, broke through at the height of the post-Boygenius singer-songwriter…
Megadeth: Megadeth Album Review | Pitchfork
It’s been 43 years, 17 albums, and 32 member changes since Dave Mustaine was kicked out of Metallica,…
Lucinda Williams: World’s Gone Wrong Album Review
World’s Gone Wrong is an album title suited to the times, one that suggests Lucinda Williams is seeking…