IN PHOTOS | This week’s most compelling images
Photographers from CBC News, The Canadian Press, Reuters and others document our changing world every day. Here’s a…
Vermeer — the riddle of the mysterious Dutch master is solved at last
Johannes Vermeer, the painter of View of Delft and Girl with a Pearl Earring, is one of the…
The Court Theatre / Haworth Tompkins
© Simon Devitt + 25 Share Share Facebook Twitter Mail Pinterest Whatsapp Or https://www.archdaily.com/1034663/the-court-theatre-haworth-tompkins Area Area of this…
calatrava’s gare de mons opens with rhythmic structure in belgium
danica o. kus photographs belgium’s Gare de Mons  The Gare de Mons has opened in Belgium, marking…
House LD / SEA Arquitectos
© Héctor Santos DÃez + 6 Share Share Facebook Twitter Mail Pinterest Whatsapp Or https://www.archdaily.com/1034656/house-ld-sea-arquitectos Area Area of…
A history of iconic sculptors and sculptures
For more than quarter century, Greta Greenberger ended her tours of Philadelphia City Hall at the tower, just…
Agra Forma by Tom Fereday for Armadillo
We define ourselves through contrast, by what we are and what we are not. Unveiled internationally during this…
Nigerian Modernism is Tate Modern’s most revelatory show in years
Nearly 70 years ago, touring Nigeria in 1956, Queen Elizabeth commissioned an over-life-size portrait from sculptor Ben Enwonwu,…
Six Soviet-era buildings given contemporary transformations
Countries in Europe’s former Eastern Bloc are working out what to do with the architectural legacy of communism.…
‘It’s like a scene from a movie’: Christian Barroso’s best phone picture | Photography
After being recognised at the Mobile Photography awards 2020, Christian Barroso travelled from his home in Rio de…
New York’s Biggest Monet Show in 25 Years Is a Revelation
In 1908, Claude Monet, the Impressionist painter who revolutionized French art history just three decades earlier, was at…
In ‘The Party is Over,’ Murmure Confronts the Absurd Spectacle of the End Times — Colossal
In a world this absurd and disastrous, do we gravitate toward cynicism or levity? For the artist duo…