Osmium Gate – Cannibal Universe Review
Of all the discouraging and difficult elements contributing to people having appallingly bad taste not being into metal,…
Miserere Luminis – Sidera Review
Montreal atmoblack trio Miserere Luminis returns with third album, Sidera, boasting lush atmospheres and enormous feels. Formed back…
Non Est Deus – Blessings and Curses Review
To receive the honor of reviewing duties for Noise’s latest as a superfan of his output is an…
Foghazer – He Left the Temple Review
Black metal’s wide-ranging milieu encompasses many sub-genres—1st wave, 2nd wave, raw, symphonic, atmospheric, post—the list goes on. One…
Crotaline – The Embrace of Cloacal Desire Review
When it comes to snakes and music, I’m a simple man. I think of Testament’s Brotherhood of the…
EP/Split/Single Roundup of 2025, Part 2
It’s me again! This will ideally be posted on a much tighter schedule following Part 1, which is…
EP/Split/Single Roundup of 2025, Part 1
  Ah, this wouldn’t be everyone’s favorite webbed site AMG if we didn’t regularly blaspheme and desecrate…
Ain Sof Aur – Theos-Vel-Samael Review
Be honest: what do you expect experimental blackened death metal steeped in Left-Hand-Path Occultism to sound like? Dissonant?…
The Silver – Looking Glass of Hymnal Blue Review
Comprising members of Horrendous and Crypt Sermon, back in ye strange times of 2021, Philadelphia’s The Silver dropped…
Review: Feversea – Wormwood in the Veins of the World
Published by Vince on March 25, 2026March 25, 2026 No artist credited Style: Post-Metal, Progressive Metal, Black Metal,…
Decipher – ΘΕΛΗΜΑ (Thelema) Review
It’s not often I underrate something, but if there were ever a legitimate example, it might be my…
Nullingroots – Fourth Dimensional Dreamscape Review
Here at AMG Industries, we strive to unearth as many underground gems as possible. Sometimes, though, we may…