Review: Sigh – Goh-Ka – The Progressive Subway
Published by Vince on 2026/09/192026/09/19 Artwork by: Maciej Kamuda Style: Progressive Metal, Folk Metal, Avant-Garde Metal, Black Metal…
Nihil Admiral – The Axes, the Flesh Hooks and the Spits Review
Veiled in mystique, Nihil Admiral proves elusive as details about them dance outside my reach. Lacking a traditional…
Rapid – Enter the Realm of Fire Review
Rapid by name, rapid by nature. A simple but effective moniker for this rip-roaring trio emerging from the…
Serpent Lord – The Once Forgotten Ways of Old Review
After reviewing Crotaline in April and Dimmu Borgir’s Grand Serpent Rising earlier this month, 2026 is shaping up…
Crocell – Swarm of Insects Review
Spawned in 2007, Danish quintet Crocell started life as a humble, but prolifically productive melodic death metal troupe,…
Malist – Eternal Echo of the Fall Review
Public opinion on Moscow’s once one-man black metal project Malist varies quite a lot more than I realized.…
Maladie – The Dance of Tragedies Review
I initially stumbled across Germany’s Maladie last year with the fifth installment of their Symptoms EP series and…
Graveir – The Festering Triad Review
Previously, I have banged on about my relationship with black metal being a slightly strange one, and rarely…
Apostle – A Splinter in the Infinite Noumenon Review
Some things are acquired tastes—coffee, vegetables, Mrs. Forrest, to name a few. While some of us instantly and…
Hecate Enthroned – The Corpse of a Titan, a Lament Long Buried Review
Black metal veterans Hecate Enthroned have spent decades trying to step out of Cradle of Filth’s shadow—and not…
Review: A Forest of Stars – Stack Overflow in Corpse Pile Interface
Published by Dave on 2026/06/032026/06/03 Artwork by: Curse Style: Avant-garde metal, atmospheric black metal, progressive metal (Mixed vocals)Recommended…
Galvanist – The Silence Between Stars Review
I was initially surprised that Galvanist hailed from Bozeman, Montana, but I really have no right to feel…