Cannes

Ira Sachs directs Rami Malek in the melancholy, sexy, and piercingly sad “The Man I Love,” which is…

Hannah Arendt’s old adage about evil has grown banal from overuse, though it finds interesting new ripples in…

Some films herald the scope of their ambitions from the opening frame, whereas others start humbly with a…

Excluding a small supporting part in Olivier Assayas‘ “Something in the Air” (2012), Félix de Givry was first…

A bittersweet, gorgeously animated family film that looks like a watercolor painting come to life, Louis Clichy’s “Iron…

Toward the start of Rakan Mayasi’s stirring debut feature, “Yesterday the Eye Didn’t Sleep” — the only feature…

“Her Private Hell“? More like our public misery. If, for David Lynch, ideas are like fish in a…

There’s a crucial scene roughly halfway through Peter Weir’s “Fearless” (1993) in which the survivors of a horrific…

Cristian Mungiu’s films invariably deal with social, cultural and moral divisions, uneasy truths, ethical dilemmas and unjust compromises.…

Disha Patani cheered on her best friends Mouni Roy and Jacqueline Fernandez as they made their presence felt…

Memories of cinema past and present come rushing at you like 2001’s Star Gate sequence in Nicolas Winding…

John Travolta explained his bold looks at the 2026 Cannes Film Festival, particularly, his choice to rock different…

‘The Man I Love’ Review: Rami Malek in Ira Sachs’ AIDS Drama