Ilford and Expired Film Club Get Into the World Cup Spirit
Harman Technology, among the world’s largest makers of analog photo films, darkroom papers, and photo chemicals, has announced…
Material Culture and Heritage in Contemporary Cinema Architecture
The Lexi Cinema & Lexi Hub / RISE Design Studio. Image © Henry Woide Share Share Facebook Twitter…
‘Pressure’ Review: Brendan Fraser Drowns in Dull Eisenhower Drama
A regrettable swing-and-miss for Oscar winner Brendan Fraser, who stars as General Dwight D. Eisenhower, “Pressure” opens with…
An arresting portrait of ‘that moment right after teenagehood’
There’s never been an easier time to watch yourself age. Your phone reminds you where you were three…
Cannes Film Festival 2026 Award Winners — Full List
The 2026 Cannes Film Festival has come to a close after two weeks packed with new world cinema…
‘A Man of His Time’ Review: Swann Arlaud Fascism Drama
Swann Arlaud has become one of the most acclaimed French actors of his generation, as well as one…
Viva Carmen Review: Sébastien Laudenbach Spins Bizet’s Tragic Opera
Feature-length animation has largely become a merciless and exacting thing, every frame invested with such a fortune’s worth…
How a motion about sex worker safety told the story about Vancouver’s current City Council
Get the best of Vancouver in your inbox, every Tuesday and Thursday. Sign up for our free newsletter.…
‘The Man I Love’ Review: Rami Malek in Ira Sachs’ AIDS Drama
Ira Sachs directs Rami Malek in the melancholy, sexy, and piercingly sad “The Man I Love,” which is…
I See Buildings Fall Like Lightning Review: A Compelling Adaptation
Some films herald the scope of their ambitions from the opening frame, whereas others start humbly with a…
‘Goodbye Cruel World’ Review: Gorgeous Twist on Coming-of-Age Romance
Excluding a small supporting part in Olivier Assayas‘ “Something in the Air” (2012), Félix de Givry was first…
‘Yesterday the Eye Didn’t Sleep’ Cannes Director on Lebanon-Set Drama
Toward the start of Rakan Mayasi’s stirring debut feature, “Yesterday the Eye Didn’t Sleep” — the only feature…