{"id":101758,"date":"2025-08-27T21:49:07","date_gmt":"2025-08-27T21:49:07","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/101758\/"},"modified":"2025-08-27T21:49:07","modified_gmt":"2025-08-27T21:49:07","slug":"everything-is-unstable-in-helen-oyeyemis-a-new-new-me-even-story-itself","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/101758\/","title":{"rendered":"Everything is unstable in Helen Oyeyemi\u2019s A New New Me &#8211; even story itself"},"content":{"rendered":"<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/Z4PVKY3CCFA6THICSV3HIUGE6M.JPG?auth=76585b567bcb6b636bc428fb9d46b49b206a14f3a9eaa1c892ef5ba044476638&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"0\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Helen Oyeyemi\u2019s latest novel, A New New Me, is set in Prague, the city she has called home since 2013.<\/p>\n<p>Title:\u00a0A New New MeAuthor:\u00a0Helen OyeyemiGenre:\u00a0FictionPublisher:\u00a0Riverhead Books Pages:\u00a0224<\/p>\n<p class=\"c-article-body__text text-pr-5\">Helen Oyeyemi\u2019s latest novel, A New New Me, takes place in Prague. On one level, this makes prosaic sense: Oyeyemi has called the Eastern European city home since 2013 and set a previous novel, 2024\u2019s Parasol Against the Axe, there. <\/p>\n<p class=\"c-article-body__text text-pr-5\">That book was a shape-shifting matrix of stories-within-stories centring on a volume called Paradoxical Undressing that tells a different story for each reader (and even for the same reader on subsequent encounters). In so doing, it forms a kind of polyvalent imaginative map of the city\u2019s history. The stories embedded in Oyeyemi\u2019s novel prove slippery and protean, calling into question the nature of subjectivity and the mutability of truth and understanding. <\/p>\n<p class=\"c-article-body__text text-pr-5\">In A New New Me, Oyeyemi goes one better. In this novel, instability is located not in a city but in the novel\u2019s very protagonist. Or, more accurately, protagonists. Though even this apparently basic proposition is, typically for Oyeyemi, open to interpretation. <\/p>\n<p class=\"c-article-body__text text-pr-5\">Beginning on a Monday in late February, 2024, the novel unfolds over the course of one week. Each day is devoted to a different iteration of the same woman, Kinga Sikora \u2013 \u201cthe original Kinga\u201d or the \u201cOG Kinga.\u201d <\/p>\n<p class=\"c-article-body__text text-pr-5\">Some 10 years prior to the events of the novel, the OG Kinga split into seven discrete personalities \u2013 known in the novel as Kingas A through G \u2013 each one of whom is responsible for living out a single day of the week. (Kinga A gets Monday, Kinga B Tuesday, and so on.) The various iterations of Kingas communicate through a communal diary they share among them. <\/p>\n<p class=\"c-article-body__text text-pr-5\">The conceit is laid out, in an extended passage of awkward but necessary exposition, by Kinga A, who also introduces us to the peripheral characters who will reappear in the other Kingas\u2019 narrations. These include a co-worker named Eva, a woman named Milica whom Kinga A encounters when she goes to pick up her new Czech passport, a therapist called Dr. Holy (or, in the novel\u2019s alphabetical schema, Dr. H), and a man called Jarda (who is known by other names, all of them beginning \u2013 we\u2019re now catching on \u2013 with J). <\/p>\n<p class=\"c-article-body__text text-pr-5\">Kinga A discovers this character in an armchair in her apartment, his hands and feet bound with zip ties. Who this man is, and how he came to be tied up in the Kingas\u2019 home, forms what scant through line there is in the book. <\/p>\n<p class=\"c-article-body__text text-pr-5\">Not that Oyeyemi seems at all concerned with the typical scaffolding of a well-made novel. Earlier works \u2013 The Icarus Girl; Mr. Fox; Boy, Snow, Bird \u2013 incorporated aspects of fairy tales, but she has also been increasingly interested in deconstructing the nature of fiction itself, probing and prodding at the ways a narrative can be manipulated to interrogate the uncertainty and changeability of life itself. <\/p>\n<p class=\"c-article-body__text text-pr-5\">A New New Me extends this practice into the area of human consciousness, implying in its very construction the different selves we adopt and the degree to which complete understanding of events and people is withheld from us. <\/p>\n<p class=\"c-article-body__text text-pr-5\">This is manifest in the novel even to the extent that OG Kinga\u2019s split into seven different personas is never entirely explained. It involves, we discover, a tarot reading she was given by a friend during which she pulled the Eight of Pentacles. This leads to the observation that \u201cthere are at least eight of everybody\u201d \u2013 i.e. Kingas A through G plus OG Kinga. <\/p>\n<p class=\"c-article-body__text text-pr-5\">This means that each version\u2019s reality will necessarily be partial (thus the necessity for the diary knitting each Kinga\u2019s experience together &#8211; itself a kind of urtext that hovers over Oyeyemi\u2019s own narrative) and that each individual is finally inconceivable even to themselves. <\/p>\n<p class=\"c-article-body__text text-pr-5\">\u201cIt happens,\u201d considers Kinga D, \u201cthe semantic processing is so hasty that the finer particles (the ones that make up your \u2018I\u2019) are exchanged in an instant.\u201d <\/p>\n<p class=\"c-article-body__text text-pr-5\">The idea of \u201csemantic processing\u201d explicitly connects the notion of self with language, something Kinga A alludes to early in the novel: \u201cthey couldn\u2019t agree on what made a story a story, where to locate glee in a sentence, or which tunnels words travel along when written in earnest.\u201d <\/p>\n<p class=\"c-article-body__text text-pr-5\">What makes a story a story is a subject that clearly fascinates Oyeyemi, and, in one sense, her novels can be read as attempts to address this question. The trappings of modernist stream of consciousness are insufficient: Clarissa Dalloway may float freely within her own mind, but there is nevertheless a single abiding consciousness at the heart of Virginia Woolf\u2019s novel. Not so with Oyeyemi: \u201cYou aren\u2019t me,\u201d Kinga F asserts in her diary entry. \u201cNone of you are.\u201d <\/p>\n<p class=\"c-article-body__text text-pr-5\">This attempt to grasp a fictional mode for the mysteries of human consciousness also makes Prague a useful setting, as it recalls the city\u2019s most famous literary figure. Though comparisons between Oyeyemi and Franz Kafka should be made cautiously. Her last novel, after all, had a title that suggested opposition to the 20th-century writer\u2019s bromide about fiction as the axe for the frozen sea inside us.<\/p>\n<p class=\"c-article-body__text text-pr-5\">Yet there is still reason for comparison with the author of The Penal Colony, and Oyeyemi seems to recognize this when she has one Kinga note that they must \u201cmark our first week as a Czech citizen with an in-depth tour of the prison system.\u201d <\/p>\n<p class=\"c-article-body__text text-pr-5\">Or perhaps this is simply another sly joke on the part of an inveterately playful writer. Another of the novel\u2019s allusions is to the Netflix documentary The Tinder Swindler, itself the story of a man who adopted different identities to embezzle money from lonely women online. <\/p>\n<p class=\"c-article-body__text text-pr-5\">Perhaps, indeed, it is impossible to find a suitable comparison for the kind of fiction Oyeyemi produces. Perhaps, in the end, her novels are like the seven Kingas: each comparable only to itself. <\/p>\n","protected":false},"excerpt":{"rendered":"Open this photo in gallery: Helen Oyeyemi\u2019s latest novel, A New New Me, is set in Prague, the&hellip;\n","protected":false},"author":2,"featured_media":101759,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[353,49,48,75,2922],"class_list":["post-101758","post","type-post","status-publish","format-standard","has-post-thumbnail","category-books","tag-books","tag-ca","tag-canada","tag-entertainment","tag-noastack"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/101758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=101758"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/101758\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/101759"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=101758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=101758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=101758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}