{"id":116091,"date":"2025-09-03T06:38:12","date_gmt":"2025-09-03T06:38:12","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/116091\/"},"modified":"2025-09-03T06:38:12","modified_gmt":"2025-09-03T06:38:12","slug":"seeing-double-vermeer-painting-and-its-mysterious-twin-go-on-show","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/116091\/","title":{"rendered":"Seeing double: Vermeer painting and its mysterious \u2018twin\u2019 go on show"},"content":{"rendered":"<p>                Facebook<\/p>\n<p>                Tweet<\/p>\n<p>        <a class=\"social-share_labelled-list__share\" href=\"mailto:?subject=CNN%20content%20share&amp;body=Check%20out%20this%20article%3A%0Ahttps%3A%2F%2Fwww.cnn.com%2F2025%2F09%2F02%2Fstyle%2Fvermeer-painting-and-its-mysterious-twin-go-on-show\" data-type=\"email\" target=\"_blank\" rel=\"noopener noreferrer\" aria-label=\"share with email\" title=\"Share with email\"><\/p>\n<p>                Email<br \/>\n        <\/a><\/p>\n<p>                Link<\/p>\n<p data-uri=\"cms.cnn.com\/_components\/editor-note\/instances\/cmf2ddjir00063b6nef9ckazs@published\" data-editable=\"text\" data-component-name=\"editor-note\" class=\"editor-note-elevate vossi-editor-note inline-placeholder \" data-article-gutter=\"true\">\n    EDITOR\u2019S NOTE:\u00a0 This article was originally published by <a href=\"https:\/\/www.theartnewspaper.com\/?utm_source=CNN&amp;utm_medium=editors\" target=\"_blank\" rel=\"nofollow noopener\">The Art Newspaper<\/a>, an editorial partner of CNN Style.\n<\/p>\n<p class=\"paragraph-elevate inline-placeholder vossi-paragraph\" data-uri=\"cms.cnn.com\/_components\/paragraph\/instances\/cmf2dmds5000x3b6nnqjpky1i@published\" data-editable=\"text\" data-component-name=\"paragraph\" data-article-gutter=\"true\">\n            One of Johannes Vermeer\u2019s most famous paintings, \u201cThe Guitar Player,\u201d has gone on show alongside its \u201ctwin\u201d in a new exhibition.\n    <\/p>\n<p class=\"paragraph-elevate inline-placeholder vossi-paragraph\" data-uri=\"cms.cnn.com\/_components\/paragraph\/instances\/cmf2dq7qm001w3b6n8u704vjx@published\" data-editable=\"text\" data-component-name=\"paragraph\" data-article-gutter=\"true\">\n            \u201cDouble Vision: Vermeer,\u201d which opened at London\u2019s Kenwood House on Monday, displays the Dutch master\u2019s original 1672 image of the guitar-playing woman alongside its doppelg\u00e4nger, \u201cLady with a Guitar.\u201d In doing so, the new presentation reignites a century-old debate about who painted the latter, which was once thought to be Vermeer\u2019s original.\n    <\/p>\n<p class=\"paragraph-elevate inline-placeholder vossi-paragraph\" data-uri=\"cms.cnn.com\/_components\/paragraph\/instances\/cmf2dq7qm001x3b6nxfr64kyi@published\" data-editable=\"text\" data-component-name=\"paragraph\" data-article-gutter=\"true\">\n            \u201c\u2019The Guitar Player\u2019 by Vermeer is an exquisite work of art, perfectly capturing a single moment in time. It is one of only 37 known paintings by Vermeer, an artist who specialized in depicting everyday life in domestic interiors,\u201d said a statement from English Heritage, which runs Kenwood House.\n    <\/p>\n<p class=\"paragraph-elevate inline-placeholder vossi-paragraph\" data-uri=\"cms.cnn.com\/_components\/paragraph\/instances\/cmf2dq7qm001y3b6nb4kt87f9@published\" data-editable=\"text\" data-component-name=\"paragraph\" data-article-gutter=\"true\">\n            \u201cSince the 1920s scholars have puzzled over the relationship between these two paintings, but this display does not draw conclusions, instead inviting visitors to witness the prowess of one of the greatest artists of the 17th-century and respond to this question for themselves,\u201d added English Heritage.\n    <\/p>\n<p class=\"paragraph-elevate inline-placeholder vossi-paragraph\" data-uri=\"cms.cnn.com\/_components\/paragraph\/instances\/cmf2dq7qm001z3b6npbpez9y9@published\" data-editable=\"text\" data-component-name=\"paragraph\" data-article-gutter=\"true\">\n            \u201cLady with a Guitar,\u201d which is on loan from the Philadelphia Museum of Art, was assumed to be the original until the Kenwood House\u2019s version emerged in 1927. As Kenwood\u2019s \u201cThe Guitar Player\u201d was in considerably better condition and appeared authentic, it was quickly accepted as the prime version.\n    <\/p>\n<p class=\"paragraph-elevate inline-placeholder vossi-paragraph\" data-uri=\"cms.cnn.com\/_components\/paragraph\/instances\/cmf2dq7qm00203b6nc1yf7hn4@published\" data-editable=\"text\" data-component-name=\"paragraph\" data-article-gutter=\"true\">\n            In 2023, Arie Wallert, a former scientific specialist at the Rijksmuseum in Amsterdam, <a href=\"https:\/\/www.theartnewspaper.com\/2023\/04\/04\/does-the-philadelphia-museum-of-art-hold-an-unknown-vermeer\" target=\"_blank\" rel=\"nofollow noopener\">told a symposium in Amsterdam<\/a> that there are two versions of the work by Vermeer: the long-accepted painting at Kenwood House and the similar composition that has been in the Philadelphia museum\u2019s collection for nearly a century.\n    <\/p>\n<p class=\"paragraph-elevate inline-placeholder vossi-paragraph\" data-uri=\"cms.cnn.com\/_components\/paragraph\/instances\/cmf2dq7qm00213b6nzxdrqq1w@published\" data-editable=\"text\" data-component-name=\"paragraph\" data-article-gutter=\"true\">\n            The compositions are virtually the same, except for one key difference: the girl\u2019s hairstyle. Kenwood\u2019s sitter has her hair in ringlets, while Philadelphia\u2019s does not. The Kenwood painting is also signed by Vermeer, while the Philadelphia version is not.\n    <\/p>\n<p>       <img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2025\/09\/250901-double-vision-vermeer-guitar-player.jpg\" alt=\"Philadelphia\u2019s \" lady=\"\" with=\"\" a=\"\" guitar=\"\" was=\"\" assumed=\"\" to=\"\" be=\"\" the=\"\" original=\"\" until=\"\" kenwood=\"\" version=\"\" emerged=\"\" in=\"\" class=\"image_expandable__dam-img image_expandable__dam-img--loading\" onload=\"this.classList.remove('image_expandable__dam-img--loading')\" onerror=\"imageLoadError(this)\" height=\"1842\" width=\"1600\" loading=\"lazy\"\/><\/p>\n<p>       <img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2025\/09\/250901-double-vision-philadelphia-guitar-player-copy.jpg\" alt=\"The compositions are virtually the same, except for one key difference: the girl\u2019s hairstyle.\" class=\"image_expandable__dam-img image_expandable__dam-img--loading\" onload=\"this.classList.remove('image_expandable__dam-img--loading')\" onerror=\"imageLoadError(this)\" height=\"1842\" width=\"1600\" loading=\"lazy\"\/><\/p>\n<p class=\"paragraph-elevate inline-placeholder vossi-paragraph\" data-uri=\"cms.cnn.com\/_components\/paragraph\/instances\/cmf2dq7qm00223b6ni9iow4od@published\" data-editable=\"text\" data-component-name=\"paragraph\" data-article-gutter=\"true\">\n            The Philadelphia picture\u2019s ownership history appears to place it in the private Cremer collection in Brussels in the 19th century. It was later acquired by the Pennsylvania lawyer John Johnson, who died in 1917. The Kenwood painting was part of the Iveagh collection bequeathed by Lord Iveagh in 1927.\n    <\/p>\n<p class=\"paragraph-elevate inline-placeholder vossi-paragraph\" data-uri=\"cms.cnn.com\/_components\/paragraph\/instances\/cmf2dq7qm00233b6n339b6ez2@published\" data-editable=\"text\" data-component-name=\"paragraph\" data-article-gutter=\"true\">\n            Over the past two years, conservators, curators and art historians from the Philadelphia Museum of Art, in collaboration with the National Gallery of Art in Washington, DC, have reassessed the Philadelphia painting. New research has also been undertaken on the Kenwood painting by English Heritage and the National Gallery in London.\n    <\/p>\n<p class=\"paragraph-elevate inline-placeholder vossi-paragraph\" data-uri=\"cms.cnn.com\/_components\/paragraph\/instances\/cmf2dq7qm00243b6nooemr55b@published\" data-editable=\"text\" data-component-name=\"paragraph\" data-article-gutter=\"true\">\n            The research is ongoing with findings due to be revealed in a forthcoming article. However, according to English Heritage, key discoveries so far include differences in the ground layers (the first layer of paint applied to the canvas).\n    <\/p>\n<p class=\"paragraph-elevate inline-placeholder vossi-paragraph\" data-uri=\"cms.cnn.com\/_components\/paragraph\/instances\/cmf2dq7qm00253b6nq5jy3rsq@published\" data-editable=\"text\" data-component-name=\"paragraph\" data-article-gutter=\"true\">\n            The Kenwood painting was prepared with a single pale gray-brown ground layer, while the color of the Philadelphia\u2019s is dark brown. In addition, ultramarine paint used extensively in the Kenwood painting is not found in Philadelphia\u2019s. Instead, the artist used indigo, a cheaper blue pigment.\n    <\/p>\n<p class=\"paragraph-elevate inline-placeholder vossi-paragraph\" data-uri=\"cms.cnn.com\/_components\/paragraph\/instances\/cmf2dq7qm00263b6nwaw9eoka@published\" data-editable=\"text\" data-component-name=\"paragraph\" data-article-gutter=\"true\">\n            Gregor Weber, the former head of the department of fine arts at the Rijksmuseum and a Vermeer specialist, said: \u201cI am very curious to know more about these findings. Without knowing (this) information, the Philadelphia painting seems to be an early copy of the Kenwood original.\u201d\n    <\/p>\n<p class=\"paragraph-elevate inline-placeholder vossi-paragraph\" data-uri=\"cms.cnn.com\/_components\/paragraph\/instances\/cmf2dq7qm00273b6n6q7egom2@published\" data-editable=\"text\" data-component-name=\"paragraph\" data-article-gutter=\"true\">\n            \u201cThe hairstyle has been modernized in a style starting around 1680 as can be seen in several portraits of fashionable woman by Jan Verkolje in Delft, Nicolaes Maes in Amsterdam and others. This is the reason why I think it must be an early copy.\u201d\n    <\/p>\n<p class=\"paragraph-elevate inline-placeholder vossi-paragraph\" data-uri=\"cms.cnn.com\/_components\/paragraph\/instances\/cmf2dq7qm00283b6nh2yja7mq@published\" data-editable=\"text\" data-component-name=\"paragraph\" data-article-gutter=\"true\">\n            Jennifer Thompson, the Philadelphia Museum of Art\u2019s curator of European painting and sculpture and curator of the John G. Johnson Collection, said in a statement: \u201cDouble Vision provides a thrilling opportunity to place the two pictures side by side and to consider what science and connoisseurship offer to our understanding of Vermeer and 17th-century painting materials and techniques.\u201d\n    <\/p>\n<p class=\"paragraph-elevate inline-placeholder vossi-paragraph\" data-uri=\"cms.cnn.com\/_components\/paragraph\/instances\/cmf2d966h00003b6niys73354@published\" data-editable=\"text\" data-component-name=\"paragraph\" data-article-gutter=\"true\">\n            Read more stories from The Art Newspaper <a href=\"https:\/\/www.theartnewspaper.com\/?utm_source=CNN&amp;utm_medium=editors\" target=\"_blank\" rel=\"nofollow noopener\">here<\/a>.\n    <\/p>\n","protected":false},"excerpt":{"rendered":"Facebook Tweet Email Link EDITOR\u2019S NOTE:\u00a0 This article was originally published by The Art Newspaper, an editorial partner&hellip;\n","protected":false},"author":2,"featured_media":116092,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[76,354,355,49,48,356,75],"class_list":{"0":"post-116091","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-ca","12":"tag-canada","13":"tag-design","14":"tag-entertainment"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/116091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=116091"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/116091\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/116092"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=116091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=116091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=116091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}