{"id":153271,"date":"2025-09-18T19:34:07","date_gmt":"2025-09-18T19:34:07","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/153271\/"},"modified":"2025-09-18T19:34:07","modified_gmt":"2025-09-18T19:34:07","slug":"biffy-clyro-frontman-simon-neil-we-took-slayers-dave-lombardo-to-todmorden-for-a-curry-and-a-pint-music","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/153271\/","title":{"rendered":"Biffy Clyro frontman Simon Neil: \u2018We took Slayer\u2019s Dave Lombardo to Todmorden for a curry and a pint\u2019 | Music"},"content":{"rendered":"<p class=\"dcr-130mj7b\">I\u2019ve heard snippets about the concept of Futique, the band\u2019s new album. Is it true you\u2019ve got into meditation recently? SassyWraps<br \/>About 12 years ago I had a nervous breakdown, and in therapy I did so much meditation that everything became existential and I thought there was no point to anything. In the last few years I\u2019ve revisited therapy for my mental health but also started to enjoy life. I realised that I hadn\u2019t noticed a lot of my happiest \u2013 and saddest \u2013 moments until years after the fact. Last year, I looked at old family photos for the first time in 20 years, since my mum passed away. I realised that, by ignoring painful memories, I\u2019d been denying part of myself. I found joy in understanding that everything that happens makes you who you are. It pulled me out of a fog \u2013 so the album is about embracing whatever\u2019s happening now. Last year, Ben, James and I fell out for the first time ever, but focusing on the friendship and the positive things we\u2019d shared brought us back together: we could have easily dropped everything and walked away.<\/p>\n<p class=\"dcr-130mj7b\">Did you really take [Slayer drummer] Dave Lombardo to Greggs in Todmorden [West Yorkshire]? gongpaul<br \/>Todmorden is the UFO sightings capital of Europe! We spent eight days there [in Lapwing studio] and it was hilarious. We took Dave for a curry and a pint, and whenever anyone recognised him they were in disbelief. Below the studio, there\u2019s a nursery. The day we left, the council wrote to the studio asking them to close, because the noise of us playing thrash metal upstairs was traumatising the children.<\/p>\n<p class=\"dcr-130mj7b\">Do you have a favourite tattoo and what is its significance? Joddiet<br \/>I\u2019ve got loads of ridiculous tattoos, but the one that means most to me is the one on my arm that I got in memory of my mother the year she passed away. It\u2019s from a photo [of my parents] which I couldn\u2019t look at for years, but I put it on my arm and now on the album cover [of Futique], because I\u2019ve resolved my relationship with it. Rather than seeing my mum who isn\u2019t here any more, I see two young people about to start their life together. Every step I\u2019ve ever taken goes back to my parents, so now I see the picture as celebratory rather than sad. It reminds me that I\u2019m an adult now \u2013 \u201cHe plays guitar with his shirt off \u2026 Really?!\u201d \u2013 but that picture goes hand in hand with how I ended up where I am.<\/p>\n<p>L-R: Simon Neil, James Johnston and Ben Johnston of Biffy Clyro. Photograph: Warner Music Group<\/p>\n<p class=\"dcr-130mj7b\">What are your thoughts on Matt Cardle\u2019s version of Many of Horror? stephenw1979<br \/>At the time [2010], an X Factor pop performer doing one of our songs was seen as blasphemous, which is probably why I liked it. We\u2019ve got the worst name in history and were making weird music to purposely alienate people, and suddenly The X Factor came to us. We said they could cover it as long as they changed the title [to When We Collide], so if you Googled Many of Horror you didn\u2019t get a cover version. I love the fact that [Cardle\u2019s version of] our song became the mainstream Christmas No 1 \u2013 it\u2019s one of the most iconoclastic things we\u2019ve done. He did a great job, although the other day we were staying in an Airbnb near rehearsals and the owner said she wanted to show us a video of her young sons dancing to Many of Horror. It was the Matt Cardle version.<\/p>\n<p class=\"dcr-130mj7b\">As well as Empire State Bastard you also have a lesser-known side project, Marmaduke Duke. Is a third record on the cards? AdamVallely<br \/>Every four or five albums, I need to make music that doesn\u2019t have the weight of expectation \u2013 my own \u2013 of Biffy songs. Marmaduke Duke are better to talk about than listen to. The first album is acoustic songs, punk songs and drone songs. For the second, Duke Pandemonium, we wore masks and tights and channelled the Bee Gees. It was quite provocative. A third album is 80% finished but I\u2019m now in Biffy mode. Empire State Bastard is atonal noise. Dave Lombardo \u2013 the best metal drummer of all time \u2013 played with us. During Covid I needed to make something almost everyone I knew would hate. My dad said: \u201cI\u2019ve tried to listen to it, son. I just couldn\u2019t.\u201d<\/p>\n<p class=\"dcr-130mj7b\">Do you remember when you played a swimming pool in Germany? APraiseChorus30<br \/>Of course we do! We ended up soaking wet on stage and the entire crowd were in the water in their swimming gear. There was some eyebrow-raising sexual stuff going on at the front. It was a memorable show, then at the end I threw my guitar down and leaped off the Olympic-size diving board. I\u2019ve got a great photo of it: it\u2019s the longest I\u2019ve ever spent in the air apart from flying.<\/p>\n<p class=\"dcr-130mj7b\">I\u2019ve watched you go from supporting the Cooper Temple Clause in 2002 (tickets \u00a35) to Wembley Stadium. Do you miss those raw intimate venues or do you prefer arenas? Kangafeet<br \/>Ten years ago I\u2019d have said the magic of a small gig can\u2019t be replicated, but you can create a different kind of magic in a big show. We\u2019ve learned so much about the stage show from touring with Muse, Foo Fighters and Queens of the Stone Age, but when I was 18 I saw Girls Against Boys with two bass players at Glasgow\u2019s King Tut\u2019s and thought it was the coolest, sexiest thing I\u2019d ever seen. Those gigs change lives. You come out of those shows physically and molecularly transformed. Although the power of a large show can elevate your spirit. I went to see Oasis recently and seeing the joy on people\u2019s faces meant so much. You know you\u2019re getting carried away when you\u2019re watching the support act and going: \u201cRichard Ashcroft\u2019s the greatest singer this country\u2019s ever \u2026\u201d Honestly, man? [laughter] God bless you, Richard. Don\u2019t fight me.<\/p>\n<p>On stage in Glasgow last summer. Photograph: Roberto Ricciuti\/Redferns<\/p>\n<p class=\"dcr-130mj7b\">How did it feel to finally top the bill at Download [in 2017]? NotDrivingAMiniMetro<br \/>Download\u2019s a weird one for me because I came from metal. I started with Guns N\u2019 Roses, then got into Pantera and all that. Everything I bought back in the day led to Download. It\u2019s one of the few festivals, like Glastonbury, where there\u2019s so much history and you feel the glorious comebacks, the tragedies, the amazing moments. I still think of it as being for legendary bands and to finally headline felt like impostor syndrome. Once we started playing, I thought, \u201cWe\u2019re here because we deserve it!\u201d But you never take it for granted and you want to give someone the best show they\u2019ll see all weekend.<\/p>\n<p class=\"dcr-130mj7b\">I\u2019m a big fan, aged 75, from Manchester and love the fact that you sound so Scottish. Was it important to retain your accents and did you encounter any resistance? teemac<br \/>On our first couple of records I\u2019ve got an American twang which I\u2019m kind of embarrassed about. When you start off, you impersonate your heroes, and I was inspired by American music. Gradually, I realised that the songs people remember are real, from the heart, and you can\u2019t fake that stuff. It was a huge turning point, and I started singing in my own voice. The only resistance we\u2019ve had is in America \u2013 \u201cPeople won\u2019t understand a Scottish accent\u201d \u2013 but if that conversation starts now I can\u2019t be dealing with it.<\/p>\n<p class=\"dcr-130mj7b\">When I was in a band in Ireland, our singer excitedly told us about your guerrilla \u201cplay anywhere\u201d approach to gigging. Am I remembering correctly? kingofthestoneage<br \/>That makes us sound a bit more anarchic than we were, but we toured deep Ireland a few times when we were young and if anyone wanted us to play a show, we\u2019d try to make it happen. It\u2019s a bit romantic to call them guerrilla gigs, but we played the Half Moon in Cork to 14 people and a tiny room in Belfast to 12 people. They were some of our most exciting shows at that point, because the people coming really cared. We learned that we\u2019d rather be 100 people\u2019s favourite band than a million people\u2019s 10th favourite. When I look back at our touring schedule or the fact we made three records in three years, I don\u2019t know how we did that, but back then we had energy to burn.<\/p>\n<p class=\"dcr-130mj7b\">I first saw you at the Kay Park Tavern, Kilmarnock. Did you opt for the \u00a340 payment or the free bar? darko1979<br \/>Of course we took the free bar, because we knew we\u2019d drink more than \u00a340 worth of booze. At those gigs there was always some old drunk guy going, \u201cPlay some fucking Mot\u00f6rhead!\u201d or something, but it taught us to keep on doing what we were doing. Looking back, it was a bit arrogant at 16 years of age to turn up and play original songs, but people remember that. They don\u2019t remember a set of Led Zeppelin or Oasis covers.<\/p>\n<p class=\"dcr-130mj7b\"> Futique is released on Friday. <a href=\"https:\/\/www.theguardian.com\/music\/biffy-clyro\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Biffy Clyro<\/a> will perform intimate acoustic outstore shows in October before <a href=\"https:\/\/www.biffyclyro.com\/#\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">an arena tour<\/a> starts in Belfast on 9 January<\/p>\n","protected":false},"excerpt":{"rendered":"I\u2019ve heard snippets about the concept of Futique, the band\u2019s new album. Is it true you\u2019ve got into&hellip;\n","protected":false},"author":2,"featured_media":153272,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[49,48,361,75],"class_list":{"0":"post-153271","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-celebrities","8":"tag-ca","9":"tag-canada","10":"tag-celebrities","11":"tag-entertainment"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/153271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=153271"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/153271\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/153272"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=153271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=153271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=153271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}