{"id":197027,"date":"2025-10-08T07:59:12","date_gmt":"2025-10-08T07:59:12","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/197027\/"},"modified":"2025-10-08T07:59:12","modified_gmt":"2025-10-08T07:59:12","slug":"chris-steele-perkins-obituary-photography","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/197027\/","title":{"rendered":"Chris Steele-Perkins obituary | Photography"},"content":{"rendered":"<p class=\"dcr-130mj7b\">In 1979 the photographer Chris Steele-Perkins, who has died aged 78 after suffering from Lewy body dementia, published his first photobook, <a href=\"https:\/\/www.magnumphotos.com\/arts-culture\/society-arts-culture\/teds-chris-steele-perkins\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">The Teds<\/a>. The extended picture essay began as a commission from New Society magazine to document the revival of the 1950s teddy boys, a rebellious British youth movement that adopted dandyish Edwardian-style clothing, and which in combination with the rise of rock\u2019n\u2019roll contributed to an emerging sense of teenage identity.<\/p>\n<p class=\"dcr-130mj7b\">In the same year Steele-Perkins became a nominee member of Magnum Photos, the co-operatively owned agency co-founded by one of his early influences, <a href=\"https:\/\/www.theguardian.com\/news\/2004\/aug\/05\/guardianobituaries.artsobituaries\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Henri Cartier-Bresson<\/a>, and in 1983 became a full member; later, he served as its president (1995-98). He shot stories across Africa, central and south America and Lebanon, and made multiple visits to <a href=\"https:\/\/www.magnumphotos.com\/arts-culture\/chris-steele-perkins-afghanistan\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Afghanistan in the period 1994-98<\/a> (followed by a book in 2000), highlighting human experience over more conventionally newsworthy events, but his most striking work was done in Britain.<\/p>\n<p class=\"dcr-130mj7b\"><a href=\"https:\/\/www.magnumphotos.com\/arts-culture\/society-arts-culture\/chris-steele-perkins-brixton-1973-portrait-afro-caribbean-brixton-racism\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">In 1973-75 he shot streetlife in Brixton<\/a>, south London, where he lived, and visited other parts of London to document festivals and countercultural happenings, contrasting them with scenes of the establishment. Answering a small ad pinned up in the Photographers\u2019 Gallery in 1975 led to him joining the Exit Photography Group, a collective documenting the challenges impacting Britain\u2019s inner cities. Working alongside Paul Trevor and Nicholas Battye, he set about his part of an ambitious four-year project that was published as the book <a href=\"https:\/\/ajuntament.barcelona.cat\/lavirreina\/sites\/default\/files\/2018-12\/SurvivalProgrammesEN.pdf\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Survival Programmes<\/a> (1982).<\/p>\n<p class=\"dcr-130mj7b\">\u201cWe made contact with community organisations in search of contacts,\u201d he later recalled. \u201cWe also did a lot of walking around deprived districts, talking to people in the street, knocking on doors. There was a different relationship that people had to photography then, compared to now. People welcomed us into their homes.\u201d<\/p>\n<p>The Catholic area of West Belfast during a riot at the top of Leeson Street, 1978. Photograph: Chris Steele-Perkins\/Magnum<\/p>\n<p class=\"dcr-130mj7b\">Steele-Perkins\u2019s projects often overlapped. He photographed teddy boys in their homes and gathering places around the country, and his work in Belfast shot for Exit in 1978 developed into its own extended series, a partisan view of the embattled Catholic community, that finally resulted in a book, <a href=\"https:\/\/www.magnumphotos.com\/arts-culture\/society-arts-culture\/chris-steele-perkins-the-troubles\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">The Troubles<\/a> (2021). \u201cI intended to cover the situation from the standpoint of the underdog, the downtrodden,\u201d he later recalled. \u201cI was not neutral and was not interested in capturing it so.\u201d<\/p>\n<p class=\"dcr-130mj7b\">Starting to take colour photographs signalled a changing attitude, both in Britain and in himself. \u201cGradually, the alienation \u2013 so much part of my childhood \u2013 faded,\u201d he wrote in <a href=\"https:\/\/www.magnumphotos.com\/arts-culture\/society-arts-culture\/chris-steele-perkins-the-pleasure-principle\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">The Pleasure Principle<\/a> (1989), reflecting on the British at leisure in the 1980s. \u201cTravel reactivated my buried sense of apartness from England, but not with the old feeling of oppression, for now I had a different perspective. Now there was a sense of almost anthropological detachment, a heightened sense of life\u2019s oddity, and the peculiarly surreal forms it takes in England.\u201d<\/p>\n<p class=\"dcr-130mj7b\">Chris was born in Rangoon during the last tumultuous months of colonial rule in British Burma; now it is Yangon in Myanmar. When he was two, his father, <a href=\"https:\/\/battleforhongkong.blogspot.com\/2014\/09\/wing-commander-alfred-horace-steel.html\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Horace, a wing commander in the RAF<\/a>, abandoned <a href=\"https:\/\/www.asmp.org\/current-news\/behind-the-image-chris-steele-perkins-new-londoners\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Chris\u2019s Burmese mother, Mary<\/a>, and brought him to live in Somerset. \u201cThere was no ethnic community into which I could retreat,\u201d he later wrote in the introduction to The Pleasure Principle, describing the difficulties of growing up mixed race in the monoculture of Burnham-on-Sea. \u201cSo, in the heartland of Anglo-Saxon England, I forged the peculiar bonds that bind me to this country.\u201d<\/p>\n<p class=\"dcr-130mj7b\">He was educated at Christ\u2019s Hospital school in Horsham, West Sussex, and later studied psychology at Newcastle University, where he volunteered on the student newspaper and began taking photography seriously. Graduating in 1970, he moved to London the following year, determined to become a freelance photographer, and encouraged by the multi-page spreads given over to photo-essays in broadsheet weekend supplements. His own ranged from a series on the Jesus Army to candid portraits of Marcel Marceau at Sadler\u2019s Wells theatre, north London, and a rare foreign assignment to Bangladesh shot for relief agencies, pictures from which were shown at Camerawork Gallery in 1974.<\/p>\n<p>A disco in Wolverhampton, 1978. Photograph: Chris Steele-Perkins\/Magnum<\/p>\n<p class=\"dcr-130mj7b\">In 1984 he married Jacqueline de Gier, a writer, and they had two sons, Cedric and Cameron. They divorced in 1998, and the following year he married Miyako Yamada, a singer and writer, whom he had met in Tokyo.<\/p>\n<p class=\"dcr-130mj7b\">He embarked on long-term projects in Japan, \u201cwanting to understand a place that had suddenly given me so much\u201d. Fuji (2002) marked a departure from his usually people-centred works, being inspired by Hokusai\u2019s 19th-century woodblock prints, <a href=\"https:\/\/www.christies.com\/en\/stories\/hokusai-36-views-mount-fuji-ukiyo-e-prints-c3312f8242094e498801b27571f7edb6\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Thirty-six Views of Mount Fuji<\/a>. Then came Tokyo Love Hello (2006), featuring street scenes. Dividing his time between Japan and his home in East Dulwich, south-east London, Steele-Perkins continued to be active in photography until well into his 70s.<\/p>\n<p class=\"dcr-130mj7b\">In 2001 he completed a commission from the Side Gallery, Newcastle upon Tyne, on the Durham coalfields, resulting in <a href=\"https:\/\/mcnidderandgrace.com\/chrissteele-perkinsnorth-east\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Northern Exposures<\/a> (2007); a <a href=\"https:\/\/www.theguardian.com\/lifeandstyle\/2009\/nov\/14\/magnum-photographs-carers\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">series on home carers<\/a> funded by an Arts Council grant in 2008; and his project <a href=\"https:\/\/www.magnumphotos.com\/arts-culture\/society-arts-culture\/chris-steele-perkins-london-family\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">The New Londoners<\/a>, photographing 164 families, including his own, collectively hailing from 187 countries, resulting in <a href=\"https:\/\/www.dewilewis.com\/products\/the-new-londoners?srsltid=AfmBOorPtJuDdv_QJTb7C3v9SAUnL36QB7WFkwQThHclCYugPBkhyH81\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">a book in 2019<\/a>. He published books on his work in Afghanistan, Belfast and north-east England, and <a href=\"https:\/\/readframes.com\/on-the-joy-of-an-idiosyncratic-wonder-review-of-england-my-england-by-chris-steele-perkins\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">England, My England<\/a> (2023), a compendium of his pictures of his homeland taken throughout his working life.<\/p>\n<p class=\"dcr-130mj7b\">He is survived by Miyako, a stepson, Daisuke, and his sons.<\/p>\n<p class=\"dcr-130mj7b\"> Christopher Horace Steele-Perkins, photographer, born 28 July 1947; died 8 September 2025<\/p>\n","protected":false},"excerpt":{"rendered":"In 1979 the photographer Chris Steele-Perkins, who has died aged 78 after suffering from Lewy body dementia, published&hellip;\n","protected":false},"author":2,"featured_media":197028,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[76,354,355,49,48,356,75],"class_list":{"0":"post-197027","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-ca","12":"tag-canada","13":"tag-design","14":"tag-entertainment"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/197027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=197027"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/197027\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/197028"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=197027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=197027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=197027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}