{"id":265437,"date":"2025-11-06T11:47:08","date_gmt":"2025-11-06T11:47:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/265437\/"},"modified":"2025-11-06T11:47:08","modified_gmt":"2025-11-06T11:47:08","slug":"in-christy-sydney-sweeney-punches-well-above-the-boxing-biopics-welterweight","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/265437\/","title":{"rendered":"In Christy, Sydney Sweeney punches well above the boxing biopic\u2019s welterweight"},"content":{"rendered":"<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/DQH2C3Z7INEQ3GS5XEOKJ6EXSI.JPEG?auth=d0741e945f7565c0e6678c31fa69278aaa329406ed2d589e2839cdefa00b690e&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"0\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Sydney Sweeney stars in Christy, a biopic about boxer Christy Martin.Allie Fredericks\/Elevation Pictures<\/p>\n<p class=\"c-article-body__text text-pr-5\">Christy <\/p>\n<p class=\"c-article-body__text text-pr-5\">Directed by David Mich\u00f4d<\/p>\n<p class=\"c-article-body__text text-pr-5\">Written by Mirrah Foulkes and David Mich\u00f4d<\/p>\n<p class=\"c-article-body__text text-pr-5\">Starring Sydney Sweeney, Ben Foster and Chad L. Coleman <\/p>\n<p class=\"c-article-body__text text-pr-5\">Classification N\/A; 135 minutes<\/p>\n<p class=\"c-article-body__text text-pr-5\">Opens in theatres Nov. 7 <\/p>\n<p class=\"c-article-body__text text-pr-5\">There is a wonderful star-is-born story when it comes to the 2000 boxing drama Girlfight. After holding an open casting call near Times Square, director Karyn Kusama and her team were just about ready to call it quits when, suddenly, a 21-year-old high-school dropout with no screen credits to her name rollerbladed up to the audition. The unknown actress, Michelle Rodriguez, nailed the role. And soon, she would become one of the best known big-screen brawlers of her generation.<\/p>\n<p class=\"c-article-body__text text-pr-5\">The star of Christy, easily the most prominent and powerful movie about women boxers since Girlfight or Million Dollar Baby, the latter of which this new film directly references, doesn\u2019t boast as impressive an underdog casting story as Rodriguez. Sydney Sweeney has come to this project already a certified megastar \u2013 or a megastar in the movie industry\u2019s own mind, the powers that be trying their very best to mint a new generation of movie idols who will convince the kids to dart their attention away from their phones and toward a larger screen. So far, it\u2019s mostly working. <\/p>\n<p class=\"c-article-body__text text-pr-5\">In the span of just a few short years, Sweeney has conquered prestige television (Euphoria, The White Lotus), the big-studio romcom (Anyone But You) and tabloid-friendly faux controversy (American Eagle jeans). Now, though, she is jumping into her own, 21st-century iteration of Girlfight \u2013 a dark, gritty, discerning adult-minded movie that could turn her into a genuine champ. And like Rodriguez before her, she nails it. <\/p>\n<p class=\"c-article-body__text text-pr-5\">Playing Christy Martin, a real-deal coal miner\u2019s daughter from West Virginia who bruised her way into the ring until she became the first woman elected to the Nevada Boxing Hall of Fame, Sweeney is a force to be reckoned with. Balancing both believable vulnerability and steel-strong nerves, the actress delivers a performance a world away from anything that she has ever done before \u2013 and in the process pulls off a trick that few of her contemporaries would be able to deliver with such deceptively effortless ease. <\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/ILJG6NXXP5GUZIA3DLYVRCAYXU.JPG?auth=c92f4b8bd0f4035d346e7b06a41279e9b289043d977db3519551017559d2c727&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"1\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"c-article-body__text text-pr-5\">While Euphoria has tested the actress\u2019s resolve in the face of wide-eyed adolescent terror, the material in Christy pushes that trauma vortex further, requiring Sweeney to shed any sense of preciousness or vanity. Every step of the way, she grins and bears it, first convincing herself, and then the audience, that she is up for the fight of her life \u2013 not dissimilar, of course, to how Martin herself approached each of her own doubters and competitors. <\/p>\n<p class=\"c-article-body__text text-pr-5\">Regrettably, though, too much of director David Mich\u00f4d\u2019s film fails to deliver as much as blood, sweat and tears as Sweeney herself offers, the familiar beats and boundaries of a sports biopic constantly forcing its star to bounce against the ropes of convention. <\/p>\n<p class=\"c-article-body__text text-pr-5\">The hiccups are evident almost immediately, when Mich\u00f4d (Animal Kingdom, War Machine) opens the film with a vastly overused Tears for Fears track, the director signaling to his audience either a lack of inventiveness, a strain on music-budget resources, or perhaps a combination of both. <\/p>\n<p class=\"c-article-body__text text-pr-5\">Once the story latches onto the deeply troubling relationship between Martin and her much older husband-slash-trainer James Martin (Ben Foster), the drama cannot escape grim predictability, with Mich\u00f4d often convincing himself that the best fight, in the ring or in the Martins\u2019 living room, is an exceptionally long fight. Like the dullest of in-ring brawls, this is a movie that drags. <\/p>\n<p class=\"c-article-body__text text-pr-5\">Foster, barely recognizable under excess pounds and a deliberately awful combover, digs deep into his slime-ball villain, matching Sweeney almost beat for beat as the Martins\u2019 marriage turns increasingly dangerous. But James is written as so obviously rotten to the core that the danger he represents just sits there for the duration of the film, growing stale. <\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/THYNVARR7BG7ZH2A64ZBVNNQFM.JPG?auth=4d1eb352ba152ce552841a3156d299941f6eaf22503e30fd9f4b8b02ec79eb15&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"2\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Ben Foster, left, plays Christy\u2019s husband and coach James Martin.Elevation Pictures<\/p>\n<p class=\"c-article-body__text text-pr-5\">There are moments when the movie gets sucker-punched with a startling jolt, and not just when Sweeney is on-screen. Chad L. Coleman (best known as the amateur boxer Cutty from HBO\u2019s The Wire) is so electric as white-haired promoter Don King that he could power the entire Vegas strip. And as played by Ethan Embry and Merritt Wever, Christy\u2019s father and mother are a fascinating study in parental obliviousness. <\/p>\n<p class=\"c-article-body__text text-pr-5\">But this is Sweeney\u2019s show, and when she\u2019s not framed in its dead centre, the movie\u2019s blood cannot help but drip down the drain. The star deserves whatever awards might be coming her way. Don\u2019t make her put up a fight. <\/p>\n","protected":false},"excerpt":{"rendered":"Open this photo in gallery: Sydney Sweeney stars in Christy, a biopic about boxer Christy Martin.Allie Fredericks\/Elevation Pictures&hellip;\n","protected":false},"author":2,"featured_media":265438,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[447],"tags":[703,49,48,2922,82],"class_list":{"0":"post-265437","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-boxing","8":"tag-boxing","9":"tag-ca","10":"tag-canada","11":"tag-noastack","12":"tag-sports"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/265437","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=265437"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/265437\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/265438"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=265437"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=265437"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=265437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}