{"id":280891,"date":"2025-11-13T18:21:14","date_gmt":"2025-11-13T18:21:14","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/280891\/"},"modified":"2025-11-13T18:21:14","modified_gmt":"2025-11-13T18:21:14","slug":"yours-for-1m-david-shrigley-puts-10-tons-of-old-rope-on-display-in-a-gallery-art-and-design","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/280891\/","title":{"rendered":"Yours for \u00a31m! David Shrigley puts 10 tons of old rope on display in a gallery | Art and design"},"content":{"rendered":"<p class=\"dcr-130mj7b\">How long is a piece of string? <a href=\"https:\/\/www.theguardian.com\/artanddesign\/david-shrigley\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">David Shrigley<\/a> can\u2019t answer that, but he can tell you how much it weighs: 10 tons, apparently. His latest installation is literally an exhibition of 10 tons of old rope, accumulated by him over months, and left in towering mounds in this swanky gallery in London\u2019s Mayfair. Most of it is marine rope, destined for landfill. It\u2019s hard to recycle this stuff, it seems, and there\u2019s an endless supply of it dumped around the world. So Shrigley scooped up as much of it as he could find, piled it up and put a massive price tag on it.<\/p>\n<p class=\"dcr-130mj7b\">The work can be yours for \u00a31m. And that\u2019s the point of the show: this is literally money for old rope. It\u2019s not that deep \u2013 it\u2019s just an idea taken to its logical conclusion, an idiom taken too far, a pun taken too literally.<\/p>\n<p>It\u2019s obscene, ridiculous and funny. I want to pick it apart, untangle its conceptual threads<\/p>\n<p class=\"dcr-130mj7b\">Shrigley made his name with deadpan, easily intelligible, visual one-liners: simple paintings with simple phrases written across them, just a bunch of glum, self-deprecating but often funny non-sequiturs. And that\u2019s exactly what this is, a non-sequitur, a joke with no punchline. Just an idea and a price tag.<\/p>\n<p class=\"dcr-130mj7b\">And it looks great! Largely because it looks pretty much like any other conceptual art installation. Piles of discarded rubbish have been a common sight in art galleries for decades, but this is the first one to do it quite so sarcastically and knowingly. It\u2019s like Shrigley is gamely admitting that, well, this is all a bit stupid.<\/p>\n<p>Salvaged from climbing schools, tree surgeons, offshore wind farms and scaffolders \u2026 the new artwork. Photograph: Lucy North\/PA<\/p>\n<p class=\"dcr-130mj7b\">The issue here is that, at its root, this is art about the value of art, about what people are willing to pay for an idea, about which ideas have value and which don\u2019t. But I don\u2019t think the financial value of art is all that interesting. Who cares if someone wants to pay millions for a <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2014\/jul\/01\/tracey-emin-my-bed-sale-auction\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">dirty old bed<\/a>, or a <a href=\"https:\/\/en.wikipedia.org\/wiki\/Work_No._227:_The_lights_going_on_and_off\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">light going on and off<\/a> or a <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2024\/nov\/07\/maurizio-cattelan-duct-taped-banana-artwork-new-york-auction-sale-price-estimate\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">rotten banana taped to a wall<\/a>? What rich people do with their money is about as relevant to me as what they have for breakfast.<\/p>\n<p class=\"dcr-130mj7b\">Making a snarky comment about the value of art in a gallery that\u2019s struggling to survive financially (SFG <a href=\"https:\/\/find-and-update.company-information.service.gov.uk\/company\/03023293\/filing-history\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">announced some pretty huge losses<\/a> earlier this year) does feel a bit awkward, too. It\u2019s like Shrigley is saying: \u201cYou lot would buy any old crap, wouldn\u2019t you?\u201d Yet this is a gallery that\u2019s having quite a hard time selling any old crap.<\/p>\n<p class=\"dcr-130mj7b\">Maurizio Cattelan, the artist now famed for making a <a href=\"https:\/\/en.wikipedia.org\/wiki\/America_(Cattelan)\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">golden toilet<\/a> that was stolen, made a similar point \u2013 in a more aesthetically impactful way \u2013 when he taped a banana to a wall at an art fair in 2019 and sold it for more money than anyone should ever spend on a banana. But that was then, when the art world was a lot more boomy. These days, when things are so much more cautious, I don\u2019t think ideas about the financial value of art are as clearcut or obvious as they once were.<\/p>\n<p><a data-ignore=\"global-link-styling\" href=\"#EmailSignup-skip-link-9\" class=\"dcr-jzxpee\">skip past newsletter promotion<\/a><\/p>\n<p class=\"dcr-1xjndtj\">Your weekly art world round-up, sketching out all the biggest stories, scandals and exhibitions<\/p>\n<p>Privacy Notice: Newsletters may contain information about charities, online ads, and content funded by outside parties. If you do not have an account, we will create a guest account for you on <a data-ignore=\"global-link-styling\" href=\"https:\/\/www.theguardian.com\" rel=\"noreferrer nofollow noopener\" class=\"dcr-1rjy2q9\" target=\"_blank\">theguardian.com<\/a> to send you this newsletter. You can complete full registration at any time. For more information about how we use your data see our <a data-ignore=\"global-link-styling\" href=\"https:\/\/www.theguardian.com\/help\/privacy-policy\" rel=\"noreferrer nofollow noopener\" class=\"dcr-1rjy2q9\" target=\"_blank\">Privacy Policy<\/a>. We use Google reCaptcha to protect our website and the Google <a data-ignore=\"global-link-styling\" href=\"https:\/\/policies.google.com\/privacy\" rel=\"noreferrer nofollow noopener\" class=\"dcr-1rjy2q9\" target=\"_blank\">Privacy Policy<\/a> and <a data-ignore=\"global-link-styling\" href=\"https:\/\/policies.google.com\/terms\" rel=\"noreferrer nofollow noopener\" class=\"dcr-1rjy2q9\" target=\"_blank\">Terms of Service<\/a> apply.<\/p>\n<p id=\"EmailSignup-skip-link-9\" tabindex=\"0\" aria-label=\"after newsletter promotion\" role=\"note\" class=\"dcr-jzxpee\">after newsletter promotion<\/p>\n<p class=\"dcr-130mj7b\">Despite all this, in a very Shrigley way, the work is disarming and charming. Look at you, wandering around a fancy gallery trying to think deep thoughts about piles of rope. It\u2019s obscene, ridiculous, funny. I want to pick it apart, untangle its conceptual threads and prove that they don\u2019t weave into anything sensible \u2013 but obviously they don\u2019t. The conceptual threads are just a big pile, a mess. Part of me wants to go all lyrical and describe the colours and fabrics, the smell, the history implied in each strand, the narratives of the hands that once pulled these ropes and yadda yadda yadda.<\/p>\n<p class=\"dcr-130mj7b\">But I don\u2019t think that\u2019s the point. It really is just some old rope. And that\u2019s kind of great.<\/p>\n","protected":false},"excerpt":{"rendered":"How long is a piece of string? David Shrigley can\u2019t answer that, but he can tell you how&hellip;\n","protected":false},"author":2,"featured_media":280892,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[76,354,355,49,48,356,75],"class_list":{"0":"post-280891","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-ca","12":"tag-canada","13":"tag-design","14":"tag-entertainment"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/280891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=280891"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/280891\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/280892"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=280891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=280891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=280891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}