\n\tFirst released in 1997, \u201cBoogie Nights\u201d earned three Oscar nominations, including supporting turns for Burt Reynolds and Julianne Moore and a screenwriting nod for Anderson. The movie\u2019s sprawling cast, from Don Cheadle, John C. Reilly and Heather Graham to Philip Seymour Hoffman and William H. Macy, helped set the template for the director\u2019s signature ensemble style later seen in \u201cMagnolia\u201d and \u201cThere Will Be Blood.\u201d<\/p>\n
\t\t\t<\/p>\n \t\t\t\t\t\t \t\t\t<\/a><\/p>\n \t\t\t\t\t2001 SNOWBOUND, ALL RIGHTS RESER<\/p>\n \t\t\t\t\tBoogie Nights (4K Ultra HD + Digital)\t\t<\/p>\n \n\tThe 4K package is loaded with archival and newly unearthed bonus features, including two new American Cinematheque panel conversations \u2014 one featuring Anderson and Reilly, another with Anderson solo \u2014 alongside the film\u2019s original director and cast commentaries, extended scenes, deep-cut character material (\u201cThe John C. Reilly Files\u201d clocks in at 34 minutes), and the rare Michael Penn \u201cTry\u201d music video. Previously released extras like the Buck and Amber van scene, Rollergirl footage and \u201cMixing \u2018Feel the Heat\u2019\u201d also make the cut, rounding out one of the most expansive special-features slates for a New Line library title in years.<\/p>\n \n\t\u201cDarkly comic, vastly entertaining and utterly original, \u2018Boogie Nights\u2019 is one of the most ambitious films to have come out of Hollywood in some time,\u201d Emanuel Levy wrote in a Variety review<\/a> upon the film\u2019s release. \u201cSpanning the height of the disco era, 1977-84, pic offers a visually stunning exploration of the adult entertainment industry, centering on a hard-core movie outfit whose members form a close-knit extended family.\u201d<\/p>\n![\"Boogie](\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\")
<\/p>\n