{"id":309535,"date":"2025-11-27T04:49:08","date_gmt":"2025-11-27T04:49:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/309535\/"},"modified":"2025-11-27T04:49:08","modified_gmt":"2025-11-27T04:49:08","slug":"two-aggrieved-strangers-plot-payback-crime","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/309535\/","title":{"rendered":"Two Aggrieved Strangers Plot Payback Crime"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThere\u2019s less Christmas cheer than anti-Scrooge snark in \u201c<a href=\"https:\/\/variety.com\/t\/jingle-bell-heist\/\" id=\"auto-tag_jingle-bell-heist\" data-tag=\"jingle-bell-heist\" rel=\"nofollow noopener\" target=\"_blank\">Jingle Bell Heist<\/a>,\u201d a lightweight crime caper doubling as yuletide romantic comedy. Cinematographer-turned-director <a href=\"https:\/\/variety.com\/t\/michael-fimognari\/\" id=\"auto-tag_michael-fimognari\" data-tag=\"michael-fimognari\" rel=\"nofollow noopener\" target=\"_blank\">Michael Fimognari<\/a>, assuming both roles here, lends a pleasing look and pace to this London-set tale of two strangers uniting to rob a retail magnate during the busy holiday season. There\u2019s a bearable level of contrivance in Abby McDonald and Amy Reed\u2019s screenplay, as well as sufficiently appealing leads in <a href=\"https:\/\/variety.com\/t\/olivia-holt\/\" id=\"auto-tag_olivia-holt\" data-tag=\"olivia-holt\" rel=\"nofollow noopener\" target=\"_blank\">Olivia Holt<\/a> and <a href=\"https:\/\/variety.com\/t\/connor-swindells\/\" id=\"auto-tag_connor-swindells\" data-tag=\"connor-swindells\" rel=\"nofollow noopener\" target=\"_blank\">Connor Swindells<\/a>. Arriving the day before Thanksgiving, this Netflix joint isn\u2019t likely to become anyone\u2019s long-term seasonal fave. But it\u2019s a pleasant diversion that springs some decent twists en route to its happy ending.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAfter a brief prologue that sees the protagonists about to commence their inside job on Christmas Eve, we jump two weeks, before they\u2019d met. Philly-raised Sophie (Holt) has moved to the U.K. for the free healthcare \u2014 her mother (Natasha Joseph), a native Brit, is gravely ill. When not visiting the hospital, she\u2019s a sales clerk at Sterling\u2019s Department Store, then moonlights at a pub. She has a bit of a Robin Hood attitude, as glimpsed early on when she pickpockets an ill-tempered man to give his money to the sidewalk buskers he\u2019d chased away. That impulse extends to dealing with occasional rude customers at her day gig, where the coworkers are nice but the boss, family-business heir Maxwell Sterling (Peter Serafinowicz), is one nasty cold fish.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNor is that man beloved by Nick (Swindells), who\u2019s staying in a mate\u2019s (Michael Salami) flat and working at an electronics repair shop while he \u201cgets back on his feet\u201d following a prison stint. What got him handed that sentence (and cost him his marriage) was a conviction for robbing Sterling\u2019s store, after he\u2019d been hired to install its surveillance system. But eventually we glean that was a frame-up. In any case, Nick retains access to that system, such that he catches Sophie pulling a larcenous fast one on-camera. He uses that knowledge to try coercing her into a dual theft effort. She flatly refuses, until a doctor suggests that her mum will now require advanced treatment that can only be accessed in a timely fashion through the pricey, private medical sector. So Sophie decides she\u2019s in, after all.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tTheir initially squabbling partnership benefits from different forms of expertise, including the talent for trickery she learned from a grandfather who happened to be both a magician and locksmith. But neither are exactly criminal masterminds, leading to some clumsy intel-seeking cosplay at a Santa-themed party for grownups, then a high-end charity gala. At the latter, socially inept Nick manages to make a conquest of Maxwell\u2019s wife Cynthia (Lucy Punch), who\u2019s disgruntled enough to appoint herself a third plotter against her own husband.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNone of this intrigue is terribly inspired, let alone credible, but it\u2019s handled with a certain panache. Fimognari, who\u2019s shot most of Mike Flanagan\u2019s considerably darker-toned projects, eschews the usual overbright Christmas comedy aesthetic for a burnished veneer. He and his design collaborators flatter both London exteriors and luxe interiors without making the production look too much like a consumerist wish-list. Humor is underlined via some zoom-lensing and other visual punctuations, as well as Steve Hackman\u2019s busy, antic score \u2014 in addition to the expected mixtape of Christmassy various-artists tracks, here running a less familiar gamut from Run-DMC to indie rockers Low.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIf chemistry between Disney child star turned scream queen Holt (\u201cHeart Eyes,\u201d \u201cTotally Killer\u201d) and Swindells (of Netflix series \u201cSex Education\u201d) never quite heats up, they are individually likable, and supported by a strong cast that brings personality to roles of no great written distinction. The script\u2019s mechanizations do pay off in its last lap, when a decent climactic setpiece gives way to a comeuppance that wisely delivers what we really want: not a romantic clinch, but a villain exposed and undone.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"There\u2019s less Christmas cheer than anti-Scrooge snark in \u201cJingle Bell Heist,\u201d a lightweight crime caper doubling as yuletide&hellip;\n","protected":false},"author":2,"featured_media":309536,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[49,48,138351,75,138352,138353,337,36879],"class_list":{"0":"post-309535","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-ca","9":"tag-canada","10":"tag-connor-swindells","11":"tag-entertainment","12":"tag-jingle-bell-heist","13":"tag-michael-fimognari","14":"tag-movies","15":"tag-olivia-holt"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/309535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=309535"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/309535\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/309536"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=309535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=309535"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=309535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}