{"id":310428,"date":"2025-11-27T14:51:47","date_gmt":"2025-11-27T14:51:47","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/310428\/"},"modified":"2025-11-27T14:51:47","modified_gmt":"2025-11-27T14:51:47","slug":"mocas-new-sound-installation-makes-the-stairwell-part-of-the-exhibition-space","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/310428\/","title":{"rendered":"MOCA\u2019s new sound installation makes the stairwell part of the exhibition space"},"content":{"rendered":"<p>A sound installation by Canadian artist Kelly Mark plays I Really, a repetition of a to-do list, accompanied by the electronic beats of Sandrien in the stairwell at MOCA Toronto.<\/p>\n<p class=\"c-article-body__text text-pr-5\">Listen closely while visiting the sprawling Jeff Wall exhibition up now at the Museum of Contemporary Art in <a href=\"https:\/\/www.theglobeandmail.com\/topics\/toronto\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/topics\/toronto\/\">Toronto<\/a> and you might hear thumping beats, as if there\u2019s an all-hours nightclub nearby. <\/p>\n<p class=\"c-article-body__text text-pr-5\">The source of the sound? The museum stairwell, playing a techno track by Sandrien featuring the late Toronto-based artist Kelly Mark. The recording invites both dancing and deep contemplation. <\/p>\n<p class=\"c-article-body__text text-pr-5\">For the past five years, MOCA has curated sound installations in its southern stairwell that connects the three floors of the museum. <\/p>\n<p class=\"c-article-body__text text-pr-5\">South Stairwell Sound Series originated from an idea by Portuguese artist Carlos Bunga, who noticed the exceptional acoustic quality in the stairwell during the installation of his 2020 show, A Sudden Beginning. He asked if he could show a sound piece in the museum stairwell concurrently. The answer was yes. MOCA installed an audio recording of Bunga dismantling his own work; visitors could hear the artist\u2019s footsteps on cardboard as he took down one of his exhibitions in Europe. <\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/VLZXVAGCA5FJVIYMYN7EMK2GV4.jpg?auth=345808fb0202c144a3ba868afaff2a66a930f9b9584e0d544bd0c5d0a8964562&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"0\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Speakers placed throughout the stairwell play vocals of a mundane to-do list layered with electronic music.Sarah Espedido\/The Globe and Mail<\/p>\n<p class=\"c-article-body__text text-pr-5\">\u201cAfter that, we thought, why don\u2019t we continue to put sound pieces in the stairwell,\u201d said Rui Mateus Amaral, MOCA\u2019s artistic director. \u201cIt was in the last two or three years that we decided to start commissioning works for the stairwell, as well as showing works that already exist because there are so many artists who work in sound, and it is an underrepresented medium.\u201d <\/p>\n<p class=\"c-article-body__text text-pr-5\">The stairwell is a transit point in a museum that presents an unexpected viewing \u2013 or perhaps more accurately, listening \u2013 experience for visitors. The sound series at MOCA is a novel and inventive use of a space often overlooked for art installations, constrained by building codes that rarely permit hanging in the area. <\/p>\n<p class=\"c-article-body__text text-pr-5\">MOCA\u2019s current sound installation, which can be found on YouTube, is by artist Kelly Mark, who passed away earlier this year. I Really takes the mundane task of creating a to-do list and how it can become Sisyphean in nature, and pushes it to its apex with club beats, sampled by Dutch techno-artist Sandrien. The repetition, accompanied by constant bass thumping, aptly recreates the feeling of being unable to escape one\u2019s own thoughts, so instead you simply get lost in them. <\/p>\n<p class=\"c-article-body__text text-pr-5\">Mark had been working on the stream-of-consciousness text since 1996. In 2002, she recorded the list as an <a href=\"https:\/\/kellymark.com\/MULT_IRS_CD1.html\" target=\"_blank\" rel=\"nofollow noopener\" title=\"https:\/\/kellymark.com\/MULT_IRS_CD1.html\">audio CD edition<\/a> of 1,000 things she \u201creally should do.\u201d The track was meant to be played out loud in a gallery. She was contacted by Sandrien\u2019s record company in 2010 about using her vocals on a \u201clittle electronic piece.\u201d<\/p>\n<p class=\"c-article-body__text text-pr-5\">When it was first released, it made a mark on the world outside of art, and was a <a href=\"https:\/\/momus.ca\/remembering-kelly-mark\/\" target=\"_blank\" rel=\"nofollow noopener\" title=\"https:\/\/momus.ca\/remembering-kelly-mark\/\">hit song<\/a> in Europe that summer, which MOCA\u2019s Amaral calls a bizarre crossover. <\/p>\n<p class=\"c-article-body__text text-pr-5\">\u201cKelly Mark is a conceptual artist with a capital C,\u201d Amaral said. \u201cThe work was so smart and well-conceived, it also had such an emotional texture. There\u2019s such a strong sense of life and death, and the range of emotions that come with being alive and thinking about the human condition.\u201d <\/p>\n<p class=\"c-article-body__text text-pr-5\">Sound art often isn\u2019t the first thing that comes to mind when thinking about contemporary art. Despite the success of British Columbia artist Janet Cardiff\u2019s sound installations, notably <a href=\"https:\/\/www.gallery.ca\/whats-on\/exhibitions-and-galleries\/janet-cardiff-forty-part-motet-2\" target=\"_blank\" rel=\"nofollow noopener\" title=\"https:\/\/www.gallery.ca\/whats-on\/exhibitions-and-galleries\/janet-cardiff-forty-part-motet-2\">Forty-Part Motet<\/a>, which has a permanent location at the National Gallery of Canada, the flashiness and instant gratification of paintings, sculpture and photography often prevail when artists compete for exhibition space. <\/p>\n<p class=\"c-article-body__text text-pr-5\">At MOCA, sound art has included the haunting repetition of Berlin-based conceptual artist Ceal Floyer\u2019s \u2018Til I Get it Right and the undulations of African-American sonic and visual artist Jennie C. Jones\u2019s Year of Construction: 1970. <\/p>\n<p class=\"c-article-body__text text-pr-5\">The audio installations have a quality that invites metaphor. For example, Floyer\u2019s melancholic repetition of a single line from a Tammy Wynette love song evokes the feeling of moving toward something, not unlike the action that takes place on a staircase. The avant-garde soundscape of Jones\u2019s work modulates in the same way it feels to go halfway up a set of stairs, only to forget something and have to immediately go back down. <\/p>\n<p class=\"c-article-body__text text-pr-5\">The Whitney Museum of American Art in New York has also used a stairwell to showcase audio art, notably in 2019 with Ascent\/Dissent by Marcus Fischer and in 2024 with Holland Andrews\u2019s Air I Breathe: Radio. What in other contexts might be mundane, or even dreaded, becomes delightful, giving museum visitors a good reason to take the stairs.<\/p>\n<p class=\"c-article-body__text text-pr-5\">If a staircase is an access point, so is music. The accessible genre gives a soft opening to engage further with works by an artist. Or, perhaps you just enjoy the melody and that\u2019s enough. <\/p>\n<p class=\"c-article-body__text text-pr-5\">\u201cPeople can either come at it through conceptual art and then be exposed to the club, or come through the club and be exposed to conceptual art, and they both kind of alter how we read both of them,\u201d Amaral said.<\/p>\n<p class=\"c-article-body__text text-pr-5\">Earlier this year, MOCA introduced another site of transition: their elevator. The artist Justin Ming Yong quilted the elevator, cocooning people as they made their way between floors. By making the boundaries of art-viewing fluid, MOCA is challenging the conventional notions of where art can be found and how we experience it. <\/p>\n","protected":false},"excerpt":{"rendered":"A sound installation by Canadian artist Kelly Mark plays I Really, a repetition of a to-do list, accompanied&hellip;\n","protected":false},"author":2,"featured_media":310429,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[76,354,355,49,48,356,75,2922,1008],"class_list":{"0":"post-310428","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-ca","12":"tag-canada","13":"tag-design","14":"tag-entertainment","15":"tag-noastack","16":"tag-pleasemod"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/310428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=310428"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/310428\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/310429"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=310428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=310428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=310428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}