{"id":3116,"date":"2025-07-17T15:35:09","date_gmt":"2025-07-17T15:35:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/3116\/"},"modified":"2025-07-17T15:35:09","modified_gmt":"2025-07-17T15:35:09","slug":"ari-asters-latest-is-a-frustrating-watch","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/3116\/","title":{"rendered":"Ari Aster&#8217;s latest is a frustrating watch"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"191\" src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2025\/07\/Fantasia-2025_6-1024x191.png\" alt=\"\" class=\"wp-image-851063\"  \/><\/p>\n<p>PLOT: Set during the infamous COVID summer of 2020,\u00a0Eddington\u00a0follows a small-town sheriff (Joaquin Phoenix) and a charismatic mayor (Pedro Pascal) as they clash over mask mandates, their shared past, and escalating ideological divides.<\/p>\n<p>REVIEW: Ari Aster\u2019s\u00a0Eddington\u00a0is half of a great film. When focused on the rising madness that gripped much of the world during the pandemic\u2019s early days, it\u2019s sharp, uneasy satire. But the film goes so wildly off the rails in its final hour that it undoes nearly everything that made its riveting first half work, resulting in yet another alienating misfire for Aster following <a href=\"https:\/\/www.joblo.com\/beau-is-afraid-review\/\" rel=\"nofollow noopener\" target=\"_blank\">the divisive\u00a0Beau Is Afraid<\/a>.<\/p>\n<p>That\u2019s a shame, because the opening is genuinely gripping, capturing the surreal chaos of a moment most of us would rather forget. Set in a fictional Midwestern town,\u00a0Eddington\u00a0depicts the early days of lockdowns, mask mandates, and \u201cfamily bubbles.\u201d Joaquin Phoenix plays Joe Cross, the town\u2019s mostly apolitical sheriff, who begins to push back against what he sees as government overreach. A key scene\u2014where an elderly, mentally ill man is thrown out of a grocery store and publicly shamed for not wearing a mask (even as others wear theirs incorrectly)\u2014spurs Joe to challenge the current mayor in an election. Pascal\u2019s Mayor Ted Garcia is fully on board with the restrictions, but he\u2019s also in bed with big tech, pushing for a massive data-mining facility to be built just outside town.<\/p>\n<p>A few years ago, Joe would have likely been painted as the film\u2019s antagonist. But\u00a0Eddington\u00a0aims for a more nuanced approach, encouraging sympathy\u2014or at least understanding\u2014for both sides as they spiral into media-fueled hysteria. Joe is positioned as a kind of everyman; he openly mocks his mother-in-law\u2019s conspiracy theories (played with gusto by Deirdre O\u2019Connell), but his worldview shifts when his wife falls under the sway of a cult-like guru (Austin Butler) preaching QAnon-style conspiracies. Joe\u2019s politics soon take a sharp rightward turn.<\/p>\n<p>Aster doesn\u2019t let the left off the hook, either. Several younger townspeople dive headfirst into the BLM movement, only to reveal their own hypocrisy\u2014white activists accusing the town\u2019s Black deputy (Michael Ward) of being a \u201crace traitor,\u201d becoming racists in the name of anti-racism. It\u2019s clear Aster isn\u2019t picking a side\u2014he\u2019s skewering everyone.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"538\" src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2025\/07\/eddington-cannes-premiere-1024x538.jpg\" alt=\"Eddington\" class=\"wp-image-841399\"  \/><\/p>\n<p>This first half is close to brilliant. It\u2019s provocative and bound to be polarizing: right-wing audiences may label Aster as \u201cwoke,\u201d while the left may accuse him of pandering to MAGA types. But that\u2019s what good satire does\u2014cut deep on all sides\u2014and Aster, who also wrote the screenplay, shows remarkable control and wit during this stretch.<\/p>\n<p>Unfortunately, around the midpoint, the film takes a nosedive. A pivotal event sends the story into absurd, over-the-top territory, culminating in a\u00a0Scarface-style shootout featuring Phoenix wielding a machine gun. What began as grounded social commentary veers into fantasy, ending with a jokey, borderline tone-deaf epilogue that feels like it belongs to a completely different film. It\u2019s jarring and deflating.<\/p>\n<p>Aster has earned a reputation as a mad genius, and A24 has clearly given him wide creative latitude. The cast, as always, is strong. Phoenix is excellent early on as the rugged, salt-of-the-earth sheriff, but his performance becomes increasingly cartoonish as the film derails. Pascal is pitch-perfect as the slick, media-savvy mayor but fades into the background by the final act. Emma Stone barely registers in a thankless, underwritten role. Supporting players make more impact: O\u2019Connell is exhausting in just the right way, Butler is chilling as the conspiracy theorist, and Michael Ward brings welcome sanity as perhaps the film\u2019s only truly grounded character.<\/p>\n<p>Visually, the film looks terrific\u2014Darius Khondji\u2019s cinematography gives\u00a0Eddington\u00a0an unexpectedly glossy sheen for an A24 production. But at a punishing 149 minutes, and with a back half that betrays the promise of its setup, this is a tough film to recommend. It\u2019s more accessible than\u00a0Beau Is Afraid, but equally alienating in its own way. Some may find it brilliant\u2014but that audience will likely be niche.<\/p>\n<p>                    <img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"538\" src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2025\/07\/eddington_trailer_ari_aster-1024x538.jpg\" class=\"global-border-radius wp-post-image\" alt=\"Ari Aster's new film Eddington unveils character posters featuring Joaquin Phoenix, Pedro Pascal, Emma Stone, and more\"  \/>                <\/p>\n","protected":false},"excerpt":{"rendered":"PLOT: Set during the infamous COVID summer of 2020,\u00a0Eddington\u00a0follows a small-town sheriff (Joaquin Phoenix) and a charismatic mayor&hellip;\n","protected":false},"author":2,"featured_media":3117,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[49,48,4181,75,337],"class_list":["post-3116","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-ca","tag-canada","tag-eddington","tag-entertainment","tag-movies"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/3116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=3116"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/3116\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/3117"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=3116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=3116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=3116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}