{"id":318886,"date":"2025-12-01T18:18:07","date_gmt":"2025-12-01T18:18:07","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/318886\/"},"modified":"2025-12-01T18:18:07","modified_gmt":"2025-12-01T18:18:07","slug":"seriously-review-headstands-bananas-and-a-dog-watching-porn-reveal-photographys-silly-side-art","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/318886\/","title":{"rendered":"Seriously review \u2013 headstands, bananas and a dog watching porn reveal photography\u2019s silly side | Art"},"content":{"rendered":"<p class=\"dcr-130mj7b\">An exhibition of conceptual photography that has a sense of humour? Seriously? Spr\u00fcth Mager\u2019s <a href=\"https:\/\/spruethmagers.com\/exhibitions\/seriously-group-exhibition-london\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">new group show of that title<\/a> makes its case over four floors jammed with still and moving images of clowns, costumes, Star Wars figurines, dogs watching porn, a colourless cheeseburger, and artists running over a carton of milk.<\/p>\n<p class=\"dcr-130mj7b\">I\u2019m absorbed by one of the most recent works in the show, <a href=\"https:\/\/www.martinesy.ms\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Martine Syms<\/a>\u2019 She Mad: The Non-Hero, a conceptual TikTok tale inspired by Lil Nas X\u2019s Life Story series from 2021. Borrowing the rapper\u2019s structure and tropes, Syms performs convincingly as a rising star of the arts scene who shares her struggles with health, depression and loneliness. It\u2019s a punchy satire of social media mores that debunks ideas about success.<\/p>\n<p class=\"dcr-130mj7b\">I\u2019m jolted out of this thought by a shrieking noise. ButI haven\u2019t stepped on a joke shop trigger, it\u2019s Louise Lawler\u2019s seven-minute 1972-81 audio work Birdcalls, in which she calls out art world sexism by screaming the names of 28 famous white male artists in the style of different bird calls. The idea is to present nature as artifice, the same way art history is merely a constructed form of power. It is also so silly you can\u2019t help but smile.<\/p>\n<p>Spicy feminist humour \u2026 Seriously at Spr\u00fcth Magers, London. Photograph: Ben Westoby\/Fine Art Documentation<\/p>\n<p class=\"dcr-130mj7b\">Lawler is part of a contingent of artists here associated with feminism and conceptualism in the 70s and 90s, a kind of confrontational, spicy humour that takes aim at feminine stereotypes in mass media and advertising. An androgynous <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2025\/nov\/20\/maggi-hambling-and-sarah-lucas-ooo-la-la-review-sadie-coles-hq-london\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Sarah Lucas<\/a> chomps down brazenly on a banana. A suite of <a href=\"https:\/\/www.theguardian.com\/artanddesign\/article\/2024\/jul\/08\/cindy-sherman-little-girls-play-dress-up-but-i-was-always-trying-to-be-a-monster-instead-of-a-fairy\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Cindy Sherman<\/a>\u2019s works sharply satirise feminine stereotypes found in cinema and the media. A 2018 colour work shows four coiffed, heavily madeup characters wearing colourful tulle gowns, looking at the camera with something between a smile and a grimace. They seem to be sitting in the sea, a dissonance that makes the bizarre image even more awkward. In another picture Birgit J\u00fcrgenssen wears a ludicrous 3D \u201chousewives\u2019 apron\u201d in the shape of an oven. Their visual puns are a revolt against stifling gender norms and they\u2019re effective.<\/p>\n<p>Not too serious \u2026 Bruce Nauman, Studies for Holograms (a-e), 1970. Photograph: Courtesy of the artist and Sperone Westwater, New York<\/p>\n<p class=\"dcr-130mj7b\">It\u2019s great when artists don\u2019t take themselves too seriously. The feminists were willing to make themselves look ridiculous to make the point that social codes and repressed sexual desires are farcical. Other artists adopt the strategy, too, depicting the body as a silly, plastic form that can be absurd and obscene. <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2020\/oct\/05\/bruce-nauman-review-tate-modern\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Bruce Nauman<\/a> pulls and stretches his mouth into goofy, weird shapes. In L\u2019Empereur series, German photographer Thomas Ruff throws himself around a room, dressed in brown and yellow to match the dour colour scheme. As he slumps and dives between the armchairs and the standing lamp, it\u2019s a moment of slapstick for an artist not normally known for his cheer.<\/p>\n<p class=\"dcr-130mj7b\">A range of artists find humour in objects and assemblages, such as Thomas Demand with his witty photo of a slipper stuck under a door. One wall is packed with banal and bland pictures of a vacuum cleaner, a slice of bread or a bucket \u2013 humour is subjective, sure, but they\u2019re about as fun as a root canal.<\/p>\n<p class=\"dcr-130mj7b\">The show starts to grate when it starts parodying other art \u2013 Ruff re-does Fischli\/Weiss, Jonathan Monk nods to Lawler, John Waters sends up Gursky. But jokes don\u2019t really work unless you get the art history references. Aneta Grzeszykowska\u2019s recognisable parodies of Sherman \u2013 displayed in a room with Sherman \u2013 are easier to laugh at, caricatures of caricature, satire twisted into satire.<\/p>\n<p class=\"dcr-130mj7b\">Conceptual art is often ridiculous, so it doesn\u2019t take much to turn its bombast and pompousness into a joke. <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2019\/oct\/05\/william-wegman-weimaraners-are-serious-try-hard-spooky-shadowy\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">William Wegman<\/a>\u2019s Experiment has the best punchline of the show: the first of two images is captioned \u201cAs an experiment he stood on his head\u201d. The second says: \u201cEverything looked upside down.\u201d One of the famous works in the show is the late British artist <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2015\/aug\/27\/keith-arnatt-photography-exhibition-spruth-magers-absence-of-the-artist\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Keith Arnatt<\/a>\u2019s influential 1969 performance photo Self-Burial, a sequence of nine images in which the artist slowly subsides into a hole he\u2019s dug and eventually vanishes into the ground. The photos were broadcast on German TV in 1969 for a few seconds every evening without explanation, which must have been disturbing. If many viewers may have liked the idea of an artist disappearing, the last laugh is on us, since the ground is ultimately where we\u2019re all heading.<\/p>\n<p><a data-ignore=\"global-link-styling\" href=\"#EmailSignup-skip-link-10\" class=\"dcr-jzxpee\">skip past newsletter promotion<\/a><\/p>\n<p class=\"dcr-1xjndtj\">Your weekly art world round-up, sketching out all the biggest stories, scandals and exhibitions<\/p>\n<p>Privacy Notice: Newsletters may contain information about charities, online ads, and content funded by outside parties. If you do not have an account, we will create a guest account for you on <a data-ignore=\"global-link-styling\" href=\"https:\/\/www.theguardian.com\" rel=\"noreferrer nofollow noopener\" class=\"dcr-1rjy2q9\" target=\"_blank\">theguardian.com<\/a> to send you this newsletter. You can complete full registration at any time. For more information about how we use your data see our <a data-ignore=\"global-link-styling\" href=\"https:\/\/www.theguardian.com\/help\/privacy-policy\" rel=\"noreferrer nofollow noopener\" class=\"dcr-1rjy2q9\" target=\"_blank\">Privacy Policy<\/a>. We use Google reCaptcha to protect our website and the Google <a data-ignore=\"global-link-styling\" href=\"https:\/\/policies.google.com\/privacy\" rel=\"noreferrer nofollow noopener\" class=\"dcr-1rjy2q9\" target=\"_blank\">Privacy Policy<\/a> and <a data-ignore=\"global-link-styling\" href=\"https:\/\/policies.google.com\/terms\" rel=\"noreferrer nofollow noopener\" class=\"dcr-1rjy2q9\" target=\"_blank\">Terms of Service<\/a> apply.<\/p>\n<p id=\"EmailSignup-skip-link-10\" tabindex=\"0\" aria-label=\"after newsletter promotion\" role=\"note\" class=\"dcr-jzxpee\">after newsletter promotion<\/p>\n<p>Sharp satire \u2026 Seriously at Spr\u00fcth Magers, London. Photograph: Ben Westoby\/Fine Art Documentation<\/p>\n<p class=\"dcr-130mj7b\">The biggest laughs come courtesy John Smith\u2019s 12-minute video shot on 16mm in 1976 and given a room to itself here. In The Girl Chewing Gum, a voice shouts directions to the action taking place on a street in London, but the director is in fact a narrator, describing the movements of unwitting passersby with increasingly fantastical relish. It\u2019s hilarious, but also eerily prescient in its anticipation of fake news and false narratives.<\/p>\n<p class=\"dcr-130mj7b\">This exhibition\u2019s problem is that humour is subjective, cultural and temporal \u2013and a lot of the gags here don\u2019t raise a laugh today. There are a few inclusions I couldn\u2019t figure out at all: how <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2023\/jun\/21\/carrie-mae-weems-review-evil-clowns-race-riots-and-tense-kitchen-table-dramas\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Carrie Mae Weems<\/a>\u2019s picture of a set of minstrel salt and pepper shakers fits in was beyond me.<\/p>\n<p class=\"dcr-130mj7b\">Paradoxically, Seriously is less about laughter and more about humour as a tool for challenging politics and values. With playfulness and wit, conceptual artists pushed photography past the documentary into a less stable, more experimental place. But can conceptual art make you belly laugh? Probably not.<\/p>\n<p class=\"dcr-130mj7b\"> At <a href=\"https:\/\/spruethmagers.com\/exhibitions\/seriously-group-exhibition-london\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Spr\u00fcth Magers, London<\/a>, until 31 January<\/p>\n","protected":false},"excerpt":{"rendered":"An exhibition of conceptual photography that has a sense of humour? Seriously? Spr\u00fcth Mager\u2019s new group show of&hellip;\n","protected":false},"author":2,"featured_media":318887,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[76,354,355,49,48,356,75],"class_list":{"0":"post-318886","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-ca","12":"tag-canada","13":"tag-design","14":"tag-entertainment"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/318886","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=318886"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/318886\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/318887"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=318886"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=318886"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=318886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}