{"id":319354,"date":"2025-12-01T23:25:14","date_gmt":"2025-12-01T23:25:14","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/319354\/"},"modified":"2025-12-01T23:25:14","modified_gmt":"2025-12-01T23:25:14","slug":"how-royalty-brought-masterpieces-to-the-prado","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/319354\/","title":{"rendered":"how royalty brought masterpieces to the Prado"},"content":{"rendered":"<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Without the work of powerful female art collectors, the Prado in Madrid would be half the museum it is. Titian\u2019s magnificent equestrian portrait commemorating the Holy Roman emperor Charles V\u2019s victory over protestant princes at Muhlberg in 1547, for example, was owned by a woman \u2014 Mary of Hungary, his sister.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">The painting is one of dozens of masterpieces that belonged to a handful of female art collectors whose works make up most of the Prado Museum\u2019s collection. The Madrid museum has embarked on a project, featuring thematic routes, titled The Female Perspective, to demonstrate how without these women\u2019s works, its collection would be a shadow of itself.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Miguel Falomir, the Prado\u2019s director, said: \u201cThe Prado is probably the European museum in which women have played the most significant part in terms of its creation. Their contribution was extremely important, either as collectors or patrons. Without them the overall quality of the collection would significantly decline.\u201d<\/p>\n<p><img decoding=\"async\" alt=\"Equestrian Portrait of Charles V by Titian.\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2025\/12\/\/ba152815-8949-4512-83aa-406513329ada.jpg\" class=\"responsive-sc-1nnon4d-0 bAbKns\"\/><\/p>\n<p>Titian\u2019s portrait of Charles V<\/p>\n<p>ALAMY<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Mary, for example, a 16th-century queen of Hungary and later governor of the Habsburg Netherlands, as one of the principal sponsors of the European Renaissance. Noelia Garcia Perez, an <a href=\"https:\/\/www.thetimes.com\/topic\/art-features\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" rel=\"nofollow noopener\" target=\"_blank\">art<\/a> historian who runs the museum\u2019s project, said: \u201cShe was responsible for the construction of the visual image of Charles V\u2019s political identity and was a regent who defended the rule of the House of Habsburg.\u201d<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">The Prado is the beneficiary of Mary\u2019s legacy and those of other women, who often wielded political power, such as Isabella the Catholic, first queen of a dynastically unified <a href=\"https:\/\/www.thetimes.com\/topic\/spain\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" rel=\"nofollow noopener\" target=\"_blank\">Spain<\/a>, and Isabella Clara Eugenia, ruler of the Netherlands in the early 17th century. Without their contributions, the museum would be missing works such as The Descent from the Cross by Rogier van der Weyden, Altarpiece of Dona Maria de Aragon by El Greco, the panels of Adam and Eve by Albrecht D\u00fcrer and Las Meninas by Diego Vel\u00e1zquez.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">The Prado opened its third thematic route in the series on Monday, highlighting the works from Isabella Farnese, queen of Spain from 1714-1746. Visitors are invited to follow the route through 45 works, including a portrait of Farnese by Louis-Michel Van Loo from the Spanish embassy in London and one by Bartolom\u00e9 Esteban Murillo, which is being exhibited for the first time after its recent identification at the Mus\u00e9e des Beaux-Arts de Pau in France.<\/p>\n<p><img decoding=\"async\" alt=\"Painting of Queen Isabella Farnese by Louis-Michel van Loo.\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2025\/12\/\/f45be67d-da8b-4e05-8458-dd10b46a8893.jpg\" class=\"responsive-sc-1nnon4d-0 bAbKns\"\/><\/p>\n<p>Isabella Farnese painted by Louis-Michel Van Loo<\/p>\n<p>MUSEO NACIONAL DEL PRADO<\/p>\n<p><img decoding=\"async\" alt=\"Illustration of Deposition, Descent from the Cross by Rogier van der Weyden.\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2025\/12\/\/a748461c-2a30-4eaa-a3e2-f17c41d3316e.jpg\" class=\"responsive-sc-1nnon4d-0 bAbKns\"\/><\/p>\n<p>Rogier van der Weyden\u2019s Descent from the Cross<\/p>\n<p>ALAMY<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u201cHer legacy is the origin of nearly five hundred works housed in the museum, which are exhibited in half of its galleries,\u201d said Perez. \u201cShe is the female artistic patron who most significantly contributed to the formation of the collection of <a href=\"https:\/\/www.thetimes.com\/world\/europe\/article\/neoclassicist-pioneer-who-inspired-goya-to-be-exhibited-at-prado-bt5t2fxfc\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" rel=\"nofollow noopener\" target=\"_blank\">the Prado<\/a>.\u201d<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u2022 <a href=\"https:\/\/www.thetimes.com\/uk\/royal-family\/article\/royal-portraits-nicky-philipps-interview-29m06ftw2\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" rel=\"nofollow noopener\" target=\"_blank\">How to paint the royals: \u2018Harry said William had too much hair\u2019<\/a><\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Her works include emblematic paintings such as Peter Paul Rubens\u2019s Apostles series, Saint Sebastian by Guido Reni, The Virgin and Child with the Infant Saint John the Baptist by Correggio, A Sibyl by Vela\u0301zquez and Jacob\u2019s Dream by Jusepe de Ribera.<\/p>\n<p><img decoding=\"async\" alt=\"Painting of Saint Sebastian with an arrow piercing his side, tied to a tree and looking heavenward, by Guido Reni.\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2025\/12\/\/52d19e15-f668-4ecf-9cc8-7b0bd9f2f11f.jpg\" class=\"responsive-sc-1nnon4d-0 bAbKns\"\/><\/p>\n<p>Saint Sebastian by Guido Reni<\/p>\n<p>MUSEO NACIONAL DEL PRADO<\/p>\n<p><img decoding=\"async\" alt=\"Faun with Kid, Roman Workshop marble sculpture of a faun carrying a goat on his shoulders.\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2025\/12\/\/4ce5b0ad-c08b-477a-bcc3-e542a8be2214.jpg\" class=\"responsive-sc-1nnon4d-0 bAbKns\"\/><\/p>\n<p>Faun with a Kid<\/p>\n<p>MUSEO NACIONAL DEL PRADO<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Farnese was also responsible for the acquisition of the museum\u2019s most important group of classical sculptures, including The San Ildefonso Group and Faun with a Kid. <\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Farnese collected works of art using her own resources through what was known as the queen\u2019s pocket, which allowed her considerable autonomy in her artistic choices. She marked her works with the fleur-de-lys to differentiate them from the collection of her husband, Philip V. The symbol is still visible on some works and the museum has marked all the information plaques accompanying her works with it.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u2022 <a href=\"https:\/\/www.thetimes.com\/world\/europe\/article\/prado-shines-a-light-on-spains-unfavoured-polychrome-sculptures-wq06k6jks\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" rel=\"nofollow noopener\" target=\"_blank\">Prado shines a light on Spain\u2019s glorious polychrome sculptures<\/a><\/p>\n<p id=\"last-paragraph\" class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u201cShe amassed nearly a thousand paintings,\u201d said Perez. \u201cParticularly evident within this extensive collection is the queen\u2019s love of the work of Bartolome\u0301 Esteban Murillo, whose presence in the Royal Collection was entirely due to her decisive impetus. As a result, the paintings by Murillo acquired by her now constitute the largest and most significant group of works by any artist in the Prado.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Without the work of powerful female art collectors, the Prado in Madrid would be half the museum it&hellip;\n","protected":false},"author":2,"featured_media":319355,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[76,354,355,49,48,356,75],"class_list":{"0":"post-319354","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-ca","12":"tag-canada","13":"tag-design","14":"tag-entertainment"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/319354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=319354"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/319354\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/319355"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=319354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=319354"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=319354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}