{"id":343155,"date":"2025-12-13T19:09:07","date_gmt":"2025-12-13T19:09:07","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/343155\/"},"modified":"2025-12-13T19:09:07","modified_gmt":"2025-12-13T19:09:07","slug":"strictly-come-dancing-the-semi-final-live-strictly-come-dancing","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/343155\/","title":{"rendered":"Strictly Come Dancing: the semi-final \u2013 live | Strictly Come Dancing"},"content":{"rendered":"<p>Key events<\/p>\n<p>Show key events only<\/p>\n<p>Please turn on JavaScript to use this feature<\/p>\n<p class=\"dcr-130mj7b\">Judges\u2019 comments: Rousing reception in the studio. Carlos is tearful. Anton says \u201cI got a bit emotional, never knew you could dance like that, quality, softness and sensitivity, my heart skips a beat at your journey\u201d. Craig says \u201cleft elbow and head placement issues but it had flow and elegance, very beautiful\u201d. Motsi says \u201cI couldn\u2019t recognise you, biggest growth in contest, beautiful connection, you\u2019ve showed anything is possible\u201d. Shirley concludes \u201crise and fall was exceptional, just where it needed to be for a semi-final\u201d. Nines and 10s en route?<\/p>\n<p><a href=\"mailto:?subject=Strictly Come Dancing: the semi-final \u2013 live&amp;body=https:\/\/www.theguardian.com\/tv-and-radio\/live\/2025\/dec\/13\/strictly-come-dancing-the-semi-final-live?CMP=share_btn_url&amp;page=with%3Ablock-693db8798f08ff9b9e856901#block-693db8798f08ff9b9e856901\" type=\"button\" class=\"dcr-1mulgdf\">Share<\/a>Karen and Carlos\u2019 waltz<\/p>\n<p class=\"dcr-130mj7b\">Ex-Lioness Karen Carney has already fared better than any footballer in Strictly history. Can she go one week further? She hasn\u2019t done a traditional ballroom number since way back in week four, incredibly, and tends to find them more difficult than Latin. Romantic opening and soft feeling. Graceful and seamless. It takes work to look effortless. The judges will be looking out for those crucial heel leads. Decent position and posture as she glides around the floor in Carlos Gu\u2019s arms. Some gapping and footwork issues, plus head position not quite right in places but lovely feel. They\u2019re creating an intimate and emotional moment, staying in hold from start to finish. Sparks fly.<\/p>\n<p class=\"dcr-130mj7b\">Song: One Moment in Time by Whitney Houston. Her 1988 ballad which was written as the anthem for that year\u2019s Seoul Olympics. It was nominated for a Grammy but beaten by Tracy Chapman\u2019s Fast Car. Gold medal-winning heptathlete Denise Lewis selected it as one of her Desert Island Discs.<\/p>\n<p><a href=\"mailto:?subject=Strictly Come Dancing: the semi-final \u2013 live&amp;body=https:\/\/www.theguardian.com\/tv-and-radio\/live\/2025\/dec\/13\/strictly-come-dancing-the-semi-final-live?CMP=share_btn_url&amp;page=with%3Ablock-693db7c38f08e69a0ce3ee2e#block-693db7c38f08e69a0ce3ee2e\" type=\"button\" class=\"dcr-1mulgdf\">Share<\/a><\/p>\n<p>Updated at\u00a014.07 EST<\/p>\n<p class=\"dcr-130mj7b\">Judges\u2019 scores: 9, 10, 9, 9 for a total of 37 points.<\/p>\n<p><a href=\"mailto:?subject=Strictly Come Dancing: the semi-final \u2013 live&amp;body=https:\/\/www.theguardian.com\/tv-and-radio\/live\/2025\/dec\/13\/strictly-come-dancing-the-semi-final-live?CMP=share_btn_url&amp;page=with%3Ablock-693db72d8f08ff9b9e8568fb#block-693db72d8f08ff9b9e8568fb\" type=\"button\" class=\"dcr-1mulgdf\">Share<\/a><\/p>\n<p class=\"dcr-130mj7b\">Judges\u2019 comments: Shirley says \u201cbeautiful balance , lacked a little passion but frame improving and showed us quality\u201d. Anton says \u201cmuch better shoulder line, open work brilliant but disconnected, lacked drive and hesitant in hold\u201d. Craig says \u201cunnecessarily harsh, you two, not much wrong with it, clean, passionate and full of purpose, loved the Argentine flashes.\u201d Motsi concludes \u201cagree with Craig, much improved and magnificent, you came back with a bang, girl\u201d. Nines incoming? Even a 10?<\/p>\n<p><a href=\"mailto:?subject=Strictly Come Dancing: the semi-final \u2013 live&amp;body=https:\/\/www.theguardian.com\/tv-and-radio\/live\/2025\/dec\/13\/strictly-come-dancing-the-semi-final-live?CMP=share_btn_url&amp;page=with%3Ablock-693db6368f08ff9b9e8568f6#block-693db6368f08ff9b9e8568f6\" type=\"button\" class=\"dcr-1mulgdf\">Share<\/a>Amber and Nikita\u2019s tango<\/p>\n<p class=\"dcr-130mj7b\">Amber Davies went from top to bottom last week, so clearly needs to win over voting viewers. First up, she and partner Nikita Kuzmin get in hold for a dramatic ballroom number. She\u2019s had problems with her frame before but says she feels more secure in the tango position. Chair-ography to start and almost Argentine moves, then into hold. Drama, passion and intensity. Bent knees for flat travel across the floor. Lots of little accents and details. High kicks and slo-mo sections. Smooth but sharp and precise with clipped staccato movements. Swivels, close body contact and changes of pace. Oof. A sizzler.<\/p>\n<p class=\"dcr-130mj7b\">Song: Higher by Michael Bubl\u00e9. The 2022 swing number was the title track to his 11th studio album, which included covers of Paul McCartney, Sam Cooke, Willie Nelson and Barry White.<\/p>\n<p><a href=\"mailto:?subject=Strictly Come Dancing: the semi-final \u2013 live&amp;body=https:\/\/www.theguardian.com\/tv-and-radio\/live\/2025\/dec\/13\/strictly-come-dancing-the-semi-final-live?CMP=share_btn_url&amp;page=with%3Ablock-693db5458f08b246d57a5e73#block-693db5458f08b246d57a5e73\" type=\"button\" class=\"dcr-1mulgdf\">Share<\/a><\/p>\n<p class=\"dcr-130mj7b\">Judges\u2019 scores: 8, 9, 9, 9 for a total of 35 points. Same as last week and her joint highest. Julian\u2019s mum has flown in from Australia to support him. Aww.<\/p>\n<p><a href=\"mailto:?subject=Strictly Come Dancing: the semi-final \u2013 live&amp;body=https:\/\/www.theguardian.com\/tv-and-radio\/live\/2025\/dec\/13\/strictly-come-dancing-the-semi-final-live?CMP=share_btn_url&amp;page=with%3Ablock-693db4868f08ff9b9e8568ec#block-693db4868f08ff9b9e8568ec\" type=\"button\" class=\"dcr-1mulgdf\">Share<\/a><\/p>\n<p class=\"dcr-130mj7b\">Judges\u2019 comments: Motsi says \u201cyou gave us rhythm and more, loved your fearless attitude, soft and strong, you\u2019re fighter\u201d. Shirley says \u201cI\u2019m in shock, outstanding foot positions, immaculate precision and timing\u201d. Anton says \u201cyou\u2019ve set the benchmark and will take some beating\u201d. Craig concludes \u201cstop-start transitions, lacked fluidity in and out of lifts but you gave it your all, my darling\u201d. An eight and three nines, do we reckon?<\/p>\n<p><a href=\"mailto:?subject=Strictly Come Dancing: the semi-final \u2013 live&amp;body=https:\/\/www.theguardian.com\/tv-and-radio\/live\/2025\/dec\/13\/strictly-come-dancing-the-semi-final-live?CMP=share_btn_url&amp;page=with%3Ablock-693db3df8f08e69a0ce3ee1f#block-693db3df8f08e69a0ce3ee1f\" type=\"button\" class=\"dcr-1mulgdf\">Share<\/a>Balvinder and Julian\u2019s salsa<\/p>\n<p class=\"dcr-130mj7b\">EastEnders actor Balvinder Sopal lets loose for a Cuban party dance. Bal should have grown in confidence after that personal best score and dodging the dreaded red light last week. Despite the salsa\u2019s speed, she needs to keep her technique precise and stay on rhythm. Neon palm trees and lovely skirt, looking a bit like a blancmange. Loads of energy, with Bal taking centre stage right from the start. Rhythmic, powerful and fiery. Being thrown around in the lifts. Too much walking and fltying through the air, perhaps. Not earthy enough and lacking a little spicy sauce, perhaps, but bags of Miami disco fun and lovely connection with partner Julian Caillon. Upside down to finish.<\/p>\n<p class=\"dcr-130mj7b\">Song: Rhythm Is Gonna Get You \/ Get on Your Feet by Gloria Estefan. A medley of two of the Latina pop queen\u2019s late 80s hits.<\/p>\n<p><a href=\"mailto:?subject=Strictly Come Dancing: the semi-final \u2013 live&amp;body=https:\/\/www.theguardian.com\/tv-and-radio\/live\/2025\/dec\/13\/strictly-come-dancing-the-semi-final-live?CMP=share_btn_url&amp;page=with%3Ablock-693db3028f08b246d57a5e63#block-693db3028f08b246d57a5e63\" type=\"button\" class=\"dcr-1mulgdf\">Share<\/a>Our Strictly stars\u2122<\/p>\n<p class=\"dcr-130mj7b\">Our first sight of the four semi-finalist couple. Relatively restrained on the fancy dress front but Julian\u2019s got his abs out. Nikita, surprisingly, hasn\u2019t.<\/p>\n<p><a href=\"mailto:?subject=Strictly Come Dancing: the semi-final \u2013 live&amp;body=https:\/\/www.theguardian.com\/tv-and-radio\/live\/2025\/dec\/13\/strictly-come-dancing-the-semi-final-live?CMP=share_btn_url&amp;page=with%3Ablock-693db2bc8f08e69a0ce3ee08#block-693db2bc8f08e69a0ce3ee08\" type=\"button\" class=\"dcr-1mulgdf\">Share<\/a>By jove, it\u2019s the judges<\/p>\n<p class=\"dcr-130mj7b\">A rare chance to see their legs as we welcome the paddle-raising panel. Motsi Mabuse is in shimmery lilac. Shirley Ballas in sparkly pewter, Anton Du Beke and Craig Revel Horwood in their customary black tie. Anton\u2019s floral affair looks like your nan\u2019s curtains.<\/p>\n<p><a href=\"mailto:?subject=Strictly Come Dancing: the semi-final \u2013 live&amp;body=https:\/\/www.theguardian.com\/tv-and-radio\/live\/2025\/dec\/13\/strictly-come-dancing-the-semi-final-live?CMP=share_btn_url&amp;page=with%3Ablock-693db2888f08b246d57a5e61#block-693db2888f08b246d57a5e61\" type=\"button\" class=\"dcr-1mulgdf\">Share<\/a>Frockwatch<\/p>\n<p class=\"dcr-130mj7b\">Our presenting duo sashay into view, so time for the regular gown rundown. Tess Daly is in a red floor-slength frock with a slit. Claudia Winkleman is in a golden glittery, rouched wrap dress. Unusual colour for her and we approve. Both fab-u-lous.<\/p>\n<p><a href=\"mailto:?subject=Strictly Come Dancing: the semi-final \u2013 live&amp;body=https:\/\/www.theguardian.com\/tv-and-radio\/live\/2025\/dec\/13\/strictly-come-dancing-the-semi-final-live?CMP=share_btn_url&amp;page=with%3Ablock-693db23e8f08e69a0ce3ee07#block-693db23e8f08e69a0ce3ee07\" type=\"button\" class=\"dcr-1mulgdf\">Share<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Key events Show key events only Please turn on JavaScript to use this feature Judges\u2019 comments: Rousing reception&hellip;\n","protected":false},"author":2,"featured_media":343156,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[49,48,75,348],"class_list":["post-343155","post","type-post","status-publish","format-standard","has-post-thumbnail","category-tv","tag-ca","tag-canada","tag-entertainment","tag-tv"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/343155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=343155"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/343155\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/343156"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=343155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=343155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=343155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}