{"id":377458,"date":"2025-12-30T14:54:08","date_gmt":"2025-12-30T14:54:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/377458\/"},"modified":"2025-12-30T14:54:08","modified_gmt":"2025-12-30T14:54:08","slug":"the-10-worst-movies-of-2025-a-year-of-one-existential-crisis-after-another","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/377458\/","title":{"rendered":"The 10 worst movies of 2025, a year of one existential crisis after another"},"content":{"rendered":"<p class=\"c-article-body__text text-pr-5\">In many ways, the <a href=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/television\/article-netflix-warner-bros-deal-canadian-impact\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/television\/article-netflix-warner-bros-deal-canadian-impact\/\">news about movie-going<\/a> this year (yes, I\u2019m talking about the Paramount\/Netflix\/Warner Bros. Discovery mess) was worse than the actual 2025 movies themselves. But don\u2019t worry, there were still plenty of on-screen catastrophes, too \u2013 the kinds of films that make you wonder if anyone inside of the industry actually cares about the medium, or if it\u2019s perhaps just a giant money-laundering operation. <\/p>\n<p class=\"c-article-body__text text-pr-5\">For those who avoided the titles below, consider yourself lucky.* For the filmmakers and studios responsible, let this serve as a well-deserved public shaming. (*And for the record, I was able to dodge some of the more disreputable titles of the past 12 months, including the Ice Cube-led remake of War of the Worlds, Five Nights at Freddy\u2019s 2, The Strangers: Chapter 2, and The Weeknd\u2019s vanity project Hurry Up Tomorrow. Call it luck, call it prescience. I\u2019m simply calling it a win.) <\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/3AGDZN7MENCZ7C4FNIJMCM4S4I.jpg?auth=c7e4a1bf7600faaea37261d9367a19669748a21db3eefa6d6798c8b05a55ac5a&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"0\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Mark Wahlberg stars as Daryl in Mel Gibson&#8217;s Flight Risk.Courtesy of Lionsgate\/Lionsgate<\/p>\n<p class=\"c-article-body__text text-pr-5\">10. <a href=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-mel-gibsons-exceptionally-awful-flight-risk-might-have-trump-rethink\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-mel-gibsons-exceptionally-awful-flight-risk-might-have-trump-rethink\/\">Flight Risk<\/a> <\/p>\n<p class=\"c-article-body__text text-pr-5\">This feels like low-hanging fruit: a C-tier thriller starring a wildly miscast Mark Wahlberg as a southern-fried assassin and directed by Mel Gibson, who is a long way from Braveheart. It might\u2019ve worked as an unintentionally hilarious diversion had Gibson not made every single wrong directorial decision along the way. From the casting to the action to the visual effects to the score, the film seems intent on identifying and then grinding down every element that makes a movie tolerable, forget even baseline entertaining. <\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/2IRR24XUD5BMZFEMP3BJIWPMZY.JPG?auth=0429de32866b4e4529f66335cf1825de0a4005cba87eab92d75943c02d99d187&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"1\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Paul Rudd and Jenna Ortega play a father-daughter duo in A24&#8217;s Death of a Unicorn.Balazs Goldi\/The Associated Press<\/p>\n<p class=\"c-article-body__text text-pr-5\">9. <a href=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-lifeless-satire-death-of-a-unicorn-is-far-from-a-rare-breed\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-lifeless-satire-death-of-a-unicorn-is-far-from-a-rare-breed\/\">Death of a Unicorn<\/a><\/p>\n<p class=\"c-article-body__text text-pr-5\">A pharmaceutical-industry satire so flaccid that it\u2019s in desperate need of Viagra, Death of a Unicorn is destined to fade into the mythical margins of cinematic history, with future moviegoers convinced that \u2013 like its title creature \u2013 the film never really existed at all. Wasting a perfectly game cast (Paul Rudd, Jenna Ortega, Richard E. Grant) and a semi-promising premise pivoting on the magical properties of a unicorn\u2019s horn, Alex Scharfman\u2019s feature directorial debut doesn\u2019t know what it wants to do or say, resulting in several narrative and thematic threads that go nowhere, slowly. <\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/CCSZSJTUGRCP3NIFKHIF2YKA6I.jpeg?auth=8e04dc4f117bfea3fb974fd6d1e85b6b8c5a36d13204d930b410ed5ba135c908&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"2\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Chris Evans and Anya Taylor-Joy in Sacrifice.Elevation Pictures<\/p>\n<p class=\"c-article-body__text text-pr-5\">8. <a href=\"https:\/\/x.com\/HertzBarry\/status\/1964850536584478984\" target=\"_self\" rel=\"nofollow\" title=\"https:\/\/x.com\/HertzBarry\/status\/1964850536584478984\">Sacrifice<\/a> <\/p>\n<p class=\"c-article-body__text text-pr-5\">Never before has there been a harder drop-off in ambition and artistry than the plunge that director Romain Gavras took this year, going from his exhilarating 2022 political thriller <a href=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-athena-netflix-romain-gavras\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-athena-netflix-romain-gavras\/\">Athena<\/a> to this insultingly empty-headed satire about a movie star (Chris Evans, a long way from Captain America to say nothing of his far better work as another empty-headed celeb in Scott Pilgrim vs. The World) forced to walk into a volcano by eco-terrorists. Or something. There\u2019s a reason that almost no one outside of those attending its TIFF premiere have heard, or will ever hear, about it.<\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/PGY6DIUNEVE7RGIOPJCVRB3QEE.jpg?auth=2cc2b18ee1f80ba6f033efc1e284cb8be44366b3f06c8529bd0b77e4e8236d68&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"3\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Sean Bean and Daniel Day-Lewis in Ronan Day-Lewis and Daniel Day-Lewis&#8217; Anemone.Courtesy of Focus Features\/The Associated Press<\/p>\n<p class=\"c-article-body__text text-pr-5\">7. <a href=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-anemone-daniel-day-lewis-ronan\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-anemone-daniel-day-lewis-ronan\/\">Anemone<\/a> <\/p>\n<p class=\"c-article-body__text text-pr-5\">Nepotism isn\u2019t exactly a fresh phenomenon when it comes to showbiz, but it reached dreadful new heights-slash-depths with this dirge of a drama. Essentially a make-work project for the Day-Lewis clan, marking both the feature directorial debut of young visual artist Ronan and the long-awaited return of his ostensibly retired papa, Daniel (who hasn\u2019t been on screen since 2017\u2019s Phantom Thread), Anemone fails to rise above bog-standard family melodrama, with its exhausting, circular ruminations about intergenerational trauma and guilt. <\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/VOA5BL7UK5DDRLXD4ZULQVQUYA.JPG?auth=a1c4c68f93daf189e632aacc9e1d6270b97a0bd5e1521ed0cfe1f2b4b98c8131&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"4\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Emma Stone in her second Yorgos Lanthimos film collaboration, Bugonia.The Associated Press<\/p>\n<p class=\"c-article-body__text text-pr-5\">6. <a href=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-bugonia-review-emma-stone-jesse-plemons-are-yorgos-lanthimos\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-bugonia-review-emma-stone-jesse-plemons-are-yorgos-lanthimos\/\">Bugonia <\/a><\/p>\n<p class=\"c-article-body__text text-pr-5\">What began as a sporadically fizzy collaboration between director Yorgos Lanthimos and Emma Stone with 2018\u2019s The Favourite has now metastasized into a four-film reign of terror, pockmarking the actress\u2019s otherwise impeccable career and producing some of the most egregiously annoying faux-prestige films in recent years. And with the unbearable Bugonia, which is two hours of ritual humiliation and contempt for the audience, Lanthimos has also roped in poor Jesse Plemons, too. <\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/MAJ6NFMZEZBVFIFKZED34ZVWCA.jpg?auth=dda5a7e0ba26fcb262aa88cba1f88490ed6ee2b664ea877aab491484e8a9d933&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"5\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Kerry Washington plays black-ops specialist Kyrah in Shadow Force.Juan Pablo Gutierrez\/Lionsgate\/Lionsgate<\/p>\n<p class=\"c-article-body__text text-pr-5\">5. <a href=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-spy-thriller-shadow-force-reveals-hollywoods-action-movie-crisis\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-spy-thriller-shadow-force-reveals-hollywoods-action-movie-crisis\/\">Shadow Force<\/a> <\/p>\n<p class=\"c-article-body__text text-pr-5\">Every poorly designed, choppily edited and tonally confused action movie is one more chip stacked against a genre that, when steered by artists who know the deep reservoirs of pleasure to be found in creative mayhem, proves the fundamental power of the cinematic medium. A bad action movie isn\u2019t just disappointing \u2013 it\u2019s an affront to the reason that so many of us go to the movies. Which brings us to Joe Carnahan\u2019s Shadow Force, an action flick that is so lazy and dull that it deserves to be buried deep inside any random streaming service\u2019s catalogue, never to be unearthed by even the most indifferent and callous what-to-watch-next algorithm.<\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/MFBR3ARGGVEQPFH2ACKP5FO4TQ.jpg?auth=e4d2eba15e78b445ab669b2a07b7b1e9bc8293d2994d1176a20a6d3d759a1bc4&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"6\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">John Goodman voices Papa Smurf in the 2025 animated Smurfs movie.Paramount Animation\/Supplied<\/p>\n<p class=\"c-article-body__text text-pr-5\">4. <a href=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-smurfs-musical-adaptation-will-leave-you-blue-despite-rihanna\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-smurfs-musical-adaptation-will-leave-you-blue-despite-rihanna\/\">Smurfs<\/a> <\/p>\n<p class=\"c-article-body__text text-pr-5\">If you can\u2019t Smurf anything nice, then don\u2019t Smurf anything at all. Such was the key lesson to be taken away by parents after being dragged by their children to yet another big-screen adaptation of everyone\u2019s second-favourite blue-man group earlier this summer. This is the kind of bottom-of-the-intellectual-property-barrel kiddie flick that gives AI slop a good name. <\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/RADHCZ45P5BS3MHWYDTHX4T5VI.JPG?auth=5497309154ac45f7f6f3523cbe9d79b2e8a3ccefbe879003f8310c19c54838c9&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"7\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Danny Ramirez and Anthony Mackie in Marvel Studios&#8217; Captain America: Brave New World.Eli Ad\u00e9\/The Associated Press<\/p>\n<p class=\"c-article-body__text text-pr-5\">3. <a href=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-washington-needs-to-slap-a-tariff-on-marvels-culturally-bankrupt\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-washington-needs-to-slap-a-tariff-on-marvels-culturally-bankrupt\/\">Captain America: Brave New World<\/a> <\/p>\n<p class=\"c-article-body__text text-pr-5\">The Marvel Cinematic Universe might well recover when Avengers: Doomsday opens this time next year. But the entire enterprise was nearly killed dead with the politically incoherent and creatively inert Captain America: Brave New World. The janky story consistently comes just up against the edge of an interesting theme before lazily embracing the coward\u2019s way out. This is a movie of pussyfooting and sidestepping, unconcerned with race, history, heroism or any idea at all beyond \u201cHulk smash.\u201d<\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/SDYMXBQ6UJDYDAVIFPBKH5UFIE.JPEG?auth=356da2d3e7c5365c7cf7cac5e59b62c51cd3e4d2abf4b20d3d246d973923aa2c&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"8\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Robert De Niro plays Vito Genovese in Barry Levinson&#8217; The Alto Knights.Jennifer Rose Clasen\/Warner Bros. Pictures<\/p>\n<p class=\"c-article-body__text text-pr-5\">2. <a href=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-does-robert-de-niro-deliver-the-mafioso-goods-in-the-alto-knights\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-does-robert-de-niro-deliver-the-mafioso-goods-in-the-alto-knights\/\">The Alto Knights<\/a><\/p>\n<p class=\"c-article-body__text text-pr-5\">Warner Bros. Discovery titan David Zaslav might be ending the year by nearly destroying the cultural capital of a century-old studio, but he began it by personally shepherding this grey market knock-off of Martin Scorsese\u2019s mafioso canon. Every single beat of The Alto Knights feels like an historical footnote from Goodfellas or The Godfather Part II stretched out to interminable feature length \u2013 musty, dusty, dry. Just like Zaslav\u2019s legacy when it comes to the cinematic arts, this is pretty fuggedable.<\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/PFBEWV4N3ZHQFDAQRKYFDLJCNQ.jpg?auth=8030926368e026f59f7b8a7e9317ca43d381f40b6f656d2a6d110500705a96e0&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"9\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Stranger Things star Millie Bobby Brown in The Electric State.PAUL ABELL\/Netflix<\/p>\n<p class=\"c-article-body__text text-pr-5\">1. The Electric State <\/p>\n<p class=\"c-article-body__text text-pr-5\">Everything you need to know about Netflix\u2019s ambitions to become a true movie studio can be found in The Electric State, a US$300-million-plus piece of sci-fi nothingness that will short-circuit your brain. <\/p>\n","protected":false},"excerpt":{"rendered":"In many ways, the news about movie-going this year (yes, I\u2019m talking about the Paramount\/Netflix\/Warner Bros. Discovery mess)&hellip;\n","protected":false},"author":2,"featured_media":377459,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[49,48,75,337,2922],"class_list":["post-377458","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-ca","tag-canada","tag-entertainment","tag-movies","tag-noastack"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/377458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=377458"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/377458\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/377459"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=377458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=377458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=377458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}