The author, historian and broadcaster chooses her favourite books. Her latest book is “The Marchesa”, a biographical novel that tells the story of Isabella d’Este, the first female art collector of the Renaissance.<\/p>\n
Nuns Behaving Badly <\/p>\n
Craig A. Monson, 2010 <\/p>\n
The erudite musicologist unearthed these delicious stories from 16th and 17th century court records. My favourite concerns a Venetian abbess who sneaks out to the opera with a local priest.<\/p>\n
Subscribe to The Week<\/p>\n
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.<\/p>\n
<\/p>\n \nSUBSCRIBE & SAVE\n<\/p>\n <\/a><\/p>\n Sign up for The Week’s Free Newsletters<\/p>\n From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.<\/p>\n From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.<\/p>\n Dangerous Liaisons <\/p>\n Pierre Choderlos de Laclos, 1782 <\/p>\n Written in decadent pre-revolutionary France<\/a>, this erotically charged epistolary novel features a manipulative woman working under the surface of polite society. It occasioned a brilliant stage adaptation and two substantial movies. What writer could ask for more?<\/p>\n How to be a Renaissance Woman<\/p>\n Jill Burke, 2023<\/p>\n Burke delivers an equally entertaining and serious analysis of the business of Renaissance beauty. From early bras and disgusting skin-whitening concoctions to primitive cosmetic surgery, it delivers a warning to the future that whatever the gains of feminism, our obsession with “beauty” remains as defining as who we are.<\/p>\n The Return of Martin Guerre<\/p>\n Natalie Zemon Davis, 1982 <\/p>\n Long before photos and fingerprints, “knowing” someone depended largely on memory. This majestically close reading of court records by the great micro historian tells a tale of contested identity in a 16th century French village, and gave the now disgraced G\u00e9rard Depardieu one of his most beguiling roles. A quiet masterpiece in print and on film.<\/p>\n Ang\u00e8lique<\/p>\n Sergeanne Golon, 1957-1985<\/p>\n Everyone has a guilty secret in their literary past. Mine is a set of bodice rippers featuring an irresistible heroine in the court of Louis XIV. As ravished as she was ravishing, Ang\u00e8lique was no proto feminist. But inside the romantic tosh was a scintillating picture of French history<\/a>. At 13 I was hooked and never looked back.<\/p>\n