{"id":410216,"date":"2026-01-15T05:13:10","date_gmt":"2026-01-15T05:13:10","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/410216\/"},"modified":"2026-01-15T05:13:10","modified_gmt":"2026-01-15T05:13:10","slug":"f1-cinematographer-claudio-miranda-on-creating-tension-through-framing","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/410216\/","title":{"rendered":"&#8216;F1&#8217; Cinematographer Claudio Miranda on Creating Tension Through Framing"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhile <a href=\"https:\/\/variety.com\/t\/joseph-kosinski\/\" id=\"auto-tag_joseph-kosinski\" data-tag=\"joseph-kosinski\" rel=\"nofollow noopener\" target=\"_blank\">Joseph Kosinski<\/a> was working on \u201cTop Gun: Maverick,\u201d he was already thinking about his next movie, \u201c<a href=\"https:\/\/variety.com\/t\/f1\/\" id=\"auto-tag_f1\" data-tag=\"f1\" rel=\"nofollow noopener\" target=\"_blank\">F1<\/a>,\u201d a high-adrenaline action film set in the world of Formula 1 racing. So, he called on his go-to cinematographer <a href=\"https:\/\/variety.com\/t\/claudio-miranda\/\" id=\"auto-tag_claudio-miranda\" data-tag=\"claudio-miranda\" rel=\"nofollow noopener\" target=\"_blank\">Claudio Miranda<\/a>, who was also working on \u201cTop Gun: Maverick.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tKosinski wanted to do everything for real, immerse audiences in the film and avoid the use of green screens. Miranda started to think, \u201cIs there any technology we need to figure out?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAs with \u201cTop Gun: Maverick,\u201d where he pushed<a data-id=\"https:\/\/variety.com\/2022\/artisans\/awards\/top-gun-maverick-cinematographer-1235439751\/\" data-type=\"link\" href=\"https:\/\/variety.com\/2022\/artisans\/awards\/top-gun-maverick-cinematographer-1235439751\/\" rel=\"nofollow noopener\" target=\"_blank\"> camera technology to new limits,<\/a> Miranda worked with Sony Electronics to develop a custom camera to film high-speed shots. The custom cameras were built and mounted into the racing for filming \u2014 four per car, with remote control over pan and focus.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDuring a conversation moderated by Variety senior artisans editor Jazz Tangcay, Kosinski said, that while much of the behind-the-scenes was about the technology, everything was driven by story and character. \u201cHow do we connect the audience with the characters in a movie like this? That\u2019s what drove all of this innovation that Claudio did.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Apple Original Film stars Brad Pitt as former Formula 1 race car driver Sonny Hayes, a retired driver. Javier Bardem plays Ruben, the boss of an underdog racing team who convinces Sonny to return to the sport to partner with and mentor rookie driver Joshua Pearce (Damson Idris). The film picks up halfway through the Formula 1 season, and by bringing Sonny into the mix, Ruben hopes the team lands a podium finish.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhen it came to creating the tension between Sonny and Joshua, Kosinski explained it had to be on the page first. His next challenge was finding the right actor to play Joshua Pearce. <a data-id=\"https:\/\/variety.com\/lists\/casting-director-one-battle-after-another-hamnet-f1-oscars\/f1s-lucy-bevan-on-casting-damson-idris\/\" data-type=\"link\" href=\"https:\/\/variety.com\/lists\/casting-director-one-battle-after-another-hamnet-f1-oscars\/f1s-lucy-bevan-on-casting-damson-idris\/\" rel=\"nofollow noopener\" target=\"_blank\">Enter casting director Lucy Bevan, who searched far and wide<\/a> looking at thousands of tapes. Kosinski said, \u201cDamson was a miracle and went toe-to-toe with one of the biggest movie stars in the world, in his first film, and really just created this character that\u2019s so alive.\u201d He continued, \u201cHe is the antagonist, but he\u2019s so likable because you totally understand where he\u2019s coming from.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn his compositions, Miranda said, \u201cWe picked the angles we needed for the scene. If we wanted to go intense, we pushed in a little bit more.\u201d But that wasn\u2019t just on the racetracks, when scenes took place off the grid he still looked to find ways of creating tension and beauty.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn one scene, Sonny and Kerry Condon\u2019s character, Kate, have a heart-to-heart on a hotel balcony, and he opens up to her about his feelings in Las Vegas. Aside from the shot being very high up, Miranda had to contend with the neon lights of the city. \u201cThat\u2019s a real location and it does create a little bit of lighting challenges. It\u2019s really the night before the grand prix and you see the stadiums being set up. It\u2019s real-time, there\u2019s Vegas, and those lights are annoying sometimes,\u201d said Miranda. But he found a positive in what he couldn\u2019t control. \u201cSometimes those lights would go white, but in a way, it grounded the movie, and I kind of liked it as these things would blow up.\u201d He added, \u201cIt grounds the actor in the environment. Maybe if I didn\u2019t control it too much, it might have felt a little more synthetic.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"While Joseph Kosinski was working on \u201cTop Gun: Maverick,\u201d he was already thinking about his next movie, \u201cF1,\u201d&hellip;\n","protected":false},"author":2,"featured_media":410217,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[441],"tags":[49,48,49011,578,576,577,40573,82],"class_list":["post-410216","post","type-post","status-publish","format-standard","has-post-thumbnail","category-formula-1","tag-ca","tag-canada","tag-claudio-miranda","tag-f1","tag-formula-1","tag-formula1","tag-joseph-kosinski","tag-sports"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/410216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=410216"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/410216\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/410217"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=410216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=410216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=410216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}