{"id":43090,"date":"2025-08-03T21:37:08","date_gmt":"2025-08-03T21:37:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/43090\/"},"modified":"2025-08-03T21:37:08","modified_gmt":"2025-08-03T21:37:08","slug":"inner-space-meets-outer-space","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/43090\/","title":{"rendered":"Inner Space Meets Outer Space"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe path to enlightenment is a booby-trap-laden maze in \u201c<a href=\"https:\/\/variety.com\/t\/transcending-dimensions\/\" id=\"auto-tag_transcending-dimensions\" data-tag=\"transcending-dimensions\" rel=\"nofollow noopener\" target=\"_blank\">Transcending Dimensions<\/a>,\u201d which Japanese cult director Toshiaki Toyoda says may be his last feature. It can certainly be taken as a sort of summational statement, rounding up recurrent prior themes and motifs, though in ways constituting more of an advanced course than a handy introduction to his work. Even loyal fans may take occasional issue with a feature that\u2019s by turns absurdist, philosophical, violent, wayward, satirical and baffling.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tStill, the unpredictability and aesthetic appeal of Toyoda\u2019s vision has its usual bracing effect. A precise point may be anyone\u2019s guess, but getting there is a playful cosmic trip that justifies the lofty ad slogan \u201cEnter the gate to the universe.\u201d However, woe betide anyone expecting something so simply categorized as \u201cscience fiction\u201d \u2014 though that is also how it\u2019s being sold.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe deceptively tranquil opening finds a monk meditating in a cave, then finding a mysterious conch shell in the pool beneath a waterfall. There\u2019s no dialogue for almost 10 minutes, until Master Hanzo (Chihara Jr.)\u00a0 invokes \u201cthe power of the wolf\u201d over a ritual fire before numerous bowed spectators. His wisdom is sought by many of them, but doesn\u2019t come cheap: This smirking, dyed-blond guru routinely demands a chopped-off finger in return for his rather harsh insights. One skeptical spectator who leaves in disgust suffers an accident while driving away, presumably caused by the petulant master\u2019s psychic powers.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAnother observer is hitman Shinno (Ryuhei Matsuda). He\u2019d visited the remote retreat at the behest of client Nonoka (Haruka Imou), tasked with finding out what happened to her boyfriend. Rosuke (Yosuke Kubozuka) disappeared while \u201ctraining\u201d with Hanzo, whom she calls \u201cscum \u2026 intoxicated with the poisons of the world.\u201d Complaining that the malevolent spiritual guide has driven her mad as well, she asks Shinno to kill him before taking a drastic means to exit this mortal plane herself.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSuch relatively straightforward intrigue is just the jumping-off point for true narrative craziness that kicks off around the 40-minute mark, when opening credits belatedly arrive and we\u2019re plunged into \u201c2001\u201d-like psychedelia. The levels of inner and outer reality subsequently traveled encompass space travel, a chamber of mirrors in diamond-like facets, a research facility for murky experimentation on human subjects and more, with the aforementioned conch shell blown repeatedly to summon a \u201clight of truth.\u201d But truth is a highly subjective thing here, shifting from one moment to the next, never fixed. Although concepts such as \u201csoul,\u201d \u201cintuition\u201d and \u201ctranscendence\u201d get taken seriously by the characters, the film itself offers viewers not a pilgrimage but a wittily mindbending experience.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhile its inventive audiovisual ideas are admittedly more modest in scale, \u201cDimensions\u201d might be described as \u201cThe Holy Mountain\u201d meets \u201cThe Matrix\u201d \u2014 an onion-skinned quest for existential meaning that Toyoda\u2019s deadpan humor renders something of a running prank. There are occasional boring stretches, along with confounding ones. But mostly, the effect is of idiosyncratic delight.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThose who\u2019ve followed the director\u2019s career will recognize elements reprised from prior efforts, particularly as this is intended as culminating a \u201cMt. Resurrection Wolf\u201d series commenced with the short \u201cWolf\u2019s Calling\u201d in 2019. The elements of religious cultdom and criminality can be traced back even further in his filmography, to the likes of \u201cI\u2019m Flash!,\u201d \u201cNine Souls\u201d and \u201cMonsters Club.\u201d Toyoda is in the business of raising questions to provoke, not to resolve. Those unwilling to accept a considerable degree of confusion en route had best take a pass.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe actors all seem perfectly attuned to this slippery wavelength, while the design contributors \u2014 notably cinematographer Kenji Maki, art director Takashi Sasaki, costume designer Kazuhiro Sawataishi and visual effects chief Nobutaka Douki \u2014 do exemplary work. Sonic aspects are just as imaginatively accomplished, with particular soundtrack emphasis on taiko drumming troupe Kodo and genre-defying British jazz band Sons of Kemet.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"The path to enlightenment is a booby-trap-laden maze in \u201cTranscending Dimensions,\u201d which Japanese cult director Toshiaki Toyoda says&hellip;\n","protected":false},"author":2,"featured_media":43091,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[49,48,75,15980,337,30574,30575],"class_list":{"0":"post-43090","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-ca","9":"tag-canada","10":"tag-entertainment","11":"tag-fantasia","12":"tag-movies","13":"tag-toshiaki-toyada","14":"tag-transcending-dimensions"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/43090","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=43090"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/43090\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/43091"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=43090"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=43090"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=43090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}