{"id":435636,"date":"2026-01-27T03:41:08","date_gmt":"2026-01-27T03:41:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/435636\/"},"modified":"2026-01-27T03:41:08","modified_gmt":"2026-01-27T03:41:08","slug":"a-visceral-account-of-the-war-in-gaza","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/435636\/","title":{"rendered":"A Visceral Account of the War in Gaza"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201c<a href=\"https:\/\/variety.com\/t\/american-doctor\/\" id=\"auto-tag_american-doctor\" data-tag=\"american-doctor\" rel=\"nofollow noopener\" target=\"_blank\">American Doctor<\/a>\u201d starts strongly with an emotional argument between filmmaker and protagonist. The latter pushes for showing the bodies of dead Palestinian children on screen, to convey the enormity of the carnage in the war on Gaza. The filmmaker wants to \u201cpreserve their dignity\u201d by pixelating the photos. The protagonist wins, and the audience sees the images as they are. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThus does this documentary set out its moral purpose. The narrative captures the experiences of doctors trying to save lives during wartime, while ensuring they tell the world the truth about what they are witnessing. The arguments about what to show and not show, and who gets to tell which story, are what distinguish \u201cAmerican Doctor\u201d beyond documenting its protagonists\u2019 trips to Gaza.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tPremiering in the U.S. Documentary competition at Sundance, the film follows three American doctors different in temperament, experience, age and background. There is Palestinian American Thaer Ahmad, born and living in the U.S., who feels a huge responsibility to help the people of his ancestral homeland. Yet he understands that his background is both an asset and handicap as he navigates American media and political halls. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOn the other hand, Jewish doctor Mark Perlmutter is the one who bluntly calls the war \u201ca genocide\u201d and emotionally advocates for his Palestinian patients. In the middle is Feroze Sidwa, neither Jewish nor Muslim but Zoroastrian, who\u2019s pragmatic and honest but measured in his descriptions of what\u2019s happening in Gaza. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBeyond following these three through trauma and operating rooms, filmmaker <a href=\"https:\/\/variety.com\/t\/poh-si-teng\/\" id=\"auto-tag_poh-si-teng\" data-tag=\"poh-si-teng\" rel=\"nofollow noopener\" target=\"_blank\">Poh Si Teng<\/a> captures their many media interviews, conversations with family back home in America, and their calls for an end to the bombing of hospitals and the targeting of medical practitioners.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe story takes place in two different times and two visits for the doctors into Gaza, before and after the ceasefire. It captures their interplay with patients and Palestinian colleagues, as well as with each other. In the case of Ahmad, the film shows how much harder it is for him to get to Gaza in the first place: Unlike his colleagues who are not of Palestinian origin, he requires many more Israeli security approvals. The difference in how the Israel\u2019s government treats three American doctors supposedly equal in nationality and credentials becomes abundantly clear.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cAmerican Doctor\u2019s\u201d thesis is sharpest when depicting Perlmutter. The film shows him to be the only one of the three who talks without thinking of consequences, who shows anger and defiance constantly, who accuses Israel of genocide and the United States of complicity. By documenting not just his actions but showing the privilege his race, religion and background afford him in comparison to his colleagues, the film reveals the inherent inequality in whose stories get told, and who\u2019s allowed to be angry, indignant and morally correct.\u00a0 <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNot that Teng doesn\u2019t show the suffering of the Palestinian people who live there and are not just visitors. In the film\u2019s most moving scene, Palestinian anesthesiologist Abd describes being torn between his responsibilities to his patients and his care for his own children. It\u2019s a devastating story, made more so by the camera\u2019s steady gaze at Abd\u2019s face as he tells it. It\u2019s a scene that some might say \u201chumanizes\u201d this war. Yet by including it amidst all the other questions the film raises, Teng seems to be asking why Palestinians still need to be humanized more than two years into this conflict.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWorking with cinematographers Ibrahim Al Otla and Christopher Renteria, Teng is alert to the interplay between the protagonists. The camera knows when to linger and when to cut away when showing the carnage and loss of life. Once the filmmakers commit, they never flinch, and\u00a0\u201cAmerican Doctor\u201d exposes the devastation and the toll of this conflict on people, particularly children. Most importantly, it offers testimony from three witnesses on how hospitals and medical practitioners are deliberately targeted. It is a necessary watch because it dares its audience not to look away, forcing the question not only of whose story is told, but whose deaths matter and make headlines.<\/p>\n","protected":false},"excerpt":{"rendered":"\u201cAmerican Doctor\u201d starts strongly with an emotional argument between filmmaker and protagonist. The latter pushes for showing the&hellip;\n","protected":false},"author":2,"featured_media":435637,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[180968,49,48,75,337,180969,79083],"class_list":["post-435636","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-american-doctor","tag-ca","tag-canada","tag-entertainment","tag-movies","tag-poh-si-teng","tag-sundance-film-festival"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/435636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=435636"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/435636\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/435637"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=435636"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=435636"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=435636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}