{"id":539573,"date":"2026-03-16T06:31:11","date_gmt":"2026-03-16T06:31:11","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/539573\/"},"modified":"2026-03-16T06:31:11","modified_gmt":"2026-03-16T06:31:11","slug":"oscars-2026-one-battle-after-another-wins-big-as-canadians-triumph-in-heated-rivalry-with-hollywood","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/539573\/","title":{"rendered":"Oscars 2026: One Battle After Another wins big as Canadians triumph in heated rivalry with Hollywood"},"content":{"rendered":"<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/D7KTLUSW7BA53DW32RIX7NYUBU.JPG?auth=bdf751f10cdf8d2204306029b1bd86b5e62cadb0f4a555be2db45c38b38a3818&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"0\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Director Paul Thomas Anderson and cast members celebrate as they accept the Oscar for Best Picture for One Battle After Another.Mike Blake\/Reuters<\/p>\n<p class=\"c-article-body__text text-pr-5\">Kicking off with Conan O\u2019Brien running for his life as he burst through the scenes of the year\u2019s Best Picture nominees and ending with Paul Thomas Anderson\u2019s political epic One Battle After Another taking home the top prize of the evening, the 98th Academy Awards offered more than its fair share of watercooler talking points during its approximately six-and-a-half-hour length. Before YouTube thinks twice about its plan to stream the ceremony starting in 2029, The Globe and Mail presents the best, worst, and weirdest moments from, in the words of O\u2019Brien, a real humdinger of an Oscars. <\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/NDRPNK43KBGNZO4Y5UN2VEXTDY.jpg?auth=74a122e9cefb6ef4ca5ffa159c91524aab57c49d3f2aa56ba768867e902e17df&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"1\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Host Conan O&#8217;Brien and Sterling K. Brown perform onstage at Dolby Theatre.Kevin Winter\/Getty Images<\/p>\n<p>Conan the Conqueror <\/p>\n<p class=\"c-article-body__text text-pr-5\">Learning the best lessons of Oscars hosts past (most notably Billy Crystal), Conan O\u2019Brien mixed easy charm, sharp jabs, and delightful absurdity to deliver one of the strongest opening Academy Awards monologues in a decade-plus. His cold open, in which he Weapons-ized himself in full Amy Madigan drag, was perfectly constructed and cut. <\/p>\n<p class=\"c-article-body__text mv-16 l-inset text-pb-8\" data-sophi-feature=\"interstitial\"><a href=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-oscars-2026-reader-questions\/\" rel=\"nofollow noopener\" target=\"_blank\">What did you think of the big winners (and losers) of the 2026 Oscars? Ask us your questions<\/a><\/p>\n<p class=\"c-article-body__text text-pr-5\">His rat-a-tat-tat series of jokes was also on point, targeting a range of deserved targets, from Netflix CEO Ted Sarandos (\u201cIt\u2019s his first time in a theatre!\u201d) to He-Shall-Not-Be-Named (\u201cThis is the first time since 2012 that no British actors were nominated for Best Actor or Best Actress. A British spokesman said, \u2018At least we arrest our pedophiles\u2019\u201d). <\/p>\n<p class=\"c-article-body__text text-pr-5\">All that, and O\u2019Brien delivered sincerity (\u201cWe pay tribute tonight to not just film, but the ideals of global artistry, patience, resilience, and that rarest of qualities today: optimism\u201d) while still keeping things weird. Not everyone can pull off a monologue that ends with a Josh Groban song and a puppet falcon. (Let\u2019s collectively agree to ignore that Casablanca bit with Sterling K. Brown.)<\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/AYDFJSOPCFEZ3D7OLDBNLFTT4I.jpg?auth=d44301077159f95a699ed12511e13b82233cf5e3fe08fc9f16fd5966345500e0&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"2\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Paul Thomas Anderson accepts the Oscar for Best Writing (Adapted Screenplay) for One Battle After Another.PATRICK T. FALLON\/AFP\/Getty Images<\/p>\n<p>One Win After Another<\/p>\n<p class=\"c-article-body__text text-pr-5\">Collecting a total of six Oscars, including Best Picture and Best Director, Anderson\u2019s One Battle After Another was the champion of the night. \u201cI really blew it when I won the Best Director award and forgot to thank my cast,\u201d Anderson said while cradling the Best Picture statuette. \u201cWhat a night. Let\u2019s have a martini.\u201d It\u2019s anyone\u2019s guess as to what the mood might be inside the film\u2019s studio, Warner Bros., given that it was just sold to Paramount, which seems to have no real stomach for the bold themes and provocations of Anderson\u2019s film. Enjoy the martini while it lasts, everyone.<\/p>\n<p>Elbows Way Up<a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/P2C32FE7IRHDZMDPRVNOWDPKKI.jpg?auth=cd5550527a8a3620700dbf04e708ddbbdf98b1214177a2a4cf9aac60da1e2f63&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"3\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Maggie Kang poses with the award for the Animated Feature Film for KPop Demon Hunters.Supplied\/Getty Images<\/p>\n<p class=\"c-article-body__text text-pr-5\">Canada enjoyed an unusually golden evening Sunday. The first victory was the country escaping any easy 51st-state and\/or Heated Rivalry jokes in O\u2019Brien\u2019s monologue (even with star Hudson Williams in the crowd). <\/p>\n<p class=\"c-article-body__text text-pr-5\">But then the real wins started stacking up, coming first when <a href=\"https:\/\/www.theglobeandmail.com\/arts\/television\/article-maggie-kang-netflix-kpop-demon-hunters\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/arts\/television\/article-maggie-kang-netflix-kpop-demon-hunters\/\">Canadian director Maggie Kang<\/a> of KPop Demon Hunters took home the award for Best Animated Feature. Up next were Montreal animators Chris Lavis and Maciek Szczerbowski who, while on stage accepting the award for Best Animated Short for their stop-motion drama <a href=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-the-girl-who-cried-pearls-oscar-national-film-board\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-the-girl-who-cried-pearls-oscar-national-film-board\/\">The Girl Who Cried Pearls<\/a>, gave shout-outs to the National Film Board, Telefilm\u2019s Julie Roy, actor\/national treasure Colm Feore, and their fellow Montrealer, musician Patrick Watson. (The win also marks the 12th Oscar for a <a href=\"https:\/\/www.theglobeandmail.com\/arts\/film\/article-the-nfbs-new-strategy-milk-the-stream-canadian-moment-and-reinvest-in\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/arts\/film\/article-the-nfbs-new-strategy-milk-the-stream-canadian-moment-and-reinvest-in\/\">NFB film<\/a>.)<\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/P4SNOYVHDREBNN6XYAZCXPLHJM.jpg?auth=add989d9e2b0fd466fa507bd42ea230d77537d61ed325030ba6d72965be7032e&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"4\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Canadians, Tamara Deverell and Shane Vieau, won Oscars for Best Production Design for Frankenstein.Mike Coppola\/Getty Images<\/p>\n<p class=\"c-article-body__text text-pr-5\">Then it was the made-in-Canada <a href=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-oscars-2026-frankenstein-canadian-j-miles-dale-guillermo-del-toro\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-oscars-2026-frankenstein-canadian-j-miles-dale-guillermo-del-toro\/\">Frankenstein<\/a> team nearly cleaning up across the craft categories, including <a href=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-oscars-2026-meet-the-canadian-artisans-who-keep-the-countrys-industry\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-oscars-2026-meet-the-canadian-artisans-who-keep-the-countrys-industry\/\">Jordan Samuel and Cliona Furey<\/a> (who shared the Oscar for Best Makeup and Hairstyling with their British teammate Mike Hill) and <a href=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-oscars-2026-meet-the-canadian-artisans-who-keep-the-countrys-industry\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-oscars-2026-meet-the-canadian-artisans-who-keep-the-countrys-industry\/\">Tamara Deverell and Shane Vieau<\/a> (Best Production Design).<\/p>\n<p class=\"c-article-body__text text-pr-5\">Oh, and also Marty Supreme\u2019s <a href=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-kevin-oleary-hollywood-oscar-darling\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-kevin-oleary-hollywood-oscar-darling\/\">Kevin O\u2019Leary<\/a> was also hanging around, wearing bling bright enough to blind the understandably befuddled Jafar Panahi. Kevin, buddy, we need to talk. <\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/HPREGLPQF5CTBJXETFOXBOZCPA.jpg?auth=0e96b1992ea62d1e2a17c0b3b72ef749f3a7d8cac212224957ba343d1524ebb4&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"5\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Michael B. Jordan won the Oscar for Best Actor in a Leading Role for Sinners.VALERIE MACON\/AFP\/Getty Images<\/p>\n<p>Chala-nay <\/p>\n<p class=\"c-article-body__text text-pr-5\">The opera and ballet gods were surely smiling as Sinners star Michael B. Jordan won Best Actor over Marty Supreme\u2019s <a href=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-timothee-chalamet-oscars-acting\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-timothee-chalamet-oscars-acting\/\">Timoth\u00e9e Chalamet<\/a>, who only a few weeks ago felt like the frontrunner. After tightly embracing his costar Delroy Lindo, Jordan took to the stage to deliver an emotional acceptance speech, singling out his longtime collaborator Ryan Coogler, with the crowd inside the Dolby Theatre rising to anoint a true Hollywood force. <\/p>\n<p>Gone But Not Forgotten <\/p>\n<p class=\"c-article-body__text text-pr-5\">In what was certainly the most emotional, and longest, \u201cIn Memoriam\u201d segment in recent Oscars history, producers separated the typically closely watched sequence into three distinct moments in order to highlight the unusually high number of major industry losses over the past year. <\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/DQ2JRJF6IZAJ7EAGJLG3KM2SUY.JPG?auth=b42f1216bbad4eaad377add6cab06d0dd3259bd8cd3c7ca815612700404540bf&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"6\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Rachel McAdams speaks about Catherine O&#8217;Hara during the In Memoriam segment.Chris Pizzello\/The Associated Press<\/p>\n<p class=\"c-article-body__text text-pr-5\">First up was Oscars mainstay Billy Crystal, who recalled \u201cwhat fun we had storming the castle\u201d with his best friend (and Princess Bride director) <a href=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-rob-reiner-actor-moviemaker-liberal-activist\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-rob-reiner-actor-moviemaker-liberal-activist\/\">Rob Reiner<\/a>. (Crystal was flanked by a number of other close Reiner collaborators, including Meg Ryan and John Cusack.) Then Rachel McAdams came out to honour the legendary actresses that passed, including her \u201cfellow Canadian\u201d <a href=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-catherine-o-hara-legacy-sctv-schitts-creek-home-alone\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-catherine-o-hara-legacy-sctv-schitts-creek-home-alone\/\">Catherine O\u2019Hara<\/a> and <a href=\"https:\/\/www.theglobeandmail.com\/culture\/article-diane-keaton-death-obituary-tribute\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/culture\/article-diane-keaton-death-obituary-tribute\/\">Diane Keaton<\/a>, a \u201clegend with no end.\u201d <\/p>\n<p class=\"c-article-body__text text-pr-5\">Finally, the tearjerking (or by this point tear-drowning) portion of the evening was capped with Barbra Streisand coming out to serenade the memory of <a href=\"https:\/\/www.theglobeandmail.com\/arts\/article-robert-redford-appreciation\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/arts\/article-robert-redford-appreciation\/\">Robert Redford<\/a> with a short rendition of \u201cThe Way We Were.\u201d What could have been crass and simply overdone felt sincere and deserved, even at 15 minutes.<\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/5HN4SQZLGNF3LI7NJXNARDHDVI.JPG?auth=02bd1f06faace567099856f0016d90daad3cc712ce27d68c1e9f628e118414ab&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"7\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Ryan Coogler accepts the award for Writing (Original Screenplay) for Sinners.Chris Pizzello\/The Associated Press<\/p>\n<p>Welcome to the Family <\/p>\n<p class=\"c-article-body__text text-pr-5\">If you were to pick apart many of the Best Picture nominees, you\u2019d see there\u2019s a running theme of men torn between their families and their pursuits of glory. Hamnet, One Battle After Another, Marty Supreme, Sentimental Value, and Train Dreams all find their central tension in fathers who struggle to put their children before themselves. <\/p>\n<p class=\"c-article-body__text text-pr-5\">And while you can\u2019t quite fit Sinners into this category, the parental-responsibility issue clearly resonates with that film\u2019s writer-director Ryan Coogler, who while accepting his award for Best Original Screenplay put his family front and centre. Similarly, One Battle\u2019s Anderson thanked his children after winning Best Adapted Screenplay, mentioning that his film was made for \u201chis kids, to say sorry for the housekeeping mess they were left in this world we\u2019re handing off to them.\u201d<\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/OSJ6WGYVLFGXNLOEGXNZYHOF3M.JPG?auth=1d5ea7a1a6a4dd09ba7f6df6bfe2a09b92f709e4e455e5ae8826efb74dbce584&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"8\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">A performance of I Lied to You from Sinners was one of the more memorable moments of the evening.Mike Blake\/Reuters<\/p>\n<p>More Like \u201cSong Sung, Woo\u201d!<\/p>\n<p class=\"c-article-body__text text-pr-5\">In a standout performance that brought the house down, and underlined just how far <a href=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-ryan-cooglers-vampire-thriller-sinners-is-a-magnificently-fiery-dusk\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/arts\/film\/reviews\/article-ryan-cooglers-vampire-thriller-sinners-is-a-magnificently-fiery-dusk\/\">Sinners<\/a> could go for the rest of the evening, the cast of Coogler\u2019s vampire thriller delivered a blast of energy with their performance of \u201cI Lied to You,\u201d led by musicians Miles Caton and Raphael Saadiq. Misty Copeland, Buddy Guy, and Jayme Lawson were among the performers who helped the Oscars stage a tribute to the film\u2019s standout \u201cPierce the Veil\u201d sequence, in which Coogler traversed decades and genres to piece together the cultural history of Black music. Regrettably, the track failed to win Best Original Song (KPop\u2019s \u201cGolden,\u201d the odds-on favourite, triumphed). But it won enough hearts and minds to live forever in Oscars history. <\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/YOKGISSALNCD7NJI2OKFFE446U.jpg?auth=4f17ec90b257dd13a7b4dcb4dbec3566c0e3de0c5fadeec6cb84ef50f2048efd&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"9\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Natalie Musteata and Alexandre Singh accept the Oscar for Best Live Action Short Film for Two People Exchanging Saliva.PATRICK T. FALLON\/AFP\/Getty Images<\/p>\n<p>Tie One On<\/p>\n<p class=\"c-article-body__text text-pr-5\">Prior to Sunday, there were only six ties in Oscars history. Well, another was added Sunday after presenter Kumail Nanjiani opened the envelope to announce the winner, or rather winners, for Best Live Action Short Film. The teams behind The Singers and Two People Exchanging Saliva seemed as surprised as anyone, especially the filmmakers behind the latter title, as producers retracted the microphone stand while they were still speaking (a decision that O\u2019Brien immediately reprimanded onstage). <\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/X7RWN47FBNFO3HFYD3O546NNMQ.jpg?auth=eb05d22021b1bb7660b2db120bf5954a9d992bb18f2002a2eacc697eb85b297e&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"10\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">Autumn Durald Arkapaw won the Oscar in Cinematography for Sinners.Kevin Winter\/Getty Images<\/p>\n<p>Shot for Shot<\/p>\n<p class=\"c-article-body__text text-pr-5\">In another moment of awards history, this one an egregiously long time coming, Sinners cinematographer Autumn Durald Arkapaw became the first woman (and the first Black artist) to win the Oscar for Best Cinematography. In an acceptance speech that was at once gracious and resolved, Arkapaw asked all the women in the room to stand up: \u201cI don\u2019t feel like I get here without you guys.\u201d<\/p>\n<p>Let\u2019s Get Political, Political, I Wanna Get Political <\/p>\n<p class=\"c-article-body__text text-pr-5\">Compared to last year\u2019s relatively light touch when it came to Donald Trump, this year\u2019s ceremony took on the U.S. President with a fiery glee. Not only were there several digs courtesy of O\u2019Brien, but one-time Oscars host (and frequent source of agita for the MAGA crowd) <a href=\"https:\/\/www.theglobeandmail.com\/culture\/article-jimmy-kimmel-live-cancel-censorship-trump-abc-disney\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/culture\/article-jimmy-kimmel-live-cancel-censorship-trump-abc-disney\/\">Jimmy Kimmel<\/a> returned to dunk on the White House\u2019s favourite television network, the <a href=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-paramount-warner-bros-deal-netflix\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-paramount-warner-bros-deal-netflix\/\">Paramount-owned CBS<\/a>, and the First Lady\u2019s faux-doc <a href=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-melania-trump-documentary-amazon-brett-ratner\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-melania-trump-documentary-amazon-brett-ratner\/\">Melania<\/a>. <\/p>\n<p><a style=\"display:block\" href=\"https:\/\/www.theglobeandmail.com\/resizer\/v2\/Q6U6WGZ6WBHOPKSFL6UPFVLJJM.jpg?auth=f427f7b6def415f913e61218c214f1744dea44348f426248d850c035a4d65584&amp;width=600&amp;height=400&amp;quality=80&amp;smart=true\" aria-haspopup=\"true\" data-photo-viewer-index=\"11\" rel=\"nofollow noopener\" target=\"_blank\">Open this photo in gallery:<\/a><\/p>\n<p class=\"figcap-text\">David Borenstein,left, accepts the Documentary Feature award for Mr. Nobody Against Putin.Kevin Winter\/Getty Images<\/p>\n<p class=\"c-article-body__text text-pr-5\">But the real mic drop came from David Borenstein, director of <a href=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-mr-nobody-against-putin-pavel-talankin-oscars\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.theglobeandmail.com\/culture\/film-and-tv\/film\/article-mr-nobody-against-putin-pavel-talankin-oscars\/\">Mr. Nobody Against Putin<\/a>, who upon accepting the award for Best Documentary noted that his film is \u201cabout how you lose your country, and what we saw is you lose it through small little acts of complicity. When a government murders people on the streets of our major cities. When oligarchs take over the media and how we produce it and consume it. We all face a moral choice, but luckily even a nobody is more powerful than you think.\u201d <\/p>\n<p>Where in the World is Sean Penn? <\/p>\n<p class=\"c-article-body__text text-pr-5\">Does the One Battle After Another actor love indoor-smoking more than being on hand to accept his third Oscar, this time for Best Supporting Actor? Perhaps he was busy tracking down another drug lord. Or fighting the good fight in the war in Ukraine. You do you, Sean Penn. Godspeed. <\/p>\n","protected":false},"excerpt":{"rendered":"Open this photo in gallery: Director Paul Thomas Anderson and cast members celebrate as they accept the Oscar&hellip;\n","protected":false},"author":2,"featured_media":539574,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[43,44,2922,41,39,42,40],"class_list":["post-539573","post","type-post","status-publish","format-standard","has-post-thumbnail","category-headlines","tag-headlines","tag-news","tag-noastack","tag-top-news","tag-top-stories","tag-topnews","tag-topstories"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/539573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=539573"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/539573\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/539574"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=539573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=539573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=539573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}