{"id":540753,"date":"2026-03-16T19:46:11","date_gmt":"2026-03-16T19:46:11","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/540753\/"},"modified":"2026-03-16T19:46:11","modified_gmt":"2026-03-16T19:46:11","slug":"vancouver-film-festival-launches-new-year-round-training-hub","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/540753\/","title":{"rendered":"Vancouver Film Festival Launches New Year-Round Training Hub"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Vancouver International Film Festival (VIFF) has announced a new intitiative, the Institute for the Moving Image, a major new year-round training and educational initiative.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLaunching in 2026, the Institute will expand \u201cVIFF\u2019s commitment to artist development and industry leadership beyond the annual fall festival\u201d and \u201ctransform VIFF\u2019s longstanding festival-intensive development programs into a year-round model for creative growth, mentorship, professional training, creative business education, and international connection,\u201d the festival said.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe shift to an Institute structure aims to address a gap in <a href=\"https:\/\/variety.com\/t\/british-columbia\/\" id=\"auto-tag_british-columbia\" data-tag=\"british-columbia\" rel=\"nofollow noopener\" target=\"_blank\">British Columbia<\/a>\u2019s filmmaking landscape: a space for filmmaker development focused on creative authorship and artistic practice, according to VIFF.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cWhile British Columbia remains one of <a href=\"https:\/\/variety.com\/t\/canada\/\" id=\"auto-tag_canada\" data-tag=\"canada\" rel=\"nofollow noopener\" target=\"_blank\">Canada<\/a>\u2019s most active service production centers, many emerging filmmakers, particularly those facing systemic barriers, lack access to sustained mentorship opportunities, professional training, and access to industry pathways needed to support long-term creative growth,\u201d it explained.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhile most of VIFF\u2019s current artist training programs are oriented towards emerging talent, the expansion to a broader Institute framework will allow for a full slate of artist development offerings, from the newly established to the active professional.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Institute for the Moving Image will have two primary focuses, helping to strengthen the quality of work being made, not just the quantity; and leveraging VIFF\u2019s role as an international film festival to provide attending filmmakers with access to a global platform and connections with peer programs worldwide.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cBy shifting from festival-centric development to the creative Institute model, VIFF aims to become a far more valuable resource to filmmakers from British Columbia and across Canada,\u201d said VIFF executive director Kyle Fostner.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cWe\u2019re passionate about the caliber of filmmaking talent we see in Canada, and we feel VIFF has a responsibility to be a keystone partner in their future success. This new Institute model will allow us to radically expand our artistic development programs, and to significantly deepen our impact on the careers and artistic practices of future Canadian and Indigenous filmmakers.\u201d<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2026\/03\/Ana-Belen-Asfura-2025.jpg\" alt=\"\" data-lazy- data-lazy- height=\"1024\" width=\"876\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tAna Bel\u00e9n Asfura will head the Institute for the Moving Image.<\/p>\n<p>\t\t\t\t\t\t\t\t\tVIFF<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAna Bel\u00e9n Asfura, VIFF\u2019s director of artist and industry programs, will head the Institute for the Moving Image. A Chilean-Palestinian film producer, Asfura has extensive experience in talent development, positioning strategies and international circulation, the festival said.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cAna brings new vision, purpose and global industry insight to the VIFF team, drawing from a career that spans consultancy in distribution and marketing as well as service on selection and evaluation committees for international film funds.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cCinema speaks across borders and cultures,\u201d Asfura said. \u201cIt is a universal language \u2014 not of sameness, but of connection across difference. In a world that often feels fragmented and dehumanized, reclaiming this universality is an ethical act.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe Institute for the Moving Image is built on this belief: a space where voices converge and coexist, where disciplines and cultures meet not in hierarchy but in collaboration. A place where ideas, experiences, and emotions flow freely, where artists are nurtured, challenged, and empowered to claim authorship of their own narratives.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cFor us, creating space for these voices is not optional; it is essential. It is how we restore shared humanity, ignite global dialogue, and forge a more inclusive, vibrant future for cinema,\u201d she added.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Institute is designed to support emerging equity-deserving filmmakers and screen creatives across British Columbia and Canada. It will offer cohort-based programs led by local and international artists, industry activities, market access and community engagement, nurturing sustainable careers, strengthening British Columbia\u2019s independent film ecosystem, and connecting creators directly with the festival\u2019s international network.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Institute is launching with three initial programs, or Institute cohorts: animation, documentary and creative business. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Animation Cohort is designed for independent animators exploring author-driven storytelling and distinctive visual languages. It supports artists working outside commercial pipelines, with a focus on experimentation, personal expression and narrative risk.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Documentary Cohort is designed for filmmakers expanding the boundaries of nonfiction storytelling. It supports artists exploring bold, hybrid and socially engaged approaches to nonfiction.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAimed at \u201cfilmmakers building sustainable careers without compromising creative ambition,\u201d the Creative Business Cohort supports producers and creative leads with the tools, strategies, and industry knowledge needed to sustain long-term creative practice.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe application process is now open for all three inaugural cohorts and closes April 19.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSpeaking to Variety, Asfura underscored the province\u2019s vibrant and diverse communities and rich potential they offered.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe talent that we have in British Columbia is huge. We have the Indigenous communities; we have a huge Latin American and Middle Eastern communities. It is so diverse and there are so many stories to tell.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Institute and its 2026 pilot programs are supported by the Canada Media Fund. In the coming years, VIFF envisions expanding into additional training streams for key creative roles, alongside new initiatives such as artist residencies, year-round labs and the potential to become a source for development funding.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tApplications for other programs, including Catalyst, Composer Filmmaker Accelerator, VIFF Amp, Co-Production Forum and Work In Progress, will be announced soon.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tApplication information is available at viff.org\/institute\/applications, with full program details and eligibility at viff.org\/institute.<\/p>\n","protected":false},"excerpt":{"rendered":"The Vancouver International Film Festival (VIFF) has announced a new intitiative, the Institute for the Moving Image, a&hellip;\n","protected":false},"author":2,"featured_media":540754,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[194298],"tags":[903,49,48,55,211139],"class_list":["post-540753","post","type-post","status-publish","format-standard","has-post-thumbnail","category-vancouver","tag-british-columbia","tag-ca","tag-canada","tag-vancouver","tag-vancouver-film-festival"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/540753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=540753"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/540753\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/540754"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=540753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=540753"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=540753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}