{"id":64519,"date":"2025-08-12T17:49:07","date_gmt":"2025-08-12T17:49:07","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/64519\/"},"modified":"2025-08-12T17:49:07","modified_gmt":"2025-08-12T17:49:07","slug":"devil-wears-prada-2-to-spider-man-4-is-the-hollywood-hype-machine-starting-too-early-movies","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/64519\/","title":{"rendered":"Devil Wears Prada 2 to Spider-Man 4: is the Hollywood hype machine starting too early? | Movies"},"content":{"rendered":"<p class=\"dcr-130mj7b\">Do you want to know who might be starring, cameoing or in some way appearing in the <a href=\"https:\/\/www.theguardian.com\/culture\/2025\/jun\/30\/devil-wears-prada-2-cast\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">upcoming sequel<\/a> to The Devil Wears Prada? Well, you might not have a choice. Ever since filming on the Anne Hathaway\/Meryl Streep reunion commenced in New York a few weeks ago, set photos and accompanying <a href=\"https:\/\/nypost.com\/2025\/08\/08\/entertainment\/is-sydney-sweeney-secretly-in-devil-wears-prada-2\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">news items<\/a> have become plentiful (don\u2019t click that link if you don\u2019t want to know the rumors about a major star). Of course, gossip pages breathlessly reporting casting rumors are not sanctioned by a movie studio, like a teaser, poster, trailer or announcement video. At the same time, the movie hype machine has been blurring the line between genuine marketing and tweet-grade micro-teases all summer long.<\/p>\n<p>The Guardian\u2019s journalism is independent. We will earn a commission if you buy something through an affiliate link.\u00a0<a href=\"https:\/\/www.theguardian.com\/info\/2017\/nov\/01\/reader-information-on-affiliate-links\" rel=\"nofollow noopener\" target=\"_blank\">Learn more<\/a>.<\/p>\n<p class=\"dcr-130mj7b\">For example: is there a teaser trailer for next summer\u2019s Spider-Man: Brand New Day? It\u2019s the next Marvel movie after this July\u2019s <a href=\"https:\/\/www.theguardian.com\/film\/2025\/jul\/22\/the-fantastic-four-first-steps-review\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Fantastic Four reboot<\/a>, and plenty of summer blockbusters-to-be have called their shots with a teaser a year in advance, so it would make sense to get a little something out there. A teaser is kinda-sorta what Sony <a href=\"https:\/\/x.com\/SpiderManMovie\/status\/1951630195246669893\" data-link-name=\"in body link\" rel=\"nofollow\">posted<\/a> a few weeks ago, only it was hyped up as a \u201csuit reveal\u201d, which seems like an attempt to redress a 20-second teaser in literal new clothes. It also seems like a backfire if the strategy involves anyone beyond the most diehard 5% of movie-watchers realizing or caring that Tom Holland walks up to the camera wearing a Spider-Man costume that is slightly different than the six other Spider-Man costumes he\u2019s donned in other appearances. There is also a <a href=\"https:\/\/go.skimresources.com\/?id=114047X1572903&amp;url=https%3A%2F%2Fhypebeast.com%2F2025%2F8%2Fsony-pictures-tom-holland-spider-man-brand-new-day-additional-behind-the-scenes-footage-info&amp;sref=https:\/\/www.theguardian.com\/film\/2025\/aug\/12\/hollywood-movie-promotion-campaigns\" data-link-name=\"in body link\" rel=\"sponsored nofollow noopener\" target=\"_blank\">behind-the-scenes video<\/a> of a movie that\u2019s barely started filming. It recalls the absurdly lengthy \u201cchair reveal\u201d of <a href=\"https:\/\/www.theguardian.com\/film\/2025\/mar\/28\/avengers-doomsday-a-doomed-character-pile-up-or-a-masterstroke-in-waiting\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">cast members<\/a> from Avengers: Doomsday parceled out over five hours, which is getting its own sequel soon. (Not everyone was announced, of course. Not least because the movie\u2019s screenplay was not finished at the time of that announcement and filming commencement.)<\/p>\n<p class=\"dcr-130mj7b\">Even <a href=\"https:\/\/www.theguardian.com\/film\/christopher-nolan\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Christopher Nolan<\/a>, who has generally mastered the art of keeping his highly anticipated movies to the realm of teasers and trailers \u2013 a teaser for his Imax-shot version of <a href=\"https:\/\/www.theguardian.com\/film\/2024\/dec\/24\/christopher-nolan-next-film-the-odyssey\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">The Odyssey<\/a> emerged just about a year before its planned July 2026 release \u2013 succumbed to the hype machine when that Odyssey teaser was accompanied by tickets for <a href=\"https:\/\/www.theguardian.com\/film\/2025\/jul\/18\/first-tickets-to-christopher-nolans-the-odyssey-sell-out-a-year-before-its-2026-release\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">select showtimes going on sale<\/a>. That\u2019s right, if you want to plan a movie outing 50 weeks from now, you can see about booking an Odyssey ticket at your local Imax (if applicable). Or rather, you could have if your AMC app didn\u2019t crash; most of those showings sold out quickly.<\/p>\n<\/p>\n<p class=\"dcr-130mj7b\">To some extent, this is business as usual. There\u2019s been year-out hype for movies for literal decades at this point; <a href=\"https:\/\/www.theguardian.com\/film\/2022\/may\/22\/alien-3-movie-1992-david-fincher\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Alien 3<\/a> had a <a href=\"https:\/\/www.youtube.com\/watch?v=Bk_x9W1xKng\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">teaser trailer<\/a> that infamously teased a movie with a completely different premise (Aliens on Earth?!). Some of it is also just the studios attempting to compete with the speed and ferocity of digital-era hype, to be heard above the constant buzz of phone notifications over virtually nothing (as well as the semi-regular global calamity). After all, the days of getting by on trailers, posters and TV ads alone are long gone, right?<\/p>\n<p class=\"dcr-130mj7b\">Maybe not. The <a href=\"https:\/\/deadline.com\/2025\/08\/box-office-weapons-freakier-friday-1236482095\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">biggest global opening<\/a> of the past weekend was the horror movie <a href=\"https:\/\/www.theguardian.com\/film\/2025\/aug\/06\/weapons-review-zach-creggers\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Weapons<\/a>, which exceeded expectations for its launch based largely off of &#8230; trailers that explained the premise of the movie. Obviously there\u2019s more to a marketing campaign than that. In the spring, the film launched a <a href=\"https:\/\/www.maybrookmissing.com\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">website<\/a> mocked up to look like news postings about Maybrook, the fictional town in the movie, with shades of The Blair Witch Project from 1999. But the baseline of the movie\u2019s marketing was a couple of trailers that showed a lot of creepy imagery but said little about the multi-character plot beyond what the movie reveals in its first two minutes: one night, a group of third-graders from the same class mysteriously rise from their beds, run outside, and disappear into the night. The movie is about figuring out what happened to them; no casting announcements, announcement videos, or greetings from the set needed. For well over a year, about the only thing anyone repeated about this movie in the Hollywood trade publications was that it was a \u201chorror epic\u201d with some elements in common with another 1999 classic, Paul Thomas Anderson\u2019s Magnolia.<\/p>\n<p class=\"dcr-130mj7b\">Of course, Weapons operated with the luxury of less attention from both its studio and the outside press. It\u2019s not the kind of superhero movie or high-profile sequel that gets clicks a year before it comes out. But this strategy isn\u2019t only employed for smaller films. Disney\u2019s <a href=\"https:\/\/www.theguardian.com\/film\/2025\/may\/20\/lilo-stitch-review-disney\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Lilo &amp; Stitch remake<\/a>, the second-biggest global hit of the year so far, certainly had plenty of promotion, tie-ins, brand activations and so on. But it successfully waited until much closer to its release date, putting out a couple of traditional low-footage teasers at the end of 2024, and a full trailer a few months before the movie\u2019s release in 2025. <a href=\"https:\/\/www.theguardian.com\/film\/2025\/apr\/10\/sinners-review-ryan-cooglers-deep-south-gonzo-horror-down-at-the-crossroads\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Sinners<\/a>, an ambitious movie with an audience more in line with Weapons, also managed to avoid selling much-hyped nothingburgers, and was able to take audiences by surprise.<\/p>\n<p class=\"dcr-130mj7b\">Next year\u2019s crop of much-hyped sequels will still probably draw crowds. Streep, Hathaway, Nolan, Spider-Man and whoever is in the Avengers these days all have plenty of fans. But the rush to blow up what would normally be lines in a press release to an epic and ceremonious scale still feels sweaty \u2013 maybe sweatier, even, as if companies including Disney are desperate to project the image of day-stopping news when another name of an old X-Men cast member turns up on a chair. As recently as the release of <a href=\"https:\/\/www.theguardian.com\/film\/article\/2024\/jul\/23\/deadpool-wolverine-review-ryan-reynolds-and-hugh-jackman-mcu\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Deadpool &amp; Wolverine<\/a>, the company prized spoiler protection, with almost none of the movie\u2019s various in-joke cameos signaled ahead of time. That seemed like good marketing, but maybe it was just fear of the fact that many of those cameos were intentionally expectations-undermining jokes, rather than mega-applause moments. It\u2019s harder to tell in retrospect because the hype machine has spent so much time accidentally eliminating the difference between teasers, spoilers and piles of random crumbs.<\/p>\n","protected":false},"excerpt":{"rendered":"Do you want to know who might be starring, cameoing or in some way appearing in the upcoming&hellip;\n","protected":false},"author":2,"featured_media":64520,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[49,48,75,337],"class_list":["post-64519","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-ca","tag-canada","tag-entertainment","tag-movies"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/64519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=64519"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/64519\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/64520"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=64519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=64519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=64519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}