{"id":650302,"date":"2026-05-05T23:07:09","date_gmt":"2026-05-05T23:07:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/650302\/"},"modified":"2026-05-05T23:07:09","modified_gmt":"2026-05-05T23:07:09","slug":"labour-connection-on-display-at-sarnia-gallery-exhibitions-2","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/650302\/","title":{"rendered":"Labour, connection on display at Sarnia gallery exhibitions"},"content":{"rendered":"<p>Article content<\/p>\n<p>Mark Stebbins\u2019s paintings tend to be small, and with good reason.<\/p>\n<p>Article content<\/p>\n<p>The Point Edward native, now London-based artist, who has exhibited internationally and several times in Sarnia, estimated at least 100 hours goes into every work he creates, each a meticulously hand-crafted and detailed conglomeration of paint dollops, and sometimes ink.<\/p>\n<p>Article content<\/p>\n<p>There are 27 works in his recently opened The Lingering Instant exhibition at the Judith and Norman Alix Art Gallery in Sarnia,.<\/p>\n<p>\u201cIt represents a few years worth of work,\u201d Stebbins said.<\/p>\n<p>That labour intensity is part of the point, he said.<\/p>\n<p>\u201cIn some ways, it is a push-back . . . against the faster pace of digital culture.\u201d<\/p>\n<p>The Lingering Instant includes syringe-extruded paint on burlap, and wood panels coloured with ink and acrylic, using dip pens and very small brushes, he said.<\/p>\n<p>Paintings, sometimes methodically planned, other times improvised, are layered with multiple meanings, as is the exhibition title, he said.<\/p>\n<p>Titles are meant to suggest a way into the work, he said.<\/p>\n<p>\u201cSome kind of interpretation, but to leave enough openness so the person can bring their own thoughts.\u201d<\/p>\n<p>Article content<\/p>\n<p>His process always has been slow, Stebbins said.<\/p>\n<p>He enjoys the detail, and drawing people who reflect on the work \u201cinto a different sort of world that asks you to slow down, look, stop, think,\u201d he said.<\/p>\n<p>Stebbins\u2019s is one of two exhibitions at the gallery exploring how people connect to each other, nature and the systems shaping our world, said curator Sonya Blazek.<\/p>\n<p><img decoding=\"async\" alt=\"Aganetha Dyck, Diana Thorneycroft, and Reva Stone's Together Apart | Under One Roof exhibition at JNAAG.\" class=\"embedded-image__image lazyload\" src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2026\/05\/1778022429_361_0506-so-gallery2.so_.jpg\"  height=\"900\" loading=\"lazy\" width=\"1200\"\/> Aganetha Dyck, Diana Thorneycroft, and Reva Stone\u2019s Together Apart | Under One Roof exhibition at JNAAG. (Handout) jpg, SO, apsmc<\/p>\n<p>Together Apart | Under One Roof features works by Aganetha Dyck, Diana Thorneycroft, and Reva Stone, studio neighbours in Winnipeg for 30 years.<\/p>\n<p>Focuses include feminist art practice, collaboration, and the relationship between human and non-human worlds, Blazek said.<\/p>\n<p>\u201cIt\u2019s an exhibition about friendship as much as it is about art . . . and their interest in connections between people, nature, and other forms of life.\u201d<\/p>\n<p>Both exhibitions opened April 17 and run until Aug. 30.<\/p>\n<p>Connecting with old friends from the community at a recent opening reception was welcome, Stebbins said.<\/p>\n<p>\u201cI love the chance to return to Sarnia to do an exhibition like this,\u201d he said.<\/p>\n<p>He\u2019s also hosting a free artist talk on the exhibition on June 6 at 11:30 a.m. at the gallery \u2013 people can register at jnaag.ca \u2013 and teaching an acrylic ink painting workshop at the gallery the following day. Workshop spots cost $75.<\/p>\n<p>\u201cIt\u2019s really just about community engagement,\u201d he said. \u201cLike making art, something that people can develop a relationship around and connect and get to know each other.\u201d<\/p>\n<p data-async=\"\"><a data-evt-val=\"{\" control_fields=\"\" link=\"\" data-evt=\"click\" data-evt-typ=\"click\" href=\"mailto:tkula@postmedia.com\">tkula@postmedia.com<\/a><\/p>\n<p>Share this article in your social network<\/p>\n","protected":false},"excerpt":{"rendered":"Article content Mark Stebbins\u2019s paintings tend to be small, and with good reason. Article content The Point Edward&hellip;\n","protected":false},"author":2,"featured_media":650303,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[76,354,355,49,48,356,75],"class_list":["post-650302","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-ca","tag-canada","tag-design","tag-entertainment"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/650302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=650302"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/650302\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/650303"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=650302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=650302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=650302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}