{"id":669288,"date":"2026-05-14T16:38:09","date_gmt":"2026-05-14T16:38:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/669288\/"},"modified":"2026-05-14T16:38:09","modified_gmt":"2026-05-14T16:38:09","slug":"spider-man-brand-new-day-trailer-teases-tom-hollands-dark-knight-turn","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/669288\/","title":{"rendered":"Spider-Man: Brand New Day trailer teases Tom Holland’s Dark Knight turn"},"content":{"rendered":"

Everyone in Hollywood has Christopher Nolan<\/a> envy. Why wouldn\u2019t they? While studios leverage any IP imaginable to craft a hit \u2014 get pumped for that Labubu movie from the director of Paddington<\/a> \u2014 the director of Inception<\/a>, Interstellar<\/a>, and a few Batman movies<\/a> has turned himself into his own marketable brand. Thanks to the power of IMAX film stock and two decades of self-mythologizing on the wonders of on-set stunt work, Nolan can make a three-hour J. Robert Oppenheimer biopic a box-office bonanza that competes with a Barbie movie. Everyone wants a piece of that, even Marvel.<\/p>\n

On Thursday, Marvel and Sony Pictures released a short non-trailer for Spider-Man: Brand New Day<\/a> that emphasizes just how much action to expect from this fourth installment. And not just action: Shot on the street, explosions in the background, aerial wire-fu action with stunts that pack enough kick to give star Tom Holland a concussion<\/a>. We will not see the Cirque du Soleil version of Brand New Day in theaters, with digital effects connecting all the dots and erasing all the rigging, but with enough practical elements it should rise well above the expectations of what Marvel often delivers on the setpiece front. (Sorry, Punisher.<\/a>)<\/p>\n

In an era where every type of entertainment is eroding the theatrical experience, from TV to video games to YouTube to Tiktok to the next great hyper-shortform content mill, movie studios are pitching their tentpoles with a greater emphasis on reality than ever before. That isn\u2019t slowing down the pipeline for $200 million live-action cartoons pitched at Gen X nostalgia<\/a> but some tunes have changed. At this year\u2019s Cinema Con, Warner Bros. launched a specialty distribution brand, Clockwork, with a mission of filmmaker-forward fare. Its first big swing is a re-release of Ken Russell’s cut of The Devils. Not exactly a four-quadrant operation, but a hint that there\u2019s still a hope that film grain and practical craft have a place in Hollywood. Maybe Seth Rogan\u2019s The Studio<\/a> got under executives\u2019 skin.<\/p>\n

But I see this more as Nolan\u2019s profound impact on what movies can be and how they speak to mass audiences. Nolan will face a test with The Odyssey, which despite being made by the guy who brought us Heath Ledger\u2019s Joker, a dude bro icon, is being attacked for \u201cwoke\u201d casting<\/a> by Guys Who Have Stopped Thinking About the Roman Empire For One Day to Critique a Greek Epic. I still think Nolan bests them all through by building big ships and letting Matt Damon swing a sword on an actual Greek island. The rest of the industry seems to think he\u2019s got the juice, no matter what. (And Holland must agree, as he stars in both Brand New Day and The Odyssey this summer.)<\/p>\n

Nolan didn\u2019t invent practical-effects-heavy filmmaking, but as I\u2019ve written, Interstellar rewired how Hollywood talks about it<\/a>. Nolan\u2019s mix of giant miniatures and projected space environments created a modern sci-fi aesthetic that still feels weirdly unmatched more than a decade later. That influence popped up again this month around Project Hail Mary<\/a>, when co-director Christopher Miller proudly declared the movie used \u201cno green screen whatsoever,\u201d immediately setting off a small online firestorm among VFX artists, who understandably pointed out that a giant space movie featuring alien characters does not materialize out of thin air.<\/p>\n

Miller later clarified that the film absolutely used visual effects, but like Nolan on Interstellar, the production prioritized practical sets before layering in digital work from studios like ILM and Framestore. Even still, filmmakers are chasing the Nolan blueprint, trying to capture that elusive Interstellar feeling \u2014 or in the case of Brand New Day, that Inception\/Tenet\/The Dark Knight feeling \u2014 where fantasy occupies actual space instead of floating through a CG soup.<\/p>\n

Is Destin Daniel Cretton a filmmaker on par with Nolan? Brand New Day may be the way to judge, but between the fight choreography on Shang-Chi<\/a> and the grounded superhero logic of Wonder Man<\/a>, he\u2019s steering the Marvel Cinematic Universe in a more realistic direction than the Russo Brothers ever could or would. The real coup would be making a name for himself under the umbrella of Brand New Day. Spider-Man swinging in the actual streets of London looks frickin\u2019 awesome, but I wonder what Cretton would do with $100 million and free reign to make his dream project a la Inception. That\u2019s where Nolan still can\u2019t be beat.<\/p>\n


\n \"Tom<\/p>\n

<\/a><\/p>\n

Semi-related<\/p>\n

\t\t
\n\t\t\tLog off, Tom Holland
\n\t\t<\/a><\/p>\n

The Spider-Man: Brand New Day star says he’s been ‘actively sifting’ through Marvel fans’ posts, which sounds… not good<\/p>\n","protected":false},"excerpt":{"rendered":"Everyone in Hollywood has Christopher Nolan envy. Why wouldn\u2019t they? While studios leverage any IP imaginable to craft…\n","protected":false},"author":2,"featured_media":669289,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[49,48,75,337],"class_list":["post-669288","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-ca","tag-canada","tag-entertainment","tag-movies"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/669288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=669288"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/669288\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/669289"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=669288"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=669288"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=669288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}